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Song Premiere : “Phantom Lover” – A Short Walk To Pluto
Toronto-born foursome A Short Walk To Pluto pride themselves on their ability to connect with listeners through a potent combination of eclectic progressive rock stylings and uncompromising songwriting.
As the band’s heaviest track yet, “Phantom Lover” jolts you into an excited fury with lyrics that invoke a sexy and smokey atmosphere full of 20-somethings looking for some action.
From The Artist : “Float into the smoky atmosphere. Akin to a lover that is only existent for one night stand. The next morning, they’re just a phantom.
The artwork depicts a large hand controlling an astronaut like a puppet, playing into sexually suggestive connotations with the grayscale appearance complementing the metalness of the sound.”
Connect with A Short Walk To Pluto : Website || Twitter || Facebook || Instagram || TikTok || Spotify || Apple Music || Bandcamp
Live in limbo, follow us on instagram, follow us on twitter, watch more videos on youtube.
The Meaning Behind The Song: Phantom Love by Slater Vance
Phantom Love, a mesmerizing ballad by Slater Vance, carries a profound meaning that resonates with listeners on a personal level. With its heartfelt lyrics and haunting melody, the song delves into the depths of unrequited love, the anguish of longing, and the bittersweet beauty of memories. Vance’s poignant storytelling invites listeners to embark on a journey of reflection and emotional introspection.
Table of Contents
The lyrics of Phantom Love paint a vivid picture of a love that remains obscured, constantly out of reach. The protagonist of the song finds solace in fleeting moments, where the object of their desire becomes a ghostly figure, haunting their every thought. It speaks to the overwhelming nature of unrequited love, where the wistful yearning becomes a phantom that lingers, forever present yet forever unattainable.
Amidst the somber melodies, Vance’s lyrical prowess evokes a sense of nostalgia and longing. The song’s evocative imagery portrays the protagonist’s struggle to let go of a love that never materialized fully. The emotional weight is palpable, as listeners can’t help but empathize with the pain and vulnerability embedded in Vance’s voice.
Frequently Asked Questions about Phantom Love
1. what inspired slater vance to write phantom love.
Slater Vance drew inspiration for Phantom Love from personal experiences and observations of unrequited love around him. The emotional intensity and universality of this theme transcends boundaries, making it relatable to many listeners.
2. Can you share some of the key motifs in Phantom Love?
Phantom Love explores themes of longing, yearning, and the indelible mark left by love. It also delves into the juxtaposition of pleasure and pain, reminiscing on moments of joy while grappling with the sorrow of an unattained connection.
3. How does the melody complement the song’s meaning?
The haunting melody of Phantom Love mirrors the sense of elusive desire conveyed in the lyrics. It beautifully captures the ethereal nature of phantom love, enhancing the emotional impact of the song.
4. What makes Phantom Love stand out among Slater Vance’s discography?
While each song by Slater Vance carries its own unique essence, Phantom Love stands out due to its introspective nature and the raw vulnerability it exudes. The captivating storytelling and heartfelt lyrics make it a standout piece within Vance’s body of work.
5. Can you elaborate on the production behind Phantom Love?
Phantom Love’s production expertly captures the delicate balance between simplicity and depth. The instrumentation, combined with Vance’s soulful vocals, creates an atmospheric soundscape that envelops listeners, pulling them into the emotional landscape of the song.
6. How does Phantom Love connect with listeners?
Phantom Love strikes a chord with listeners by tapping into the universal experience of longing and unrequited love. Its ability to evoke an emotional response and resonate with individuals on a personal level contributes to its lasting impact.
7. Are there any hidden meanings or symbols within Phantom Love?
While the interpretation of Phantom Love is subjective, some listeners have shared their insights on hidden meanings within the song. From metaphors about the passage of time to the transcendence of love beyond physical presence, these interpretations add layers of depth to the lyrics.
8. Have any notable figures in the industry praised Phantom Love?
Phantom Love has garnered acclaim from both critics and fellow musicians. Renowned artists have praised Vance’s ability to capture the complexities of love and emotions through his captivating and vulnerable songwriting.
9. What is the significance of the title, Phantom Love?
The title itself encapsulates the central theme of the song. “Phantom Love” symbolizes a love that exists in elusive fragments, forever haunting the individual’s thoughts and emotions.
10. How does Phantom Love fit into Slater Vance’s artistic journey?
Phantom Love epitomizes Slater Vance’s evolution as an artist, showcasing his growth as a songwriter and his ability to convey profound emotions through his music. It serves as a testament to Vance’s artistry and his commitment to creating music that resonates with listeners.
With its powerful lyricism and haunting melodies, Phantom Love by Slater Vance stands as a testament to the complexities of unrequited love. This captivating ballad serves as a reminder of the universal struggles we face in matters of the heart, resonating with listeners and leaving an indelible mark on their souls.
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A complete guide to all the songs in 'The Phantom of the Opera'
Learn more about the songs in The Phantom of the Opera , including "Masquerade," "All I Ask of You," "The Music of the Night", and "Think of Me."
It’s time to listen to the music of the night – otherwise known as Andrew Lloyd Webber’s soaring score for his all-conquering 1986 musical The Phantom of the Opera . Featuring lyrics by Charles Hart, and a libretto co-written by Lloyd Webber and Richard Stilgoe, it’s an epic adaptation of Gaston Leroux’s novel about a masked genius lurking in the sewers beneath the Paris Opera House in the late 19th century.
That lurker would be the Phantom: the musical mentor of young soprano Christine. She becomes the centre of a passionate love triangle, pursued both by the Phantom and by her childhood friend-turned-wealthy patron, Raoul. The show opened in the West End starring Sarah Brightman, Michael Crawford and Steve Barton, and went on to win Olivier and Tony Awards for Best Musical. Find out more about The Phantom of the Opera in London.
Phantom continues to enchant audiences: it’s the longest-running show in Broadway history, and the second-longest-running musical in the West End following Les Misérables . Part of its appeal is the sheer opulent scale, including that famous chandelier. But key to its success, too, is Lloyd Webber’s mighty operatic score. Follow us down into the Phantom’s lair (via His Majesty's Theatre ) as we guide you through the show’s indelible songs.
Book The Phantom of the Opera tickets on London Theatre.
“Hannibal Dress Rehearsal”
Phantom has a recurring show-within-a-show element. We open with the fictional cast rehearsing a new production, Hannibal, starring prima donna Carlotta. This scene also packs in some speedy exposition, introducing the audience to the opera house’s new owners, Firmin and Andre, and new patron, the Vicomte de Changy (also known as Raoul) — and also telling us that orphan Christine’s father was a famous violinist. It sets the template for a musical that will constantly whisk between onstage and backstage.
“Think of Me”
Carlotta storms off after a backdrop crashes down from the flies, and Christine takes over her role for that evening’s performance. “Think of Me” is her big aria, but its wistful lyrics also spur Raoul to recognise her as his childhood friend, and to wonder if she too remembers their shared past. It adds emotional heft to — and complicates — Christine’s triumph.
“Angel of Music”
Christine reveals to Meg (daughter of the ballet mistress Madame Giry) that she has a secret tutor, who she calls the Angel of Music. She believes it’s the spirit of her late father — a naïve idea encapsulated by this dreamy little number.
The Angel of Music becomes a point of reconnection for Christine and Raoul when he visits her in her dressing room and asks her out to dinner. Both remember the stories that her father used to tell them, and the song “Little Lotte” that he taught her to sing. He assumes it’s all a fantasy, whereas Christine thinks it’s actually real.
Enter the Phantom — and an angry, jealous Phantom. He’s furious that Raoul is sharing in his triumph, and lures Christine away. She meets his fury with a sweet reprise of “Angel of Music.” Finally, he reveals himself to her in her mirror and takes her away.
“The Phantom of the Opera”
The almighty title number! It’s a key duet between Christine and the Phantom as they explore their dynamic: the Phantom has embedded himself in her psyche, and he takes credit for her glorious voice, while she characterises herself as his mask. The music echoes this tussle: both beautiful and ominous, grand as the Opera House and eerie as the sewers.
“The Music of the Night”
After travelling by boat to his hidden lair, the Phantom reveals that he has selected Christine as his muse — and shows her an image in the mirror where she’s wearing a wedding dress. It’s all too much: Christine faints. That brings out the Phantom’s caring side, as he covers her with his cloak and croons this tender song. Listen to the lyrics and you’ll find a sinister juxtaposition between the seductive music and his intent, which is to seduce her with his genius and trap her in the dark with him.
“I Remember”/ “Stranger Than You Dreamt It”
Christine wakes to hear the monkey music box (the one that Raoul will see at the auction in the show’s prologue). As the Phantom sits at the organ, composing his next opus, Christine creeps up to him and removes his mask – revealing his disfigured face. The Phantom roars at her anger, then this tune softens as he admits he yearns to be loved.
“Notes”/ “Prima Donna”
Andre, Firmin and Raoul are all fretting about the mysterious disappearance of their sopranos. But the Phantom has written a series of notes, demanding Christine become the star of his new opera, not Carlotta. The owners appease a furious Carlotta, assuring her that she won’t be replaced. It’s a busy number with lots of cross-currents (and a fun piece of epistolary farce) – a nice contrast to the serious songs we’ve just heard in the sewers.
“Why Have You Brought Me Here?”
After the Phantom sabotaged the performance by reducing Carlotta’s voice to a croak, Christine drags Raoul to the rooftop and confesses all about the Phantom and his dangerous obsession with her. Raoul still thinks it was just a dream.
“All I Ask of You”
Now Raoul gets his big moment – and it’s the polar opposite to the Phantom’s “Music of the Night”. He says that daylight (not the darkness) will dry her tears, and that he will be her shelter and her light. Instead of wanting to control her, he simply asks to be a part of her life. That sentiment is matched by a sweet, gentle, sincere tune – and when Christine matches it, their romance takes flight.
“All I Ask of You (Reprise)”
Uhoh. The Phantom was spying on them and he now uses their love song with which to swear revenge. Watch out for Act Two...
“Masquerade”/ “Why So Silent?”
Phantom ’s second half opens six months later, and in grand style: with a masquerade ball. Masks are being used playfully (as exemplified by the jaunty patter sections with swift, teasing lyrics), and the general tone is jubilant: Christine and Raoul are engaged, and all is well. At least, until the Phantom gate-crashes the party. He has a new opera for them, but demands Christine star – and return to him.
“Notes”/ “Twisted Every Way”
Another knotty plotting number, but the tone is now sombre. Christine is scared that she’s become the Phantom’s prey, and Raoul entreats her to use the opera to trap the Phantom. Will she betray her mentor?
“Wishing You Were Somehow Here Again”
Her loyalties divided, Christine visits her father’s grave. After the frantic opening action, it’s a slow, shimmering number that shifts between warmth and aching melancholy. It’s also an important part of Christine reckoning with the past: in one way or another, she’s been haunted throughout the show, and (in the song’s big climax) now needs to find the strength to fight for her future.
The Phantom isn’t going away just yet. He appears to Christine in the cemetery, once again seducing her with the power of his voice and “Angel of Music” genius – until Raoul breaks the spell.
“Don Juan Triumphant”/ “The Point of No Return”
That’s the title of the Phantom’s new opera, which we now hear rehearsed by Christine, Carlotta and the chorus. The Phantom gate-crashes once again, taking on the part of Don Juan so he can sing lyrics with a double meaning to Christine: “In your mind you’ve already succumbed to me… no use resisting: abandon thought, and let the dream descend.” But are they really “past the point of no return”?
The Phantom then uses a reprise of “All I Ask of You” to propose to Christine. However, before he can finish, she unmasks him – and they discover the corpse of the actor he murdered. Game over.
“Down Once More”/ “Track Down This Murderer”
As an angry mob vows to hunt down the Phantom, he escapes to his lair with a captive Christine. Raoul follows, and the Phantom threatens to kill him unless Christine stays. Finally, Christine realises the truth: his haunted face holds no horror for her – it’s in his soul “that the true distortion lies”. She decides to show him pity and kindness, and kisses him.
That thaws the Phantom’s heart, and he releases the two of them; they depart with a final reprise of “All I Ask of You,” leaving the Phantom alone with his “Music of the Night.”
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Photo credit: The Phantom of the Opera (Photo courtesy of production)
Originally published on Mar 1, 2023 16:15
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The phantom lover.
1995 ‘夜半歌聲’ Directed by Ronny Yu
In 1936 China, a nearly bankrupt drama troupe starts performing in a burned-out theater where the great actor Song Danping was killed. One of the actors, Wei Qing, starts seeing strange apparitions that could revive his troupe and deliver him to the same fate as Song Danping.
Leslie Cheung Wu Chien-Lien Liu Lin Roy Szeto Bao Fang Phillip Chung-Fung Kwok Yu Yankai
Ronny Yu Raymond Wong Roy Szeto
Peter Pau Tak-Hai
Phantom Lover - Aaverakastaja, Ye Ban Ge Sheng, 新夜半歌声, 야반가성, 夜半歌声
Music Drama Romance
Releases by Date
22 jul 1995, releases by country.
100 mins More at IMDb TMDb Report this page
Review by aysenur ★★★½
you can’t do that to leslie cheung’s face that’s not okay
Review by Sean Gilman ★★★½
Leslie Cheung in a decorous Ronny Yu riff on Phantom of the Opera. Leslie’s character only seems to know one role, and it’s a musical version of Romeo and Juliet, albeit one where Juliet weirdly dies first. Kinda dull, but the last bit of on-screen text is just hilarious.
Review by Jack Russo ★★★★
Romantic melodrama thrice fated to heartbreak - being a remake of Song at Midnight and so too an adaptation of both Romeo & Juliet and The Phantom of the Opera - to which the present is but an ashen grey, yet the sentiments within its ruins yearn for the most vivid red hues of a love which can only be recounted in flashback. Yu's romanticist formalism is enamoured with operatic tempos that gesture at all these emotions as felt in absence, with so many instances of cranes, dollies and canted angles suddenly collapsing into the despairing eyes of those who long to occupy the same space as one another. Deeply ethereal even when discounting the halo that is Leslie Cheung's titular…
Review by Filipe Furtado ★★★½
Ronny Yu last Hong Kong film before going West and also one of his better ones. He remains a decorative filmmaker which makes an ideal matter en scene to this lush variation on Phantom of the Opera about being haunting by a beautify thing one can quite explain. Drama often eludes the film, but Yu’s images have rarely being this affecting.
Review by Moosa Hamad ★★★½
Another really lovely Ronny Yu and Leslie collaboration, adore the gothic romantic tragedy of the film. The flashback retelling of the burning of the theatre is easily the best part about this. Also it’s getting to the point where I’m recognizing Leslie’s songs in the movie’s, I’m like so down bad 😭.
But wow the cinematography by Pau, and the production is really well done, and I love how the doomed romance is presented. It’s super emotional, and gets honestly kind of dark at certain points. Kinda liked the hopeful ending cause seeing these characters suffer more in the present day was extra emotional damage. First 40 mins are easily a 4, the present day sections just kinda drag it down. But god I love how genuinely moving a lot of this is, owed mostly to the usage of Leslie and his singing, and screen presence.
Review by Meg ★★★★
Leslie Cheung said, "Oh, 100 minutes? Yeah, I've got time to give you a definitive Phantom AND a definitive Romeo."
There really is just something haunting timeless otherworldly about him that shines through so well in this kind of production; a film hinging entirely on emotion.
Can the man in the shadows with just a tear sliding down his face visible from beneath his hooded cape stand in place of like plot development or whatever? When the man is Leslie Cheung, the answer is an emphatic yes.
Swept away. 💁🏼♂️
Review by zee
you know phantom of the opera is media for the gays when leslie cheung is in an adaptation of it! he really is the best.
Review by Chan Chiu-wai ★★★★
This film should've never end. It was that good. Maybe my Leslie Cheung bias and my love for the songs used in the film could be a primary reason why i loved it but trying to think of it from a neutral perspective, its still very good. I mean such majestic at the same time, tragic film wasn’t easy to make in Hong Kong back in 90s but it happened. Maybe it happened because Hong Kong had Leslie Cheung, he was such a majestic singer, elegant personality and a proper actor who always knew how to portray his character. He had everything the film needed, could be only person who rightfully could star in the film. Okay, my Leslie obsession came here again. I apologize. Bu believe me, its a good watch. Worth your time especially if you like to dig East-Asian hidden gems.
Review by MoVieManKev ★★★★
Ronnie Yu's epic re-imagining of Phantom of the Opera is beautiful, grandiose and just may be one of the best modern renditions of the oft told tale that I've seen.
Review by Natalie ★★★
3 for the overall film but 3.5 for my own personal enjoyment.
Theoretically, this film shouldn't work. But still, I really enjoyed this film for all its contradictions and its embracing of pulp and gothic melodrama. The romanticism of 1920s China (aka the warlord era and where Western Imperialism was in its last fading glory days) before the rise of the KMT and CCP in 1930s is reflected in the two timelines in the film. Most reviews don't like the 1936 timeline as much, and while it is weaker overall, it actually gives the story more depth despite adding to the overall messiness. This is because just the 1926 story would be a simple, straightforward incredibly melodramatic tragic romance story…
Review by MABUSECAST ★★★★★
one of ronny yu's (of freddy vs jason and bride of chucky fame) Hong Kong movies that just so happens to be one of his best films!
A very slick and beautifully shot Chinese take on "phantom of the opera" starring Leslie Cheung as the phantom!
Would fit in quite well with the other mid to late 90s glossy drama re-imaginings of the universal monsters that were being made in Hollywood around the same time this came out!
Review by JANE ★★★
Okay to be completely honest, this movie is not that good. But you will NEVER me see rank a Leslie Cheung movie below three stars. His face enough deserves it despite the shitty scenes. And they should have given those 100 mins to danping and weiqing ONLY. If they did that I would have added another star hehe.
also how is Leslie still beautiful asf with that “burnt” face 😭😩
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10 best songs in the phantom of the opera (2004).
Joel Schumacher's 2004 film The Phantom of the Opera highlights the classic songs from the timeless Broadway play by Andrew Lloyd Webber.
The Phantom of the Opera is synonymous with certain famous symbols and images: the rose with a black ribbon, the phantom's white mask, and a falling chandelier, to name a few. Besides these, and the grand spectacle of a Paris opera house, deep underground catacombs that make up the Phantom's lair, and a large mausoleum, The Phantom of the Opera is most acclaimed for its sweeping, soaring songs.
RELATED: 10 Best Movie Musicals Of All Time, According To The American Film Institute
The movie, which is based on the play by veteran Broadway artist Andrew Lloyd Webber (who also did Cats ), is a stunning extravaganza of music that's devastatingly romantic, and just plain devastating.
"I Remember/Stranger Than You Dreamt It"
After Christine Daae's introduction to the Phantom, she awakes from her faint-induced slumber to find herself in the Phantom's lair. She sings her portion "I Remember" that leads into his "Stranger Than You Dreamt It" after she peels the mask from his face in a moment of his weakness.
Christine's portion is full of an innocent curiosity and naiveté, which ultimately leads to her being hurt and scorned by the angel of music. Phantom's song is the first time viewers get a peek into the trauma of the opera ghost. Shackled to the underground labyrinth of the opera house, he refers to himself as a beast, a carcass, a monster, and believes he's in Hell, forever burning and yearning for Heaven's beauty. The instrumentals involve quick, successive sharp tones of orchestral strings. Though not present in the book, the tune in this musical (based on the 1911 French novel) is a memorable scene nonetheless.
After her mournful song in the graveyard where her father is buried, Christine sits on the steps of her father's mausoleum to say her final goodbye. As she does, the angel of music appears again, hypnotizing her again into the Phantom's presence.
In another beautiful duet between Phantom and Christine, they start to draw near one another again, Christine "yearning for his guidance" and declaring her angel of music her protector and beholder of true beauty. Phantom reminds her that he is the watchful presence that keeps her safe and cultivates her voice. The music swells and encompasses brass, winds, and strings, as she makes her way up the steps, and Phantom's voice is passionately mesmerizing.
This song, which involves the whole cast (minus Phantom) sees the opera house players as they get ready for that night's opening play. After securing Carlotta once again and demoting Christine to a mute role, the artists prepare during song in which they all reflect on the situation they're in.
RELATED: 10 Facts About Joel Schumacher’s The Phantom Of The Opera Film
"Prima Donna" reinforces the feminine divine of Carlotta and her leading soprano, while Raoul, Meg, and Madam Giry wonder what will happen to Christine, what misfortunes will occur when the Phantoms demands aren't met, and how a nation adores their artistic pleasures at the theatre. The musical accompaniment is smooth and sailing for much of the song, then comes to a loudly triumphant end.
The whole cast joins one another on-screen once again during this spectacular music number following a new year. The opera house is holding an exorbitant masquerade party full of costumes, drinks, dancing, and physical affection. It is one big party to greet a new year -- and simultaneously celebrating 3 months of being Phantom-free.
RELATED: 10 Things You Didn't Know About The Phantom Of The Opera
Perhaps the biggest of the film's operatic numbers due to the sheer size, magnitude, color, and musical force of "Masquerade", it is an unforgettable musical moment. The size of the orchestral instruments and everyone's voices add to the already magnificent and larger-than-life song where people must "guess the face" in a sea of yellows, blues, and reds, clowns, ghouls, and beasts.
"Think Of Me"
The first time the audience gets to her Christine Daae's voice is in her solo performance in "Think of Me" when she replaces Carlotta after she storms out in a huff. Daae's entrance mimics the books' as she steps in to take her place on center stage.
The song, crystal-clear in its vocalization, and the light, springy, and sprightly music behind it makes this song one of the most memorable for the central character. The sound crescendos at the end produce a monumental effect on the audience as they listen to Christine's words of asking her lover to promise to remember her when their love has faded, much like the fruits and flowers of seasons do.
"Past The Point Of No Return"
In one of Phantom and Christine's sexiest duets, this song comes towards the end of the film at a pivotal moment in their relationship that literally takes them past the point of any return.
The song is hot and heavy with passion, and love, which is reflected in its lyrics, the props and set, and even the clothes they are wearing, a clearly perfect creative aura from director Joel Schumacher . The actors' voices are on full display as the song gradually comes to its louder close, and the images of their bodies, desires, and physical prowess for one another is unmatched when they sing of the flames consuming them.
"Wishing You Were Somehow Here Again"
In another of Christine's solo acts, the soprano ventures out to the gravesite where her father is buried to finally say goodbye to him.
The song is a heartbreaking one full of anguish and despair as Christine wrestles with the end of her affair with the angel of music. She is torn between wanting to maintain the relationship but realizing she can no longer be what is necessary to make him happy. She wants to break free and "try to forgive...give me the strength to try."
"All I Ask Of You"
The dizzyingly romantic duet between Christine and Raoul is a highlight of the budding relationship between the two lovers and childhood friends.
As they stand in the snow on the rooftop of the Paris opera house and sing of their love, devotion, and commitment to one another, it becomes increasingly harder for fans not to root for the two of them. It is a genuine show of sincere love and affection that culminates in a passionate kiss and the song that defines their relationship forever.
"The Music Of The Night"
Phantom takes the spotlight in his own song that he serenades to Christine after bringing her to his lair.
The solo performance from the opera ghost is one that follows on the heels of their famous duet together and that introduces Christine to the musical genius of the angel of music and his workspace. In a way that is almost intoxicating, Phantom seduces her with his world full of night, dreams, and music. He inspires her to let her spirit soar and succumb to the rich, full existence of his world.
"The Phantom Of The Opera"
The most famous duet in the production, this song comes just as Christine is seeing and physically meeting Phantom in person for the first time.
This rock-and-roll-influenced song from the film has a rougher, sexier edge to it than what theatergoers might be used to. Christine begins the setup describing how he visited her and now he's here, while he sings back to her how they are here, once again, singing their "strange" duet. By the end, their voices and spirits become one, and audiences see the beginning of the famous love story unfurl.
NEXT: 10 Best Movie Musicals Based On Books, According To IMDb
Single Release: A Short Walk To Pluto, “Phantom Lover”
“ Hot blooded in the streets last night / I wasn’t looking for a fight / Heart poundin’ like a metronome / Semi-automatic as he’s known / Wonder, wonder / Phantom Lover / I could never forget / Taste of rum and unearned whiskey / The smell of cigarettes. ”
During a routine sweep of the GDW email inbox, I stumbled across this submission from Toronto, ON rock band, A Short Walk To Pluto, and my curiosity quickly got the better of me. After all, it was just a few months ago doing such an exercise that I discovered another Toronto indie pop-rock act, The Manic Girls & Boys Club, and their stunning debut single “Blacked Out” – one that impressed enough to make my year-end favorite Canadian singles list. Ever hopeful to repeat this good fortune of finding a needle in a haystack, I took some time to pick up my headphones, clear my mind, and gave this new single a whirl.
If you’ve ever had that sensation of not knowing what you want to hear – until you hear it – this is the perfect way I can sum up my initial impressions here. I was not ready for Danny Moriana’s heavy, distorted bass lines that filled the airwaves, nor the ensuing raw energy from drummer Jake Biggs and guitarist Max Kaiser – which all quickly brought my senses to life, preparing me for their final assault – the powerful delivery from vocalist Emma Armstrong. Together, the quartet combine an eclectic brand of progressive rock with catchy hooks and rhythms, creating a uniquely modern sound with plenty of confidence and swagger, and a ‘voice’ that has me drawing parallels to other powerful Toronto indie-rock vocalists such as Meagan Brittanie (The Savilles) and long-time GDW favorite Joan Smith.
“ Light headed, I’m messing around / And I like the way you hold me down / Lights go out, I can hardly stand / Coming closer, hips under command / Wonder, wonder / Phantom Lover / Nothing more than a friend / See you in my empty Chevy / On the other end. ”
“ Phantom Lover is our heaviest and sexiest song,” the band share. “Float into the smoky atmosphere. Akin to a lover that is only existent for [a] one night stand, the next morning, they’re just a phantom.” Formed in 2018, the band co-wrote this latest single with Brittany Weatherston – but are themselves wholly responsible for the stunning instrumental solo that follows the second verse (crank it up, and be ready to enjoy the excellent inclusion of some ambient ‘chatter’ – it’s a nice touch). And don’t gloss over the cool single artwork that the band have created. “The artwork depicts a large hand controlling an astronaut like a puppet,” they explain. “Playing into sexually suggestive connotations with the grayscale appearance complementing the metal-ness of the sound.”
We don’t often delve into the world of underground indie music, but sometimes, digging a little deep often uncovers hidden gems such as this. A Short Walk To Pluto have landed on our radar, and are one to watch going forward – are they on yours yet?
“ Mmmm, are you listening / I’m just here to leave you wantin’ more / No, I’m not the girl you’re lookin’ for / But I’ll be the one that you adore / Wonder, wonder / Phantom Lover / Who are we to pretend / Sneaking out the back door baby / You’ll never see me again. ”
The British guy that crossed the ocean and crash landed in central Pennsylvania (to quote Greg Keelor, “And I wonder what am I doing here?”). As the youngest of four siblings, exposure to music from a very early age nurtured my passion and appreciation for many musical genres. Continuing to discover some amazingly diverse and talented musicians based in Canada, I gravitate to live music experiences and remain devoted to spreading the word about such a vibrant music scene.
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The Phantom Lover
- In 1930's China, an opera troupe arrives at an abandoned theater, haunted by the spectral figure of it's previous owner - a once great opera singer - who now seeks to turn the company's young leading men into a great star like himself.
- In 1936 China, a nearly bankrupt drama troupe starts performing in a burned-out theater where the great actor Song Danping was killed. One of the actors, Wei Qing, starts seeing strange apparitions that could revive his troupe and deliver him to the same fate as Song Danping. — Erik Gregersen <[email protected]>
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The Phantom Lover
Cast & crew.
Leslie Cheung Kwok-Wing
Wu Chien Lien
© 1995 Mandarin Motion Pictures Ltd.
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