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Let’s Start Here.

By Alphonse Pierre

Quality Control / Motown

February 1, 2023

At a surprise listening event last Thursday,  Lil Yachty   introduced his new album  Let’s Start Here. , an unexpected pivot, with a few words every rap fan will find familiar: “I really wanted to be taken seriously as an artist, not just some SoundCloud rapper or some mumble rapper.” This is the speech rappers are obligated to give when it comes time for the drum loop to take a backseat to guitars, for the rapping to be muted in favor of singing, for the ad-libs to give it up to the background singers, and for a brigade of white producers with plaque-lined walls to be invited into the fold. 

Rap fans, including myself, don’t want to hear it, but the reality is that in large slices of music and pop culture, “rapper” is thrown around with salt on the tongue. Pop culture is powerfully influenced by hip-hop, that is until the rappers get too close and the hands reach for the pearls. If anything, the 25-year-old Yachty—as one of the few rappers of his generation able to walk through the front door anyway because of his typically Gushers-sweet sound and innocently youthful beaded braid look—might be the wrong messenger. 

What’s sour about Yachty’s statement isn’t the idea that he wants to be taken seriously as an artist, but the question of  who  he wants to be taken seriously by. When Yachty first got on, a certain corner of rap fandom saw his marble-mouthed enunciation and unwillingness to drool over hip-hop history as symbols of what was ruining the genre they claimed to love. A few artists more beholden to tradition did some finger-wagging— Pete Rock and  Joe Budden ,  Vic Mensa and  Anderson .Paak , subliminals from  Kendrick and  Cole —but that was years ago, and by now they’ve found new targets. These days, Yachty is respected just fine within rap. If he weren’t, his year-long rebirth in the Michigan rap scene, which resulted in the good-not-great  Michigan Boy Boat , would have been viewed solely as a cynical attempt to boost his rap bona fides. His immersion there felt earnest, though, like he was proving to himself that he could hang. 

The respect Yachty is chasing on  Let’s Start Here. feels institutional. It’s for the voting committees, for the suits; for  Questlove to shout him out as  the future , for Ebro to invite him  back on his radio show and say  My bad, you’re dope.  Never mind if you thought Lil Yachty was dope to start with: The goal of this album is to go beyond all expectations and rules for rappers.

And the big pivot is… a highly manicured and expensive blend of  Tame Impala -style psych-rock, A24 synth-pop, loungey R&B, and  Silk Sonic -esque funk, a sound so immediately appealing that it doesn’t feel experimental at all. In 2020, Yachty’s generational peers,  Lil Uzi Vert and  Playboi Carti , released  Eternal Atake and  Whole Lotta Red : albums that pushed forward pre-existing sounds to the point of inimitability, showcases not only for the artists’ raps but their conceptual visions. Yachty, meanwhile, is working within a template that is already well-defined and commercially successful. This is what the monologue was for? 

To Yachty’s credit, he gives the standout performance on a crowded project. It’s the same gift for versatility that’s made him a singular rapper: He bounces from style to style without losing his individuality. A less interesting artist would have been made anonymous by the polished sounds of producers like  Chairlift ’s Patrick Wimberly,  Unknown Mortal Orchestra ’s Jacob Portrait, and pop songwriters Justin and Jeremiah Raisen, or had their voice warped by writing credits that bring together  Mac DeMarco ,  Alex G , and, uh,  Tory Lanez . The production always leans more indulgent than thrilling, more scattershot than conceptual. But Yachty himself hangs onto the ideas he’s been struggling to articulate since 2017’s  Teenage Emotions : loneliness, heartbreak, overcoming failure. He’s still not a strong enough writer to nail them, and none of the professionals collecting checks in the credits seem to have been much help, but his immensely expressive vocals make up for it. 

Actually, for all the commotion about the genre jump on this project, the real draw is the ways in which Yachty uses Auto-Tune and other vocal effects as tools to unlock not just sounds but emotion. Building off the vocal wrinkle introduced on last year’s viral moment “ Poland ,” where he sounds like he’s cooing through a ceiling fan, the highlights on  Let’s Start Here. stretch his voice in unusual directions. The vocals in the background of his wistful hook on “pRETTy” sound like he’s trying to harmonize while getting a deep-tissue massage. His shrill melodies on “paint THE sky” could have grooved with  the Weeknd on  Dawn FM . The opening warble of “running out of time” is like Yachty’s imitation of  Bruno Mars imitating  James Brown , and the way he can’t quite restrain his screechiness enough to flawlessly copy it is what makes it original.

Too bad everything surrounding his unpredictable and adventurous vocal detours is so conventional. Instrumental moments that feel like they’re supposed to be weird and psychedelic—the hard rock guitar riff that coasts to a blissful finale in “the BLACK seminole.” or the slow build of “REACH THE SUNSHINE.”—come off like half-measures.  Diana Gordon ’s falsetto-led funk on “drive ME crazy!” reaches for a superhuman register, but other guest appearances, like  Fousheé ’s clipped lilts on “pRETTy” and  Daniel Caesar ’s faded howls on the outro, are forgettable. None of it is ever  bad : The synths on “sAy sOMETHINg” shimmer; the drawn-out intro and outro of “WE SAW THE SUN!” set the lost, trippy mood they’re supposed to; “THE zone~” blooms over and over again, underlined by  Justine Skye ’s sweet and unhurried melodies. It’s all so easy to digest, so pitch-perfect, so safe.  Let’s Start Here. clearly and badly wants to be hanging up on those dorm room walls with  Currents and  Blonde and  IGOR . It might just work, too. 

Instead, consider this album a reminder of how limitless rap can be. We’re so eager for the future of the genre to arrive that current sounds are viewed as restricting and lesser. But rap is everything you can imagine. I’m thinking about “Poland,” a song stranger than anything here: straight-up 1:23 of chaos, as inventive as it is fun. I took that track as seriously as anything I heard last year because it latches onto a simple rap melody and pushes it to the brink. Soon enough, another rapper will hear that and take it in another direction, then another will do the same. That’s how you really get to the future. 

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Let’s Start Here.

“something ether”.

Flex Up (with Future and Playboi Carti)

Strike (Holster)

sAy sOMETHINg

Lil Yachty Explains Why He’s Celibate: “Women Probably Think I’m Gay”

Rapper Lil Yachty explained in a new interview why he’s no longer sleeping around with several women. He also shares that his newfound celibacy may cause women to think he’s gay.

“I don’t have sex, and I think women probably think I’m gay,” he said during a recent interview. “I don’t care that much,” he said. “I think a lot of times women think if they flying out to you like that we have to have sex. Or like that’s on my mind.”

“Sometimes I just like to see what someone is like,” he continued. “Or even if I can be around them ’cause I usually can’t.”

Yachty says he had so much sex before his spiritual awakening that he is over it.

“I just had so much sex that it’s like diluted to me,” he said. “Yea, like, it’s just… it’s not what it used to be. Like, I get off more on just really laughing. Like, ’cause laughing is so good to laugh and it’s a real laugh and it’s like yea, we’re laughing together.”

CLICK HERE to watch the interview

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Lil Yachty Gives Fans Rare Look Into Close Friends to Celebrate New Instagram Feature

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Lil Yachty ’s Instagram followers were given a rare look into the Let’s Start Here artist’s inner circle on Tuesday.

The move is in commemoration of a new feature on the platform, or more accurately, the extension of a feature once relegated to Stories and Notes. Starting Tuesday, Instagram users will be able to share feed posts and reels exclusively with those on their Close Friends list.

Prior to sharing a post or reel on IG, users will now be able to tap on Audience, at which point they can choose whether to share widely or solely with their Close Friends group. In a fitting celebration of the change, Yachty is giving his followers a glimpse into what IG bills as “the world of his Close Friends,” albeit only for a limited period of time.

Yachty’s Field Trip Tour continues this month with stops in Oslo, Stockholm, Berlin, Manchester, and more. In September, Yachty spoke with Ecleen Luzmila Caraballo for an exclusive Complex interview about the tour and his C4 Energy partnership.

"It's a different show, and I've grown so much and so much has changed in my life," Yachty said of what to expect from the then-imminent live show experience this time around.

When utilizing IG's Close Friends feature on Tuesday, as seen above, he used the opportunity as a chance to reveal that he "threw up" after his recent set at Tyler, the Creator's Camp Flog Gnaw Carnival .

Revisit the full thing here .

This weekend, Yachty will be at the 2023 edition of ComplexCon in Long Beach, CA to join a panel discussion on Sneaker of the Year alongside Joe La Puma, Jim Jones, and more. Head here for more info and to grab tickets .

View this photo on Instagram

More on this

“I Just Care a Lot”: Lil Yachty Opens up About His Tour and Friendship With Drake Ecleen Luzmila Caraballo · Sept. 26, 2023

SXSW 2023: Here's Everything We Experienced at This Year’s Festival Trace William Cowen · March 17, 2023

Lil Yachty Trolls Drake Over 'Load of Blabber' Instagram Caption Starr Savoy · Aug. 3, 2023

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Lil Yachty Launches "Yachty’s Pizzeria" Frozen Pizza Line

Coming in “buffalo style chicken,” “hot honey cheese,” “pepperoni & bacon,” and “veggie supreme” options..

Sharing his love for pizza, Lil Yachty recently launched his latest venture, “Yachty’s Pizzeria.” His first-ever line of frozen pizza serves as the first offering from Deep Cuts, a Universal Music Group for Brands name for premium frozen pizzas. The partnership division of Universal Music Group worked with Richelieu Foods to create a brand around products that extend musicians’ artistry and business portfolio.

Yachty’s Pizzaria features four flavor options created with the rapper’s favorite cheeses, toppings and bold seasonings. “Buffalo Style Chicken” features Yachty’s own buffalo ranch sauce and mozzarella cheese topped with spicy chopped buffalo chicken breast and crispy French-fried onions. Sweetened with real honey, “Hot Honey Cheese” offers a mix of mozzarella, provolone, Monterey jack, asiago, romano and parmesan on top of tomato sauce. While “Pepperoni & Bacon” and “Veggie Supreme” serve as Yachty’s take on classic pizza variations with premium ingredients.

View this post on Instagram A post shared by Hypefoods (@hypefoods)

  View this post on Instagram   A post shared by C.V T (@lilyachty)

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Lil Yachty Reference Track For Drake Leaks Amid OVO Star’s Beefs

The Lil Yachty reference track leaked while Drake’s feuding with Future, Metro Boomin, Kendrick Lamar, Rick Ross and more.

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Drake remained at the center of drama as a reference track for his song “ Jumbotron S### Poppin ” leaked online. The Canadian star’s collaborator Lil Yachty recorded the reference version of the song.

“Jumbotron S### Poppin” appeared on Drake and 21 Savage’s album Her Loss . Lil Yachty was a known contributor to the song, which listed his name in the credits.

The Lil Yachty reference track surfaced during Drake’s ongoing issues with multiple artists. An Atlanta number allegedly leaked the audio, resulting in wild speculation involving Metro Boomin. Fans believed Metro was the source of the leak since he’s beefing with Drake and worked on Her Loss , which dropped in 2022.

Lil Yachty’s impact on Drake’s music was no secret. Drake acknowledged Lil Yachty’s influence on 2023’s For All the Dogs album.

“I don’t think this album is what it is if I don’t get to run everything by you,” Drake told Lil Yachty on SiriusXM. “If I don’t get to sit in the studio and write with you, and think with you, and if you don’t send me beats, and if you don’t tell me what you believe in or don’t believe in.”

The reference track leak was another twist in Drake’s feuds with Metro, Future, Kendrick Lamar and Rick Ross, among others. The overarching battle began when Future and Metro dropped their We Don’t Trust You album. The project featured Kendrick dissing Drake on the song “Like That.” Future and Metro unleashed more jabs at Drake with their follow-up release We Still Don’t Trust You .

Drake responded with a diss track titled “Push Ups.” Ross, who sided with Future and Metro, entered the fray by firing shots at Drake on the song “Champagne Moments.” Drake and Ross clashed despite their history of creating hits together.

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Lil Yachty: Photos From the Billboard Cover Shoot

Yachty's new album 'Let's Start Now' is a major pivot for the rapper-singer.

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Someone has sparked a blunt in the planetarium.

It may be a school night, but no one has come to the Liberty Science Center in Jersey City, N.J., to learn. Instead, the hundreds of fans packed into the domed theater on Jan. 26 have come to hear Lil Yachty’s latest album as he intended: straight through — and with an open mind. Or, as Yachty says with a mischievous smile: “I hope y’all took some sh-t.”

For the next 57 minutes and 16 seconds, graphics of exploding spaceships, green giraffes and a quiet road through Joshua Tree National Park accompany Yachty’s sonically divergent — and at this point, unreleased — fifth album , Let’s Start Here. For a psychedelic rock project that plays like one long song, the visual aids not only help attendees embrace the bizarre, but also function as a road map for Yachty’s far-out trip, signaling that there is, in fact, a tracklist.

It’s a night the artist has arguably been waiting for his whole career — to finally release an album he feels proud of. An album that was, he says, made “from scratch” with all live instrumentation. An album that opens with a nearly seven-minute opus, “the BLACK seminole.,” that he claims he had to fight most of his collaborative team to keep as one, not two songs. An album that, unlike his others, has few features and is instead rich with co-writers like Mac DeMarco, Nick Hakim, Alex G and members of MGMT, Unknown Mortal Orchestra and Chairlift. An album he believes will finally earn him the respect and recognition he has always sought.

“I did what I really wanted to do, which was create a body of work that reflected me,” says a soft-spoken Yachty the day before his listening event. “My idea was for this album to be a journey: Press play and fall into a void.”

Sitting in a Brooklyn studio in East Williamsburg not far from where he made most of Let’s Start Here in neighboring Greenpoint, it’s clear he has been waiting to talk about this project in depth for some time. Yachty is an open book, willing to answer anything — and share any opinion. (Especially on the slice of pizza he has been brought, which he declares “tastes like ass.”) Perhaps his most controversial take at the moment? “F-ck any of the albums I dropped before this one.”

Read Lil Yachty’s full Billboard cover story here . Lil Yachty, presented by Doritos, will perform at Billboard Presents The Stage at SXSW on March 16 .

Penske Media Corp. is the largest shareholder of SXSW; its brands are official media partners of SXSW.

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Coachella 2024 set times and streaming schedule for weekend 1: the full list you need to know

Here’s what to watch and when, both from at home and in person at the music fest.

With  eight main stages plus a pair of fest-within-a-fest stages, Coachella  can become as much a feat of time management as it is one of stamina. The  music festival  does a pretty good job of minimizing conflicts, but inevitably sets start to overlap or have in-person attendees flocking from one side of the field to the other.

To make your life a little easier—whether you’re watching from in person in Indio or on your living room couch—we’ve sorted out what you need to know about Coachella weekend one set times , as well as the live stream schedule.

How can I stream weekend one?

Head to the Coachella channel on YouTube  starting at 4pm PDT on Friday, April 12 through Sunday night. The festival will be streaming basically all of the sets from the six main stages after 4pm (and you can watch up to four at the same time using YouTube’s new multiview feature). The timing of the streams so far matches up with the stage schedule, which you can find at the bottom of this story.

When the fest wraps up for the day around 1am, the channel will normally go right into a repeat of the first day’s sets. Once the next day’s stream starts, though, you’ll be limited to select highlights from the previous day.

You can find out more—including the day-by-day streaming schedule—in our larger guide to the Coachella live stream .

What are the weekend one set times and schedule?

We’ve included the entire schedule below—in both text and image form—but before you comb through the couple hundred acts on the lineup, these are the big ones you probably want to know about: Lana Del Rey goes on at 11:20pm on Friday, No Doubt performs at 9:25pm on Saturday followed by Tyler, the Creator at 11:40pm, and Doja Cat closes things out at 10:25pm on Sunday.

Coachella Stage

Record Safari: 3:40–4:40pm Young Miko: 4:45-5:30pm Sabrina Carpenter: 6–7pm Lil Uzi Vert: 7:35-8:20pm Peso Pluma: 9:05-10:10pm Lana Del Rey: 11:20pm

Outdoor Theatre

Fundido: 4:15-5:15pm L’Impératrice: 5:25-6:10pm Deftones: 6:45-7:35pm Everything Always: 8:10–9:25pm Justice: 10:15pm

doom dave: 1–2pm Upchuck: 2–2:30pm Narrow Head: 2:50–3:25pm late night drive home: 3:50–4:25pm The Beths: 4:50–5:30pm Eartheater: 5:55–6:35pm Black Country, New Road: 8–8:40pm Clown Core: 9:05–9:55pm Son Rompe Pera: 10:20pm

Cimafunk: 2–2:40pm Kokoroko: 3:10–3:50pm Sid Sriram: 4:20–5pm Chappell Roan: 5:30–6:15pm Brittany Howard: 6:45–7:30pm NEIL FRANCES: 8–8:45pm Chlöe: 9:15–10pm Suki Waterhouse: 10:30pm

DAYSonMARKET.: 2:10–3:05pm Mall Grab: 3:15–4:05pm The Japanese House: 4:30–5:10pm Faye Webster: 5:40–6:25pm Tinashe: 6:55–7:50pm Yoasobi: 8:20–9:05pm Hatsune Miku: 9:50–10:40pm Anti Up: 11:15pm

Sincerely, Manolo: 2–2:50pm Skin on Skin: 3–3:45pm Cloonee: 4–5pm Ken Carson: 5:20–6:05pm Skepta: 6:3–7:15pm Bizarrap: 7:45–8:45pm Peggy Gou: 9:15–10:15pm Ateez: 10:45–11:35pm Steve Angello: midnight

Keyspan: 1–2pm Ben Sterling: 2–3pm Miss Monique: 3–4:15pm Innellea: 4:15–5:30pm BLOND:ISH: 5:30–6:45pm Kevin de Vries x Kölsch: 6:45–8:15pm ANOTR: 8:15–9:45pm Adriatique: 9:45–11:15pm Gorgon City: 11:15pm

Patrick Mason: 5–7:15pm Green Velvet: 7:15–8:30pm Honey Dijon: 8:30–9:45pm Honey Dijon x Green Velvet: 9:45pm

Heineken House

DJ Noah: 2–3pm Darci: 3–4pm Torren Foot x Kormak: 4–5:30pm Goldfish: 5:30–7pm Bob Sinclar: 7–8:30pm J.Worra: 8:30–10pm

Jaqck Glam: 3:45–4:35pm Santa Fe Klan: 4:45–5:30pm Sublime: 6:05–6:55pm Blur: 7:40–8:40pm No Doubt: 9:25–10:40pm Tyler, the Creator: 11:40pm

Gabe Real: 4:05–4:50pm Vampire Weekend: 5–5:45pm Blxst: 6:10–6:55pm Jon Batiste: 7:25–8:10pm JUNGLE: 8:40–9:30pm Gesaffelstein: 10:40pm

Triste Juventud x TOTEM: 1–2pm Militarie Gun: 2–2:35pm Girl Utra: 2:55–3:30pm The Aquabats: 3:55–4:40pm The Adicts: 5:05–5:50pm Depresión Sonora: 6:15–6:50pm The Red Pears: 7:15–7:50pm bar italia: 8:15–8:55pm Brutalismus 3000: 9:15pm

Elusive: 1:15–1:55pm Erika de Casier: 2:05–2:45pm Young Fathers: 3:10–3:50pm thuy: 4:20–5pm The Last Dinner Party: 5:30–6:15pm Palace: 6:45–7:30pm Oneohtrix Point Never: 8–8:45pm Saint Levant: 9:15–9:55pm Kevin Kaarl: 10:25–11:05pm Orbital: 11:40pm

ANIKA KAI: 2–2:55pm Kenya Grace: 3:05–3:45pm RAYE: 4:10–4:55pm Kevin Abstract: 5:25–6:05pm Bleachers: 6:50–7:35pm Charlotte de Witte: 8:05–9:20pm Coi Leray: 9:50–10:20pm The Drums: 10:45pm

Loboman: 2–3pm Starrza: 3:10–4:10pm Destroy Lonely: 4:30–5:15pm Purple Disco Machine: 5:40–6:40pm Grimes: 7:10–8pm Ice Spice: 8:30–9pm ISOKNOCK: 9:30–10:20pm LE SSERAFIM: 10:50–11:30pm Dom Dolla: 11:55pm

Kimonos: 1–2pm Maz: 2–3pm Mahmut Orhan: 3–4:15pm Rebūke: 4:15–5:30pm Will Clarke: 5:30–6:45pm Âme x Marcel Dettmann: 6:45–8pm Reinier Zonneveld: 8–9:30pm Patrick Mason: 9:30–11pm The Blessed Madonna: 11pm

Carlita: 5–7:15pm Michael Bibi: 7:15pm

DAYSonMARKET: 2–4pm Marten Lou: 4–5:30pm Channel Tres: 5:30–7pm BIA: 8:05–8:35pm T-Pain: 7:15–8pm Dennis Ferrer x Skream: 8:35–10pm

LUDMILLA: 2:05–3:35 YG Marley: 4:05–4:55pm Carin León: 5:25–6:15pm Bebe Rexha: 6:30–7:35pm J Balvin: 8:20–9:20pm Doja Cat: 10:25pm

Tiffany Tyson: 3:55–4:55pm Reneé Rapp: 5:05–5:55pm The Rose: 6:25–7:10pm Khruangbin: 7:50–8:50pm Jhené Aiko: 9:30pm

Argenis: 1–1:55pm jjuujjuu: 1:55–2:40pm Bb Trickz: 3–3:30pm feeble little horse: 3:55–4:30pm Hermanos Gutiérrez: 4:50–5:40pm Eddie Zuko: 6:05–6:45pm LATIN MAFIA: 7:05–7:50pm Mandy, Indiana: 8:15–8:55pm Boy Harsher: 9:20pm

wveGroove: 2:15–3:20pm Mdou Moctar: 3:30–4:10pm Jockstrap: 4:40–5:20pm Olivia Dean: 5:50–6:30pm Two Shell: 7–7:50pm Barry Can’t Swim: 8:20–9:10pm ATARASHII GAKKO!: 9:40pm

Honey Roots: 2–2:50pm Flo: 3–3:45pm Taking Back Sunday: 4:10–4:55pm 88RISING FUTURES (ATARASHII GAKKO!, Awich, Number_i, Tiger JK, XIN LIU, Yoasobi, Yoonmirae): 5:20–6:25pm Victoria Monét: 6:55–7:40pm Tems: 8:10–8:50pm Lil Yachty: 9:25–10:10pm BICEP: 10:40pm

BONES: 2–2:50pm Tita Lau: 3–3:45pm SPINALL: 4–4:45pm AP Dhillon: 5:10–5:50pm NAV: 6:20–7:05pm Anyma: 7:45–8:45pm DJ Snake: 9:15–10:15pm John Summit: 10:55pm

ARTBAT: 10:30pm Folamour: 9–10:30pm Carlita: 7:30–9pm Adam Ten x Mita Gami: 6–7:30pm Eli & Fur: 4:30–6pm Flight Facilities: 3–4:40pm DJ Seinfeld: 2–3pm JOPLYN: 1–2pm

Mall Grab: 4–6:15pm Jamie xx x Floating Points x Daphni: 6:15pm

MISS DRE: 2–3pm Iglesias: 3–4pm Klingande: 4–5:30pm Louie Vega: 5:30–7pm Lupe Fiasco: 7:15–8:30pm Claptone: 8:45–10pm

• Michael Juliano Editor, Time Out Los Angeles

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