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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

The greatest yacht rock songs ever

By Tom Eames

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We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

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Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

yacht rock 1970s

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

yacht rock 1970s

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

yacht rock 1970s

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

yacht rock 1970s

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

yacht rock 1970s

Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

yacht rock 1970s

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

yacht rock 1970s

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

yacht rock 1970s

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

yacht rock 1970s

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

  • The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

yacht rock 1970s

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

yacht rock 1970s

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

yacht rock 1970s

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

yacht rock 1970s

The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

yacht rock 1970s

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

yacht rock 1970s

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

yacht rock 1970s

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

yacht rock 1970s

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

yacht rock 1970s

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

  • The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

yacht rock 1970s

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

yacht rock 1970s

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

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John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes  to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the  Byrds  and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the  Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch  first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ...  ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a  former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer  Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller  and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

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Gallery Credit: UCR Staff

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A beginner’s guide to yacht rock in five essential albums

Yacht rock, soft rock – call it what you will. Here are five brilliant albums that define the genre in all its bearded, Hawaiian shirted glory

Segments of five classic yacht rock album covers

Was there really ever a genre called yacht rock ? Prior to the 2005 online comedy series of the same name, what we now know of as yacht rock was simply soft rock, largely of the 1970s variety, but occasionally dipping into the 80s as well. It was music that was smooth, slick and did little to challenge the listener in the way that heavy metal or punk rock would. Yet  sold in the multi-millions, made superstars of its creators, and was beloved by industry professionals for the stellar musicianship and high production values. And above all, it was detested by the critics.

Today, yacht rock is the ultimate guilty pleasure genre. Its patron saints - almost exclusively men, generally bearded – never appeared on posters that graced adolescents’ walls. Yet bands and artists such as The Doobie Brothers , Loggins & Messina and Christopher Cross made sweet, soulful music featuring some of the finest musicians of the era and sounding so, so perfect in the process.

Unlike prog, hair metal or krautrock, the boundaries of what constitutes yacht rock are blurred. There’s little to link the jazzy noodlings of Steely Dan , Boz Scaggs’ smooth pop and the later, 80s pop-rock of Hall & Oates beyond the fact that the various members of Toto appeared on many of these albums, making them kind of a yacht rock mafia.

Yacht rock, soft rock, call it what you will: the men who made it are laughing all the way to the bank in their Hawaiian shirts and well-sculpted facial hair while the rest of us celebrate their music in all its frictionless glory. Critics be damned, these are the five essential yacht rock albums for those who want to plunge into the genre.

Metal Hammer line break

Loggins & Messina - Full Sail (1973)

Kenny Loggins was a boyish-looking yet handsomely bearded fellow with a penchant for country-esque ballads. Jim Messina had been in Buffalo Springfield and country rockers Poco . The pair teamed up to record some of Loggins’ material and ended up becoming an unlikely success story, notching up hits with  1971 single The House At Pooh Corner and the following year’s Your Mama Don’t Dance , later covered by hair metallers Poison.

But 1973’s Full Sail was their apex. Featuring the ultimate yacht rock album cover (two men, one yacht), the album itself contains everything from the calypso frivolity of Lahaina , and the smooth jazz of Travellin’ Blues to the joyously upbeat My Music and hit ballad Watching The River Run . This is yacht rock’s ground zero. Boys, what did you unleash?

Boz Scaggs - Silk Degrees (1976)

An early member of the Steve Miller Band , guitarist and vocalist Boz Scaggs’ solo career had begun 1969. But nothing had clicked with the record buying public until he hooked up with David Paich, Jeff Porcaro and David Hungate, all of whom were on the verge of forming Toto , and recorded his seventh solo album, Silk Degrees . A masterful mix of smooth pop and slick ballads, it spawned hits in the shape of It’s Over , Lowdown , We’re All Alone (made famous by Rita Coolidge) and the pulsating Lido Shuffle , a bona fide dancefloor filler.

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Steely Dan - Aja (1977)

Arguments rage as to whether these protagonists of achingly cool and clever jazz rock belong in the yacht rock genre, but hey, if the people who made the Yacht Rock online series say the are, who are we to argue?

Their sixth album, Aja , saw Walter Becker and Donald Fagan stretching out into longer form pieces of music that were funkier and jazzier than they’d ever been before, capping it off with one of the most pristine production jobs ever – such were their levels of perfectionism that six crack session guitarists tried and failed to lay down the guitar solo on Peg to their satisfaction (it was the seventh, Jay Graydon, who nailed it). Bonus yacht rock points: auxiliary Dan backing vocalist/keyboard player Michael McDonald was also a member of The Doobie Brothers.

The Doobie Brothers – Minute By Minute (1978)

In 1974, Steely Dan guitarist Jeff ‘Skunk’ Baxter moved across to hugely successful blues rockers The Doobie Brothers on a free transfer. The following year, he suggested recruiting Dan backing singer/pianist Michael McDonald as a replacement for the Doobies’ ailing guitarist/vocalist Tom Johnstone.

With his blue-eyed soul croon and knack for writing uptempo R&B-infused songs, McDonald helped nudge the band towards smoother waters. By 1978’s Minute By Minute , they had fully transformed from moustachioed chooglers into yacht rock kingpins. The album’s blend of soft rock and R&B reached its apotheosis on the majestic What A Fool Believes – co-written with Kenny Loggins, naturally – which ultimately helped turn McDonald into a bigger star than the band. For the record, the singer’s 1986 Sweet Freedom compilation is also yacht rock gold.

Christopher Cross - Christopher Cross (1979)

When Christopher Cross released his self-titled debut album in December 1979, no-one knew who he was. A year later, he’d racked up four Top 20 hits and swept the boards at the Grammy Awards.

It’s not hard to see why: Cross’ spectacular voice was matched by the brilliance of his songs. Everyone knows Ride Like The Wind , featuring that Michael McDonald fella on backing vocals, but it was the mellower Sailing that hit the No. 1 spot ( Ride… only managed No. 2). A year later Cross’ theme to the movie Arthur won him and co-writer Burt Bacharach an Oscar.

Cross was no slouch as a musician either: Steely Dan had asked him to play on their albums and he even filled in for a sick Ritchie Blackmore at a Deep Purple US show back in 1970.

Jerry Ewing

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

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Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

Anchors Aweigh

More smooth hits for your next high-seas adventure.

“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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The Bizarre History Of Yacht Rock Music

Kenny Loggins and Jim Messina on a yacht

Popular music has always been complex. Different musical styles break up into infinite sub-genres — what started off as rock 'n' roll has splintered into dozens of sub-genres, and even the considerably younger musical genre of rap has splintered into several distinct styles. And each of those sub-genres then splinters as musicians innovate and reinvent the form.

None of this is science, though, so it's easy to get lost down rabbit holes when discussing what bands or songs belong in what genre or sub-genre. Yacht rock is a perfect example: None of the artists currently considered to be yacht rockers called themselves that at the time or were even aware that they were carving out a distinct sub-genre of rock music. The whole idea of yacht rock is a modern invention — and yet it perfectly describes a specific type of music that ruled pop culture roughly between 1975 and 1985.

What was yacht rock? It's a soft rock musical style, sometimes called the California sound, exemplified by smoothness and melody — these weren't exactly bangers, but that doesn't mean they were bad. Yacht rock could be very musically complex, incorporating elements of jazz into their compositions. The songs were usually introspective and did not engage with politics or current events at all — they were frictionless. Imagine a wealthy white man sailing on his yacht in 1980, and the music he's listening to in your imagination is what we're talking about. Here's the bizarre history of yacht rock.

The term was coined in 2005

Although the roots of yacht rock arguably go back to the 1960s, the history of yacht rock begins in 2005. That's because prior to that year, the term and concept of yacht rock simply didn't exist.

According to Rolling Stone , it all began on June 26, 2005, when the 12-episode web series "Yacht Rock" was released by Channel 101. As explained by Mental Floss , the series was a lovingly mocking look back at the smooth music of the late 1970s and early 1980s, written and directed by J.D. Ryznar, produced David B. Lyons and Hunter D. Stair, and hosted by Steve Huey, a former editor at AllMusic. MasterClass notes that the series was fictional — it depicted rockers like Kenny Loggins and Michael McDonald as a bunch of goofy friends hanging out and composing the smoothest rock music possible.

Ryznar and company were making gentle fun of those soft rock musicians, but the concept of yacht rock was so obviously appropriate it became viral. They defined it as perfectly produced, with a high level of musicianship and harmonic sophistication (in fact, far from being bad music, many yacht rock songs have been sampled numerous times by modern artists ), and imbued with the vibe and sound of 1970s Los Angeles. Although many yacht rock songs do have nautical references, it's not necessary to be considered yacht rock. 

The roots of yacht rock go back to the 1960s

Although not all yacht rock songs reference the ocean, yachts, or the beach, the distant roots of the sound and the vibe go back to 1961. That's the year The Beach Boys was formed. As noted by Jacobin Magazine , the cheerful fun in the sun beach aesthetic of The Beach Boys' sound provides the fundamental template for yacht rock's sound. What elevated The Beach Boys was the songwriting craft of Brian Wilson — without his subtle genius, all that was left was the perfect production standards and sunny vibe. As noted by Warm 106.9 , the band's classic song "Sloop John B" is often cited as a clear influence on the sailing-obsessed soft rock that hit the charts a decade later.

In fact, as noted by MeTV , The Beach Boys' 1973 song "Sail On, Sailor" is considered a proto-yacht rock song. Because it was co-written by troubled musical genius Brian Wilson, the song isn't really yacht rock, but it holds many of the seeds, from its perfect production to the jazzy complexity hidden under mellow good-time vibes. And everything came full circle in 1988 when The Beach Boys released their Number One hit, "Kokomo," a song Stereogum describes as "extremely boring and self-satisfied yacht-rock." Singer Mark McGrath cites "Kokomo" as probably the last legitimate yacht rock song to ever be released.

Two foundational groups form

It wasn't just the California vibe and sailing imagery that yacht rock took from The Beach Boys. As noted by The Guardian , in the mid-1960s, a man named Daryl Dragon began playing keyboards with The Beach Boys as a backup musician. Dragon had a habit of wearing a ship captain's hat as part of his on-stage costume, underscoring the nautical theme and earning him the nickname "The Captain." According to Jacobin Magazine , Toni Tennille also toured with The Beach Boys. Dragon and Tennille married and, a few years later, formed the group Captain & Tennille, whose Grammy-winning song "Love Will Keep Us Together" is considered one of the earliest yacht rock hits.

Meanwhile, another foundational yacht rock band formed in 1972: Steely Dan . According to  The Seattle Times , part of what defines yacht rock is the people involved. Members of The Doobie Brothers  – especially Michael McDonald, Toto , and Steely Dan tend to be involved in some capacity (songwriting, background vocals, or performing) on most yacht rock songs. This was the inspiration for the original comedy sketch that birthed the whole concept . Steely Dan came to define the perfect production, jazzy musicality, and smooth melody lines of the genre. And as noted by Mental Floss , Steely Dan shared session musicians with many of their musical genre peers, explaining the somewhat similar sound produced by these different groups.

Loggins and Messina broke up in 1976

Many of the pieces that would form yacht rock existed long before the genre coalesced into a recognizable sound and vibe. Kenny Loggins and Jim Messina formed Loggins & Messina in 1971, and according to The Chicago Tribune , their 1975 album "Full Sail" is part of yacht rock legend. The album's cover art depicts Loggins and Messina on an actual yacht, looking pretty relaxed and very California. The album was held up at the very beginning of the "Yacht Rock" series to demonstrate what the creators of the series were talking about.

Loggins & Messina are crucial to the yacht rock story because they broke up. As noted by The Seattle Times , one of the features of yacht rock is the loose collaborations between a small group of musicians — and Kenny Loggins is a key member of that group. Loggins wrote many yacht rock classics recorded and performed by other artists, and Loggins himself often released his own versions of songs he gave to other artists, increasing his influence over the genre.

Loggins, now a free agent, worked with Michael McDonald of the Doobie Brothers several times as the core yacht rock musicians collaborated freely, ensuring a certain uniformity of sound and style that resulted in a recognizable sub-genre.

Steely Dan releases Aja

Mention the band Steely Dan in conjunction with the concept of yacht rock, and many people will have a passionate reaction . Yacht rock is often erroneously believed to be bad music and is frequently conflated with soft rock. But the opposite is true: According to MasterClass , part of what defines yacht rock is the harmonic sophistication and jazz influences of the music. In other words, yacht rock was often composed and recorded at a very high level of musical ability.

That's where Steely Dan comes in. Famed for their complex arrangements and overt jazz influences, the band produced smooth, melodic songs that perfectly captured the late-1970s California vibe. Rolling Stone  considered the band's sixth studio album, "Aja," a pinnacle for the musical genre. The songs are intricate, the production is pristine, and the mood is mellow. Decider  was even more enthusiastic in their praise, establishing the album as essential listening to any fan of yacht rock and notes that by the time Steely Dan (Walter Becker and Donald Fagan) recorded "Aja" they weren't really a band — they were two guys with a lot of session musicians, musicians who often played on other yacht rock bands' recordings, resulting in a similar sound on many of these records. And Michael McDonald of The Doobie Brothers even sings backup on some songs.

U ltimate Classic Rock ranks one of the songs from the "Aja,"  "Peg," as the second-best yacht rock song of all time and describes "Aja" as having "impeccable airtightness that falls somewhere between soft pop and jazz."

The Doobie Brothers release What a Fool Believes

Movements in music and the evolution of sub-genres usually have deep roots that go back invisibly into the past. But they often also have a key moment that clearly marks their beginning. As noted by Mental Floss , for yacht rock, that beginning comes in 1978 with the release of "What a Fool Believes" by The Doobie Brothers.

The song was written by Kenny Loggins and Michael McDonald. Not only did this song kick off the habit of collaboration between the artists that came to define this genre —  IGN pegs it as number three on its list of the best yacht rock songs, describing the song as quirky and mellow, while according to  Smooth Radio , the song is the ultimate example of what makes a yacht rock song. The song was a massive hit for The Doobie Brothers, one of the few non-disco hits that year.

The song is considered so "yachty," in fact, that according to Houstonia Magazine , the "Yacht Rock" series that defined the musical genre kicks off with an episode spoofing the writing of the song. The song is, indeed, kind of the platonic ideal of a yacht rock song: It's musically complex, smooth as heck, and lyrically focused on a lovelorn fool, a frequent topic of yacht rock songs. And, of course, it involves Loggins and McDonald.

Rupert Holmes releases Escape (The Piña Colada Song)

M ark McGrath , the lead singer of Sugar Ray, calls "Escape (The Piña Colada Song)" by Rupert Holmes the ultimate yacht rock song and an inspiration for all future yacht rock songs to follow. The song's connection to the genre is so clear that ABC News reports it was chosen for inclusion in the "NOW That's What I Call Yacht Rock" compilation album.

It's easy to see why the song (and the album containing it, 1979's "Partners in Crime") is what a computer algorithm would create if tasked with composing a yacht rock song. As noted by Rolling Stone , Holmes displays the musicianship of Steely Dan while singing with the exuberance of Barry Manilow. That combination of mellow, smooth delivery and complex song arrangements, and a distinctly California vibe make this an iconic example of yacht rock. As MasterClass notes, the song's clean production links it to other yacht rock songs because it eliminates mistakes or rough spots and offers the illusion of smooth perfection.

The song is also one of the most enduring and well-known yacht rock songs of all time. If you're trying to explain yacht rock to someone, this is the song to use as an example.

The high point of yacht rock: Christopher Cross releases Sailing

The unquestioned high point of yacht rock came in 1980. Songs from bands associated with this genre of music had been big hits before, but that year a yacht rock album dominated pop culture, ensuring that this style of music would be remembered and defined decades later. We're talking about, of course,  "Sailing" by Christopher Cross .

U ltimate Classic Rock reports the song was a smash hit, earning Cross several Grammy Awards, including Record of the Year, Song of the Year, and Best Arrangement. Its yacht rock cred begins with its title and themes — it's literally about sailing, presumably on some sort of yacht (Cross doesn't seem the type to sail on anything less). The song is smooth as glass but extremely complex, combining strings, open-tuned arpeggios, and what Rolling Stone calls "an elegant pop classicism." And as Jacobin Magazine notes, the song features backing vocals from none other than the artistic glue that holds the genre together, Michael McDonald.

"Sailing," and the album it hailed from, remain the most successful examples of yacht rock, a pinnacle of sales and awards both Cross and the genre never managed again. No one knew they were part of the yacht rock movement at the time or that it was all (slowly) downhill from there.

Toto ties it all together

One of the characteristics of yacht rock, as noted by Mental Floss , is the extremely high level of musicianship on the records — largely due to the use of professional session musicians that were shared by yacht rock groups like Steely Dan. In the late 1970s, some of those session musicians decided to form their own band, and Toto was born. This was a key moment: As noted by the man who helped define yacht rock, J.D. Ryznar, one way to identify a yacht rock song is to ask if members of Toto played on it.

In 1982, Toto released "Toto IV," which Smooth Radio noted contains two all-time yacht rock classics in "Rosanna" and "Africa." Vinyl Me, Please calls "Toto IV" a perfect introduction to the musical genre, which makes sense since the members of Toto were involved in so many recordings we now consider to be yacht rock.

But Toto was involved in another project in 1982, one that proves how the yacht rock sound traveled through session musicians: Michael Jackson's "Thriller." As reported by NOW Magazine , Toto was heavily involved with the album, and Toto keyboardist Steve Porcaro even contributed a classic yacht rock track that became the fifth Top Ten song from the album (per Rolling Stone ): "Human Nature." Porcaro originally wrote it for Toto but accidentally included it on a tape of demos for producer Quincy Jones — who immediately loved it.

Kokomo: Yacht rock's last gasp

The heyday of this musical genre was between roughly 1975 and 1985. By the late 1980s, musical tastes had shifted, and most yacht rockers found themselves fading off the charts. But there was one final gasp of the genre in 1988 when the legendary band The Beach Boys released their No.1 hit  on the Billboard Hot 100, "Kokomo." 

Despite its success, the song is widely hated ( Mel Magazine shared their extreme dislike for the song and even Mike Love), but it's definitely a yacht rock song. According to Sugar Ray lead singer Mark McGrath , it's likely the last yacht rock song to be released. By the time The Beach Boys began working on it, however, they weren't too concerned about quality — as noted by EW.com , the band hadn't been on the charts in years, didn't have a record contract, and had been reduced to playing Oldies tours to pay the bills. The band accepted the invitation to contribute a song to the soundtrack of the Tom Cruise and Elisabeth Shue romantic comedy,  "Cocktail"  largely for the money and actually left the composition of the song to John Phillips, Scott McKenzie, and Terry Melcher, giving the song the traditional session-player touch of all yacht rock songs.

The song's yacht rock bona-fides are pretty clear — in fact, as Stereogum notes,  the original demo makes its yacht rock roots very, very clear. But even The Beach Boys' version with its earworm chorus retains the smooth, slickly-produced sound that marks all yacht rock tunes.

The resurgence of yacht rock

After being established as a distinct genre of music by the " Yacht Rock" web series in 2005 , yacht rock enjoyed a period of viral fame. Everyone who came across the term quickly realized it actually made sense to regard these songs as a specific style of soft rock, and there was a lot of buzz around the topic. But all buzz fades, and after a few years, yacht rock was no longer an exciting new idea — it was an accepted truth.

But in recent years, the genre has made a comeback, infiltrating pop culture for the second time. A seminal moment in this comeback was the release of "The Blue Jean Committee" in 2018. As noted by 100.9 The Eagle , "The Blue Jean Committee" is a "mockumentary" that has actually served as an introduction to yacht rock for a whole new generation of people. Esquire reports that the show (and the "fake yacht rock band" at its center) was created by comedians Fred Armisen and Bill Hader for their TV series "Documentary Now!" But they went as far as actually writing songs for the band — and even made a music video showcasing the very yacht rocky song "Catalina Breeze," eventually releasing an entire EP, according to Wired . Suddenly, yacht rock was on everyone's mind again, more than 15 years after the initial phenomenon and more than 40 years since the actual musical era ended.

Yacht rock is modern again

As noted by The Guardian , yacht rock is experiencing a full-on reappraisal. Long considered to be trite and boring, emblematic of the insincere late 1970s and early 1980s era, a new appreciation for the very things that make these songs yacht rock is developing. One key reason is that clear production noted by MasterClass  — yacht rock songs sound timeless and still slap today because they weren't thrown together. The bands spent a lot of time and money and care to make every song sound amazing, which has helped them pass the test of time. And recent years have seen bands like The Yacht Rock Revue achieve surprising success in the genre, as noted by The Atlanta Journal-Constitution .

As InsideHook notes, the rise of Internet culture has helped people rediscover and appreciate yacht rock. Younger generations have grown up in a world where they can listen to anything, any time they want. The result has been a softening of genre edges, and the adoption of old, outdated musical trends. There's a whole new group of soft rock bands that aren't covering yacht rock songs; they're writing new ones.

And as reported by MTV , yacht rock original gangsters are also releasing new music, proving that the genre has fresh legs. According to NPR , in 2017, Kenny Loggins and Michael McDonald collaborated with bassist and singer Thundercat on the song "Show You the Way."  Suffice it to say, this ship (or should we say yacht?) is still sailing. 

If the Yacht Is a Rockin': Riding the Yacht Rock Nostalgia Wave

By maggie serota | jun 12, 2020.

Kenny Loggins and Jim Messina making some waves on the cover of 1973's "Full Sail" album.

It’s not often that an entire genre of music gets retconned into existence after being parodied by a web series, but that’s exactly what happened after writer, director, and producer J.D. Ryznar and producers David B. Lyons and Hunter D. Stair launched the Channel 101 web series Yacht Rock in 2005. Hosted by former AllMusic editor “Hollywood” Steve Huey, the series was a loving sendup of the late '70s/early '80s smooth jams to which many Millennials and late period Gen-Xers were likely conceived.

The yacht rock aesthetic was innovated by a core group of musicians and producers including, but not limited to, Christopher Cross, Steely Dan, Robbie Dupree, Kenny Loggins, Toto, David Foster, and hirsute soft rock titan Michael McDonald, along with scores of veteran session musicians from the Southern California studio scene.

The Yacht Rock web series was perfectly timed to coincide with a contemporary renaissance of smooth music from the late '70s, the kind that was previously considered a guilty pleasure because it fell out of fashion in the mid-'80s and was soon thereafter regarded as dated and square compared to other burgeoning genres, like punk rock and hip-hop.

Yacht Rock's Early Years

The yacht rock era began roughly around 1976, when yacht rock pillar Kenny Loggins split up with songwriting partner Jim Messina to strike out on his own. That same year, fellow yacht rock mainstay Michael McDonald joined The Doobie Brothers. The two titans of the genre joined forces when Loggins co-wrote the definitive yacht rock hit “What a Fool Believes” with McDonald for the Doobies. They collaborated several times during this era, which was par for the course with such an incestuous music scene that was largely comprised of buddies playing on each other’s albums.

"Look at who performed on the album and if they didn’t perform with any other yacht rock hit guys then chances are [it's] ‘nyacht’ rock,” Ryznar said on the  Beyond Yacht Rock podcast, referencing the pejorative term frequently used to describe soft rock songs that just miss the boat.

"The basic things to ask yourself if you want to know if a track is yacht rock are: Was it released from approximately 1976 to 1984? Did musicians on the track play with Steely Dan? Or Toto?," Ryznar said. "Is it a top 40 radio hit or is it on an album meant to feature hits?" And, of course, does the song celebrate a certain breezy, SoCal aesthetic?

Building the Boat

There are certain key ingredients necessary for a track to be considered yacht rock. For starters, it helps (though is not necessary) to have album art or lyrics that specifically reference boating, as with Christopher Cross's landmark 1980 hit “Sailing.” The music itself is usually slickly produced with clean vocals and a focus on melody over beat. But above all else, the sound has to be smooth . That’s what sets yacht rock apart from "nyacht" rock.

"Its base is R&B, yet it’s totally whitewashed," Ryznar explained on  Beyond Yacht Rock . "There [are] jazz elements. There can be complex, challenging melodies; the solos are all cutting-edge and really interesting. There’s always something interesting about a true yacht rock song. It goes left when you expect it to go right."

Yacht rock’s complex musicianship can be attributed, in part, to the session players on each track. Musicians like percussionist Steve Gadd, guitarist and Toto founding member Steve Lukather, and Toto drummer Jeff Porcaro don’t have much in the way of name recognition among casual soft rock listeners, but they’re the nails that hold the boat together. Steely Dan, “the primordial ooze from which yacht rock emerged,” according to Ryznar, famously cycled through dozens of session musicians while recording their 1980 seminal yacht rock album Gaucho .

"These musicians were not only these slick, polished professionals, but they were highly trained and able to hop from style to style with ease,” Huey explained on  Beyond Yacht Rock . “Very versatile.”

Steely Dan has been described as "the primordial ooze from which yacht rock emerged."

In Greg Prato’s 2018 tome, The Yacht Rock Book : An Oral History of the Soft, Smooth Sounds of the 70s and 80s , Huey broke down “the three main defining elements of yacht rock,” explaining that it requires “Fusing softer rock with jazz and R&B, very polished production, and kind of being centered around the studio musician culture in southern California … It’s not just soft rock, it’s a specific subset of soft rock that ideally has those elements."

Soft rock untethered

Whereas the music of the late 1970s and early ‘80s is often associated with the anti-establishment music of punk pioneers like the Dead Kennedys and the socially conscious songs being written by early hip-hop innovators like Grandmaster Flash and the Furious Five, yacht rock is the antithesis of the counterculture.

Yacht rock occupies a world that is completely apolitical and untethered to current events. Between the oil crisis, a global recession, and inflation—not to mention the fact that the U.S. was still licking its wounds from the loss of the Vietnam War and the disgrace of Watergate—the late '70s were a dark time for Americans. Yet yacht rock, at its heart, is a tequila sunrise for the soul, whisking the listener away to a world where they have the time, and the means, to idle away the hours sipping piña coladas at sea while decked out in flowy Hawaiian shirts and boat shoes.

Yacht rock was never edgy, nor did it ever feel dangerous. Yacht rock didn’t piss off anyone’s parents and no one ever threatened to send their kid to boot camp for getting caught listening to Kenny Loggins's “This Is It.” Yacht rock tracks are more of a siren song that invite your parents to join in on the chorus anytime they hear Toto’s "Rosanna."

Yacht rock songs are meant to set the soundtrack to a life where the days are always sunny, but as Ryznar pointed out on Beyond Yacht Rock , there’s “an underlying darkness”—just not the kind that’s going to derail a day of sailing to Catalina Island. No, yacht rock has elements of low-stakes heartbreak with sensitive male protagonists lamenting their own foolishness in trying to get back together with exes or hitting on women half their age.

The aspirational aspect of the genre dovetailed nicely with the overarching materialism defining the Reagan era. “Yacht rock was an escape from blunt truths, into the melodic, no-calorie lies of ‘buy now, pay never,’ in which any discord could be neutralized with a Moog beat,” Dan O’Sullivan wrote in Jacobin .

Some Like it Yacht

Although the cult comedy series Yacht Rock ceased production in 2010, the soft rock music revival it launched into the zeitgeist is still going strong. For the past few years, SiriusXM has been running a yacht rock station during prime boating season, or what those of us without bottomless checking accounts refer to as the spring and summer months. Yacht rock tribute acts like Yacht Rock Revue are profitable business endeavors as much as they are fun party bands. There’s also a glut of yacht rock-themed song compilations for sale and a proliferation of questionably curated genre playlists on Spotify.

Whether you believe yacht rock is an exalted art form or the insidious soundtrack to complacency, any music lover would probably agree that even a momentary escape from the blunt truths of life is something we could all use every now and then.

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yacht rock 1970s

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The greatest Yacht Rock songs of all time

How does one describe yacht rock? The folks at MasterClass did a pretty good job. Essentially, it's a component of soft rock, adult contemporary, and Album-oriented rock (AOR) all rolled into one. Popular in the late 1970s and into the '80s, there are some notable tunes of the ilk (smooth rhythms, light or "breezy" vocals, well-polished and produced) from earlier in the '70s that fall into this category.

In the spirit of easy listening fare, here is our ranking of 22 great yacht rock tunes.

20. "Lonely Boy" (1977), Andrew Gold

The Southern Californian's biggest hit, reaching No. 7 on the Billboard Hot 100. Yacht rock tracks often tell stories, and "Lonely Boy" is one of the great story songs. Whether it's autobiographical in nature has always been ripe for a casual argument. Though Gold, who passed away in 2011 at age 59, repeatedly claimed this song about a boy who felt left out following the birth of his sister was not depicting his life. The 1970s were ripe for one-hit wonders in the United States, and Gold is not still forgotten. 

19. "I Love You" (1981), Climax Blues Band

"I Love You"  is a sweet, endearing ballad. The kind of song that probably sounded great via that portable 8-track cassette player on a catamaran during an early '80s' summer. From England, Climax Blues Band scored a top-15 hit with "I Love You." Love was a dependable and generally successful topic for artists within the soft/yacht rock genre. In fact, the song is still quite popular on lite rock and adult contemporary radio stations on your FM dial for those who still like to hear their music that way. 

18. "Rosanna" (1982), Toto

Toto rightfully has a place in the yacht rock world, but the band also broke into the top-40, FM radio, and MTV mainstream with the release of 1982's Toto IV . "Rosanna" was a big reason for the album's success, peaking at No. 2 on Billboard 's Hot 100 and winning the Record of the Year Grammy Award. Sure, it's not typical yacht rock fare, per se. It's certainly heavier than other popular tracks on this list, but it's certainly a product of AOR and still routinely played in dentist offices throughout America. 

17. "Love Will Keep Us Together" (1975), Captain & Tennille

There are those historians who believe the first true example of yacht rock came with this popular '70s staple from the "Captain"   Daryl Dragon  and his wife Toni Tennille. Now, Neil Sedaka  wrote "Love Will Keep Us Together" and originally recorded the song two years earlier. Still, the duo's version was  more poppy, with a carefree vibe  that's ideal for FM radio. While Captain & Tennille's cover won a Record of the Year Grammy Award, Sedaka has noted that the Beach Boys were one of the inspirations for the tune. This makes sense since many music critics, professionals, historians, etc.. have credited the yacht rock genre as somewhat of an offshoot from the Beach Boys' collective sound. 

16. "Escape (The Pina Colada Song)" (1979), Rupert Holmes

This No.1 Billboard Hot 100 hit for England's Rupert Holmes has achieved a steady cult following over the years. Perhaps, because of the unique title and conjured images of some warm, beach-laden paradise. Yacht rock's association with summer, water, and care-free living, as a backdrop to a romantic story, is one of its appealing aspects. This song is about a couple who ultimately patch up a rough relationship through personal ads . Any time somebody of a certain age sips one of these drinks, ideally at some Caribbean resort with the warm winds off the ocean blowing, "The Pina Colada Song" should come to mind.

15. "Reminiscing" (1978), Little River Band

Formed in Australia, the soft/pop rock and often yacht rock stylings of LRB were a hit in the United States. " Reminiscing " was the band's biggest hit in America, reaching No. 3 on the Billboard Hot 100. Like many songs of this genre, "Reminiscing" is paced by the electric piano. Which also happened to be a staple of the Little River Band. Sure, it's not "breezy" like other yacht rock tunes, but Will Ferrell's Det. Allen Gamble is a big fan in The Other Guys (2010).

14. "Africa" (1982), Toto

Yes, more from Toto. If there's one popular Toto hit that whole-heartedly falls under the yacht rock moniker, it's " Africa ." The group's only song to top the Billboard Hot 100, and made a resurgence with Weezer's popular cover in recent years , "Africa," is the proper combination of mellow and poppy. It continues the Toto tradition of shared vocals, while the consistent synthesizer and keyboard presence, though more pronounced than the typical soft rock/adult contemporary vibe. 

13. "How Much I Feel" (1978), Ambrosia

L.A.'s Ambrosia, co-founded by vocalist/guitarist/songwriter David Pack and bassist Joe Puerta was all about the soft rock sound that surfaced in Southern California during the early 1970s. "How Much I Feel," from the group's third album Life Beyond L.A. , might have more of an adult contemporary vibe but certainly falls into the yacht rock category. It was one of the band's biggest hits, reaching No. 3 on the Billboard Hot 100. It's remained popular over the years, even being sampled by Kanye West.

12. "Peg" (1977), Steely Dan

Steely Dan was, in its prime, under the direction of celebrated songwriters Donald Fagan and Walter Becker, many things regarding a collective sound. Rock, pop, jazz, blues. Usually melodic, well within the soft-rock category. Songs like "Peg," from the 1977 masterpiece Aja , certainly has a yacht rock vibe, too. Perhaps most notably is that the great Michael McDonald, longtime frontman of the Doobie Brothers and driving singer-songwriter in the soft/yacht rock circles, provides backing vocals on the track. 

11. "Biggest Part of Me" (1980), Ambrosia

It really does get more yacht rock than this—smooth , with a flowing rhythm, precise, but not overbearing, harmonies . Not to mention the subtly stellar keyboard work from David C. Lewis. Throw in sessionist Ernie Watts' sax solo, and we have one great soft/yacht offering. It was the second of Ambrosia's two top-5 hits, reaching No. 3 on Billboard 's Hot 100. The version from the 1980s One Eighty  album runs about 5 1/2 minutes long. Talk about pure easy-listening joy.

10. "Summer Breeze" (1972), Seals & Crofts"

Long considered one of the great "summer songs" ever recorded. And summer-themed tunes from the 1970s tend to lend themselves to the yacht rock moniker. That said, Seals & Crofts were definitely a soft rock outfit, but with elements of folk and pop. "Summer Breeze" peaked at No. 6 on the Billboard Hot 100 during the 1970s and, again, is notable for being one of the earliest yacht rock offerings. Several other prominent artists, such as Ray Conniff, the Isley Brothers, and a stellar metal version from Type O Negative. 

9. "Ride Like the Wind" (1979), Christopher Cross

It's safe to say that Christopher Cross is the king of yacht rock. A brilliant songwriter and above-average guitar player, Cross could rock, but it's his definitive soft rock numbers that made him a star with lite-FM, adult contemporary and yacht rock fans. "Ride Like the Wind"  is the first single from Cross' stellar five-time Grammy-Award-winning self-titled debut from 1979. A more upbeat number about an outlaw running from the authorities, the track is less uplifting than other yacht rock tunes, but the vibe is the same. Of note, Michael McDonald provided backing vocals.

8. "Baby Come Back" (1977), Player

From John Friesen's steady drum intro to that durably underlaid bass line via Ron Moss to J.C. Crowley's keyboard presence begins the soft-rock brilliance of "Baby Come Back." With lyrics describing the yearning to reacquire a lost love and full-band harmonies, "Baby Come Back" just might be the quintessential offering of the yacht rock genre. It was the biggest hit for Player , the L.A.-based group that featured vocalist and song co-writer Peter Beckett, who was born in England. The tune topped the Billboard Hot 100 and still has a presence with its inclusion in films such as Transformers and  Black Adam.  Plus, various versions in popular TV shows like The Simpsons. American Dad  and King of the Hill.

7. "What a Fool Believes" (1979), The Doobie Brothers

The Doobie Brothers were a rather hard-rocking outfit before Michael McDonald joined up in the mid-1970s. The band was in need of an established songwriter, and McDonald delivered. However, with a more mellow, synthesizer/electric piano-driven sound that produced soft-rock gems like this one. Co-written by Kenny Loggins, who put out a version for himself, "What a Fool Believes" hit No. 1 on the Hot 100 in April 1979. Several critics have cited this as the best song in the vast Doobie Brothers catalog. 

6. "Steal Away" (1980), Robbie Dupree

If you're going to be a one-hit wonder, why not make it count? More than 30 years since its release, " Steal Away " can still be heard in elevators and office buildings throughout the United States -- or in the third season of Better Call Saul . Undeniably yacht rock, Dupree, born in Brooklyn, enjoyed success with the song during the summer of 1980 -- always a perfect time to enjoy the smooth, soothing sounds of a piece within this genre that peaked at No. 6 on Billboar d's Hot 100.

5. "Moonlight Feels Right" (1975), Starbuck

Here's a case where middle-aged and baby-boomer music fans probably remember the song but perhaps not the group who performed the track. That's OK. Atlanta's Starbuck is essentially a one-hit wonder thanks to "Moonlight Feels Right," which topped out at No. 3 on Billboard 's Hot 100. For those who remember this track for its lite-flowing beat, with lyrical references to the ocean, "Baltimore," and 'Ole Miss," and band member Bo Wagner marimba   solo, it might take them back to a simpler, more laidback time in their lives.

4. "Heart to Heart" (1982), Kenny Loggins

Perhaps more so than the previously mentioned "This Is It," "Heart to Heart" truly has all the requirements of a great yacht rock/soft rock tune. It was co-written by Michael McDonald, who also played the electric piano and provided backing vocals. David Foster, of Chicago songwriting and '80s ballad fame, also helped compose the tune, which features David Sanborn on saxophone. The track is one of Loggins' best-known hits, cracking the top 20 of the Hot 100.

3. "Lowdown" (1976), Boz Scaggs

Co-written by David Paich and featuring Jeff Porcaro on drums -- both of whom who go on to form the aforementioned Toto. One of Scaggs most well-known hits, "Lowdown"  has a bluesy and almost disco vibe. And a number we can imagine being played at some swanky yacht club party where the dance floor is filled, and more than a few people are sporting captain's hats. The song reached No. 3 on Billboard 's Hot 100 and also topped the Billboard Cash Box chart in the United States.

2. "Key Largo" (1981), Bertie Higgins

Yacht rock and one-hit wonders seem to go hand-in-hand. Higgins scored one in the early 1980s with this number that reached No. 8 on the Billboard Hot 100. The Florida native was inspired to write this song about trying to avoid a romantic breakup by the 1948 movie of the same name, starring Humphrey Bogart   and Lauren Bacall, who are referenced in the tune. Though Higgins never enjoyed the same individual success as a musician, the song has had a solid shelf life and remains a definitive moment in the yacht rock genre.

1. "Sailing" (1979), Christopher Cross

Sure, "Ride Like the Wind" is a gem, but the undisputed star of Cross' aforementioned debut album is the Hot 100-chart-topper "Sailing." It might be the definitive yacht rock song, capturing what Cross described, at the time, the "West Coast sound," which was long being composed, produced and performed, but maybe didn't have an appropriate moniker. The song won Grammys for Record of the Year, Song of the Year, and Arrangement of the Year, and was a big reason Cross earned the same award for Best New Artist.

A Chicago native, Jeff Mezydlo has professionally written about sports, entertainment and pop culture for nearly 30 years. If he could do it again, he'd attend Degrassi Junior High, Ampipe High and Grand Lakes University.

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Playlist of the Week: Top 100 Songs of Yacht Rock

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Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.

Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.

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Mattie Kelly Arts Foundation showcases a 10-concert series in the Village

Concerts will be held in the Village in Destin off Commons Drive every Thursday evening beginning April 4.

The Mattie Kelly Arts Foundation (MKAF) will kick off its 2024 Concerts in the Village on April 4.  

The area’s first live concert series is held each spring on Thursday evenings at the MKAF Dugas Pavilion in Destin. This year’s 29 th  annual family friendly series will run April 4 to June 6. The 10-concert live music series will feature premier regional and national musicians and bands performing everything from rhythm & blues, classic and hard rock to disco to modern pop.  

Here’s a closer look at the lineup: 

#1 - April 4 - Postmodern Jukebox

One part celebration of vintage music and culture, one part "Saturday Night Live" for singers, a Postmodern Jukebox show is an unforgettable trip back in time. Tickets are $35 adults/$30 active-duty military. 

#2 - April 11 - Wendy Moten

Wendy Moten from "The Voice" is from Memphis and is an American R&B-infused pop singer based in Nashville. Best known for the UK hit "Come In Out Of The Rain," Moten has released major-label solo records, achieved international hits and toured extensively. At 56, she took a bold step, entering "The Voice" and finishing as the runner-up. Tickets are $25 adults/$20 active-duty military in advance.  

#3 - April 18 - Black Jacket Symphony

Black Jacket Symphony presents Prince’s "Purple Rain." Celebrate the 40th anniversary of Prince’s most celebrated album, performed from start to finish. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $35 adults/$30 active-duty military in advance.  

#4 - April 25 - Yacht Rock Revue

These musicians have performed with John Oates and Eddie Money and now headline their own sold-out shows, playing the smooth sounds of West Coat 1970s and ‘80s. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $35 adults/$30 active-duty military in advance.  

#5 - May 2 - The Mulligans

The Emerald Coast-based band, founded by Edwin Watts, plays hits from The Beatles, Tom Petty, Eric Clapton, Elvis, the Eagles, Bee Gees, the Ventures, Rolling Stones, Buddy Holly, The Monkees, Roy Orbison, Moody Blues, Young Rascals, Billy Joel, The Outsiders and many others. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $25 adults/$20 active-duty military.  

#6 - May 9 - Rumours ATL

This Fleetwood Mac tribute takes the stage May 9. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $25 adults/$20 active-duty military in advance.  

#7 - May 16 - Gotta Groove Band

Gotta Groove Band, from Land O Lakes, Florida, will put a fresh spin on popular cover tunes from the 1960s to today. Tickets are $25 adults/$20 active-duty military. 

#8 - May 23 - Mitch Malloy

The former front man of Great White, rocker Mitch Malloy is a studio veteran and award-winning songwriter. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $35 adults/$30 active-duty military in advance.  

#9 - May 30 - Haley Reinhart

Haley Reinhart's timeless voice will transport you, blending pop, rock and jazz. A finalist on "American Idol ",  this Chicago-born singer is influenced by 1950s music and enjoys playful lyrics. Doors open at 6 p.m. and concerts start at 7 p.m. Tickets are $35 adults/$30 active-duty military in advance.   

#10 - June 6 - Adam Ezra Group

Adam Ezra Group closes out the series. Fusing folk intimacy and rock energy with soul power and pop charm, the band first emerged from Boston in the early 2000s and quickly garnered widespread acclaim. Tickets are $25 adults/$20 active-duty military. 

Things to know before you go:

Gates open at 6 p.m. with concerts beginning at 7 p.m. Bring a lawn chair, picnic, wine, or purchase food and beverages on site. A drawing will be held at each concert to award valuable raffle prizes donated by local businesses.  

General admission varies per concert. Prices range from $20 to $35 for adults. Discounts offered for active-duty military (must show ID). New this year: Patrons purchasing tickets in advance of concert day will save $5 per ticket. Children (12 and younger) are free. A limited number of VIP tables (reserved table for eight guests for the entire season) are available for $2,250. Corporate VIP tables are $2,750. 

Proceeds will fund the MKAF’s community outreach mission to provide cultural outreach programs through ArtsReach serving K-12 students, adults and children with special needs, at-risk youth, and through MKAF’s Warrior Arts program serving active/veteran military. 

Purchase tickets online at  MKAF.org/events . More at (850) 650-2226. 

yacht rock 1970s

Celebrating 25th milestone anniversary, Mohegan Sun Arena undergoing name change

The Mohegan Sun Arena at Casey Plaza will be known as the Mohegan Arena at Casey Plaza.

The announcement comes as the arena is celebrating its 25th anniversary.

Mohegan Pennsylvania has been the naming rights partner of the arena since 2009. Officials say that the shift in naming "will bring a rebranding of arena assets" which will include exterior and interior signage, set to be installed this summer.

Additionally, in celebration of the milestone anniversary, the arena will be holding a community celebration concert on Sept. 21 at the venue.

“Sailing Through Time" is expected to feature the Yachtley Crew, a yacht rock band formed in southern California and quickly grew in popularity after being signed by the late Jimmy Buffett. Today, the band boasts events across the nation with thousands of fans eager to hear their setlist of soft rock and top-40 hits from the late 1970s to the early 1980s.

Wilkes-Barre Township, where the arena is located, is also celebrating its 250th anniversary as a township. This summer, a parade leading residents and arena dignitaries will begin on Sunday, Aug. 24.

We'll have more on this story tonight at 10 p.m.

Celebrating 25th milestone anniversary, Mohegan Sun Arena undergoing name change

These photos capture street scenes of Soviet Union in the early 1970s

These photos capture street scenes of Soviet Union in the early 1970s

These vintage photos, taken by Sten-Åke Stenberg, depict the street scenes and everyday life in the Soviet Union in the early 1970s.

The Soviet 1970s was long. Coinciding with the rule of Leonid Brezhnev from 1964 to 1982 in both scholarly and popular understanding, the period is associated with a variety of concepts—“developed socialism,” “mature socialism,” “re-Stalinization,” and, most often, “stagnation.”

But as many scholars of the Soviet Union and Eastern Europe are increasingly noting, the 1970s as a period of stagnation is too simple.

It was a time of profound change and globalization, even for state socialist societies. Life behind the Iron Curtain began resembling life on the other side—a complex, modern post-industrial consumerist society.

soviet union street scenes 1970s

Moscow, 1971.

The 1965 Soviet economic reform, often referred to as the “Kosygin reform”, of economic management and planning was carried out between 1965 and 1971.

Announced in September 1965, it contained three main measures: the re-centralization of the Soviet economy by re-establishing several central ministries, a decentralizing overhaul of the enterprise incentive system (including wider usage of capitalist-style material incentives for good performance), and thirdly, a major price reform.

Though these measures were established to counter many of the irrationalities in the Soviet economic system, the reform did not try to change the existing system radically; it instead tried to improve it gradually.

Success was ultimately mixed, and Soviet analyses on why the reform failed to reach its full potential have never given any definitive answers.

The key factors are agreed upon, however, with blame being put on the combination of the decentralization of the economy with the decentralization of enterprise autonomy, creating several administrative obstacles.

soviet union street scenes 1970s

The Era of Stagnation (1964-1982), a term coined by Mikhail Gorbachev, is considered by several economists to be the worst financial crisis in the Soviet Union.

It was triggered by the Nixon Shock, over-centralization, and a conservative state bureaucracy. As the economy grew, the volume of decisions facing planners in Moscow became overwhelming.

As a result, labor productivity decreased nationwide. The cumbersome procedures of bureaucratic administration did not allow for the free communication and flexible response required at the enterprise level to deal with worker alienation, innovation, customers, and suppliers. The late Brezhnev Era also saw an increase in political corruption

soviet union street scenes 1970s

Leningrad park, 1971.

With the mounting economic problems, skilled workers were usually paid more than had been intended in the first place, while unskilled laborers tended to turn up late, and were neither conscientious nor, in a number of cases, entirely sober.

The state usually moved workers from one job to another which ultimately became an ineradicable feature in Soviet industry; the Government had no effective counter-measure because of the country’s lack of unemployment.

Government industries such as factories, mines, and offices were staffed by undisciplined personnel who put a great effort into not doing their jobs. This ultimately led to, according to Robert Service, a “work-shy workforce” among Soviet workers and administrators.

soviet union street scenes 1970s

Leningrad street scenes, 1971.

Kosygin initiated the 1973 Soviet economic reform to enhance the powers and functions of the regional planners by establishing associations.

The reform was never fully implemented; indeed, members of the Soviet leadership complained that the reform had not even begun by the time of the 1979 reform. The 1979 Soviet economic reform was initiated to improve the then-stagnating Soviet economy.

The reform’s goal was to increase the powers of the central ministries by centralizing the Soviet economy to an even greater extent. This reform was also never fully implemented, and when Kosygin died in 1980 it was practically abandoned by his successor, Nikolai Tikhonov.

Tikhonov told the Soviet people at the 26th Party Congress that the reform was to be implemented, or at least parts of it, during the Eleventh Five-Year Plan (1981–1985).

Despite this, the reform never came to fruition. The reform is seen by several Sovietologists as the last major pre-perestroika reform initiative put forward by the Soviet government.

soviet union street scenes 1970s

Leningrad, 1971.

soviet union street scenes 1970s

Leningrad. Decembrists’ Square (now Senate Square). Building of the Senate and Sinode at the right, 1971.

soviet union street scenes 1970s

Leningrad. Hotel Spotnik, 1971.

soviet union street scenes 1970s

Leningrad. Women speaking at the street corner, 1971.

soviet union street scenes 1970s

Moscow Circus on Tsvetnoy Boulevard, 1971.

soviet union street scenes 1970s

Moscow Metro, 1971.

soviet union street scenes 1970s

Moscow park, 1971.

soviet union street scenes 1970s

Moscow street scenes, 1971.

soviet union street scenes 1970s

Moscow. A restaurant, 1971.

soviet union street scenes 1970s

Moscow. Boy on a bicycle, 1971.

soviet union street scenes 1970s

Moscow. Cleaning the Red Square, 1971.

soviet union street scenes 1970s

Moscow. Exhibition of Soviet Economic Achievements. Building in the background is a pavilion of a coal industry, 1971.

soviet union street scenes 1970s

Moscow. Fruit shop, 1971.

soviet union street scenes 1970s

Moscow. Man sitting on a bench reading the paper, 1971.

soviet union street scenes 1970s

Moscow. Mother and son, 1971.

soviet union street scenes 1970s

Moscow. Old lady, 1971.

soviet union street scenes 1970s

Moscow. Road workers, 1971.

soviet union street scenes 1970s

Moscow. Soviet family, 1971.

soviet union street scenes 1970s

Moscow. Soviet ice cream, 1971.

soviet union street scenes 1970s

Moscow. Soviet poster about a war movie, 1971.

soviet union street scenes 1970s

Moscow. The main entrance to the Exhibition of Soviet Economic Achievements, 1971.

soviet union street scenes 1970s

Moscow. Water machine, 1971.

soviet union street scenes 1970s

Novgorod, 1971.

soviet union street scenes 1970s

Novgorod. Babushkas, 1971.

soviet union street scenes 1970s

Leningrad, 1973.

soviet union street scenes 1970s

Leningrad. A girl with her dog, 1973.

soviet union street scenes 1970s

Leningrad. Nevsky Prospect, 1973.

soviet union street scenes 1970s

Moscow, 1973.

soviet union street scenes 1970s

Moscow. A family, 1973.

soviet union street scenes 1970s

Moscow. Boy with a rifle, 1973.

soviet union street scenes 1970s

Moscow. Girl and books, 1973.

soviet union street scenes 1970s

Moscow. Lady reading on a bench, 1973.

soviet union street scenes 1970s

Moscow. Old lady, 1973.

(Photo credit: Sten-Åke Stenberg / Flickr / Wikimedia Commons).

Updated on: May 31, 2022

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72 Fun & Unusual Things to Do in Moscow

fun things to do in Moscow

Sure, Moscow is the Russian political capital and the nation’s most populous city, but describing it as such couldn’t be any further from the truth. More accurately, Moscow is a city of contrasts.

It exudes history — its Kremlin dates back centuries, nodding to royalty and leadership old and now, while the famed Red Square, the poster child of the city, blends striking color with ancient tradition and religion.

On the other hand, it’s a city of modern pop culture and towering skyscrapers; a place where you’ll come across new-age museums, arts centers, manmade parks, and an efficient transportation system that’s one of the most beautiful in Europe.

It’s a city of longstanding culture — the Bolshoi Theater is an international symbol for excellence in classical dance, while Russia’s National Ballet Company remains renowned worldwide — as well as upbeat nightlife, with some of the world’s most celebrated rooftop bars and nightclubs.

While it’s a city filled with opposites, there remains no shortage of things to do in Moscow for all types of travelers — from those who want cultural immersion to those looking for an epic night out, you’ll be spoiled for choice. And if you’re not sure where to start, here’s a list of suggestions!

The Moscow Kremlin

If there’s any particular district begging to be the first place you visit on your trip, it’s the Kremlin.

Built in the 16th century by Ivan the Terrible, the UNESCO-listed area has since become the heart of Russia’s capital city, where you’ll find several churches, palaces, and other noteworthy buildings.

We’ll dive into each of its main attractions in a second, but regardless of what you visit, try to make it to the Kremlin in time for sunset — because seeing its golden domes glinting in the late-afternoon light makes for one spectacular tourist photo!

Click here to learn about Kremlin tickets prices .

1 – Admire the abundance of Kremlin towers | the Kremlin

Kremlin towers, Moscow

As your eyes dart down the towering red-brick Kremlin wall, the first thing you’ll notice is its large towers of all different styles and sizes.

With a whopping 20 separate minarets towering above the historic area, each with its own name, colors, features and history, a guided tour to learn each of their fascinating stories is a must.

To give you a little taste, the Konstantin-Yeleninskaya Tower once housed a torture chamber. Saviour’s Tower at the main entrance boasts a famous chiming clock, the Secret Tower houses a secret escape tunnel, and the Trinity Tower is the tallest of them all.

  • Moscow Kremlin tours

2 – Visit the enormous Grand Kremlin Palace | the Kremlin

Grand Kremlin Palace, Moscow

A remarkable attraction in terms of both beauty and history, the Grand Kremlin Palace is an ornate rococo-style building that was commissioned during the reign of Nicholas I, and today acts as the official residence of none other than the Russian president, Vladimir Putin.

Perched atop Borovitsky Hill, its 125-meter-long facade is unmissable, making for impressive photos.

Take note: guided tours are few and far between, so you’ll have to book a few weeks in advance if you want to check out the decorated inner sanctum.

Directions in Google Maps

3 – People-watch in Cathedral Square | the Kremlin

Cathedral Square, Moscow

One of the most popular areas in all of Moscow (sometimes called Sobornaya Square), with multiple massive churches at its heart, Cathedral Square is flanked by several historic buildings and is never shy of a tourist crowd.

The three main churches — each spectacular works of architecture in their own right — are the Cathedral of the Assumption (the oldest and the biggest of all Kremlin churches), the 16th-century Cathedral of the Archangel Michael (known for its beautiful Corinthian gables and turrets), and the golden-domed Cathedral of the Annunciation (which connects to the Grand Kremlin Palace’s main building).

Throw in the 60-meter-high Ivan the Great Bell Tower, the lesser-known Church of the Twelve Apostles , the Church of the Deposition of the Virgin’s Robe (underrated yet famous for its marvelous stained-glass windows), and the medieval residence-turned-museum that is The Patriarch’s Palace, and you can see why this square is regularly number one on any visitor’s list of things to do in Moscow.

4 – See a show at the State Kremlin Palace | the Kremlin

State Kremlin Palace, Moscow

Just like the Grand Kremlin Palace , this theater and prestigious concert hall — with its grandiose facade and multiple sculptures — is another ornate building that’s worth admiring.

A popular place to hold conferences, the State Kremlin Palace was originally built as part of a larger complex for Communist Party meetings, but today hosts some of the biggest events in Moscow — we’re talkin’ sold-old ballet performances, world-famous concerts, opera shows, and festivals.

Check the website to see what’s on the calendar for your visit!

5 – See centuries worth of national treasures at the Armoury Chamber | the Kremlin

Armoury Chamber, Moscow

For anyone with an interest in historical weaponry and armor, this museum — which dates back to the early 1500s when it was created as the royal armory — is a must-see.

The Armoury Chamber (as well as the Diamond Fund Exhibition) is home to some of the most valuable objects that were originally owned by Russian monarchs — from jeweled heirlooms and intricate boxes to ornately decorated pistols and swords — many of which are centuries old.

Within the armoury chamber, you’ll also find the Russian historical regalia, a collection of artifacts that belonged to Russian tsars and emperors between the 13th and 20th centuries, highlighted by the Ivory Throne and the Monomakh’s Cap.

  • Armoury Chamber tours

6 – Step inside the Palace of the Facets | the Kremlin

Palace of the Facets, Moscow

The Palace of the Facets is one of the most underrated buildings in all of Moscow, largely because it’s not as widely promoted or photographed even though its exterior adorns some postcards.

From the outside, it blends in with the crowd. But step inside and you’ll discover a world of beauty and wonder — its frescoes, golden columns and enormous rooms are a sight to behold

The Palace of the Facets is not only a piece of art (literally, with painted walls), dating back over 500 years, but also acted as the dining hall for the Tsars.

7 – Feel small next to the Tsar Bell | the Kremlin

Tsar Bell, Moscow

Making Philadelphia’s famous Liberty Bell look diminutive in size, this monument , which never actually functioned as a bell due to its immense size (at 205 tons and standing 20.1 feet high!), has found fame in recent years for being the heaviest attraction inside The Kremlin.

With the bronze landmark’s claim to fame of being the biggest bell in the world, it presents as a great, quick photo op when roaming through the Kremlin.

8 – Check out the Senate Palace | the Kremlin

Senate Palace, Moscow

Another architectural masterpiece that’s tucked away within the Kremlin, this palace is famous for being one of Moscow’s most beautiful buildings — its yellow façade curves around to face inward and truly engulf anyone who stands near it.

Built back in the late 1700s, today it houses the Russian presidential administration and, unfortunately for us, is off limits to the general public.

Still, admiring it from outside, with the nearby Tsar Cannon, is certainly good enough.

9 – Grab a photo in front of the Tsar Cannon | the Kremlin

Tsar Cannon, Moscow

One of Moscow’s most iconic symbols, Tsar Cannon (or Royal Cannon) is a cannon that was manufactured in 1586 and resides — yep, you guessed it — within The Kremlin.

Following the theme of the enormous Tsar Bell, it weighs a whopping 39 tons — making it one of the world’s largest cannons even though it has never been shot.

And while its size may be impressive on its own, what makes this cannon so special is that it’s adorned with intricate carvings, ornaments, inscriptions, and a figure of a horse-riding Tsar Feodor the Bellringer.

  • walking tours in Moscow

10 – Join a tour of the Terem Palace | the Kremlin

Terem Palace, Moscow

A stunning, fairytale-like palace that’s steeped in history and detail, the five-story Terem Palace is one of the most underrated attractions within The Kremlin. However, as part of the official residence of the Russian President, much of it is off-limits to snap-happy tourists.

That said, there’s still plenty to be seen in the accessible areas by joining a group tour: a beautiful white-stone carved staircase; curved, decorated, and painted ceilings; and an enchanting low-vaulted Antechamber with lancet windows.

The Red Square

As we move away from the Kremlin, our next stop is the most photographed, picturesque public area in the country.

Flanked by gorgeous, colorful towers and buildings, the Red Square is the most famous square in all of Russia — and one that’s steeped in history, patriotism, and communist symbolism.

Home to some of Moscow’s greatest landmarks including St Basil’s Cathedral (featuring its iconic onion domes), Lenin Mausoleum, GUM department store (an architectural masterpiece that is the most famous shopping mall in Russia), The State History Museum, and more, it’s not just a sight to see in Moscow but also one that has been seen by hundreds of millions from around the world.

11 – Make your way inside St. Basil’s Cathedral | Red Square

St. Basil’s Cathedral, Moscow

Built back in the early 1500s, this quirky-looking, 65-meter-tall Orthodox church is so unique and detailed that it’s earned its place as one of 16 UNESCO cultural sites in Russia — and, thanks to many Hollywood productions like Bond: Skyfall (2012), has only continued to increase in fame.

Its exterior boasts multi-colored domes crowned with golden onion top spires. Meanwhile, inside, you’ll find nine small, separate chapels, and plenty of decorated walls and windows — all best viewed as part of a walking tour of Red Square.

  • Red Square tours in Moscow

12 – Visit the State Historical Museum | Red Square

State Historical Museum, Moscow

One of seven museums that can be found around the expansive Red Square, the State Historical Museum is one of Moscow’s most revered.

Housed in a neoclassical building (the same as GUM), it features more than 4 million items relating to Russian history — making it so vast and incredible that you’ll need at least two hours inside to see just a fraction.

While you’re in the area, be sure to check out the Marshal Georgy Zhukov Monument, a towering horse-riding statue of arguably the most famous and heroic Soviet military commander of WWII, which can be found in front of the museum.

13 – Shop till you drop at GUM | Red Square

GUM department store, Moscow

The official state department store of Russia, having opened in 1893 and become one of Moscow’s most iconic attractions for shopaholics over the years, is known for its gorgeous architecture that looks more like a palace than anything else.

Entering through its massive golden doors, you’ll be surprised to find an extensive shopping center with more than 100 luxury and world-renowned brands of clothing and accessories for men, women, and youngsters.

Even if you don’t plan on buying anything, stop into the Gastronom №1 for a bite to eat or take a stroll through its corridors to appreciate the building’s history and beauty.

14 – Visit Lenin’s Mausoleum | Red Square

Lenin's Mausoleum, Moscow

Another iconic Red Square attraction is Lenin’s Mausoleum, a small yet foreboding building that houses the embalmed corpse of Communist leader Vladimir Lenin (who led Russia through the Bolshevik Revolution of 1917).

Opened in 1930 after his death and standing at more than 12 meters tall, it presents as both a unique and macabre site — and, considering the life-like nature of the body, certainly isn’t for the faint of heart.

Note: Entrance is free of charge, but expect to be searched by security before being allowed in.

15 – Ride the Moscow Metro, enjoying the beautiful stations along the way

Moscow Metro, Russia

As we leave the Red Square, the next cab off the rank is Moscow’s unbelievable artistic Metro network (rivaled only in beauty by that of Stockholm). Constructed between the 1930s and 1950s, its stations were built by hand with a wide range of artistic themes — from socialist realist to Slavic pagan.

Tips: The best way to experience them is as part of a Moscow Metro tour, which can be booked online. However, if you prefer exploring solo, then make sure to visit the Mayakovskaya Metro Station which is known for its seemingly endless archways.

You may also check out Dostoyevskaya, named after a famous writer with murals depicting his stories. The Ploshchad Revolutsii Metro Station is another option where a handful of Socialist statues provide a wonderful contrast to the red marble arches.

  • metro tours in Moscow

16 – Spend the afternoon exploring the State Tretyakov Gallery

State Tretyakov Gallery, Moscow

Boasting the reputation of being one of the world’s leading art museums, the State Tretyakov Gallery is home to a stunning collection that features well over 100,000 works from Russia and around the globe.

Featuring everything from ancient Russian icons to Soviet-era artifacts and contemporary pieces, the museum also houses a charming green garden perfect for recharging.

Visitors are advised to allocate at least three hours inside to properly appreciate everything on show — or consider booking a private VIP tour to skip the lines and focus on the best sections.

  • Tretyakov Gallery tickets

Click here to find out the best Moscow tours .

17 – Get out of town to the Tsaritsyno Museum & Nature Reserve

Tsaritsyno Museum & Nature Reserve, Moscow

Located a short drive from the hustle and bustle of the Red Square, this incredible attraction is both a palatial museum and cultural center, with an enchanting open-air garden to boot — spread across 405 hectares altogether.

Boasting beautiful 18th-century baroque architecture, it was originally built as a country retreat for Catherine the Great. However, it has since been transformed into an outdoor museum with several museums inside — including exhibits dedicated to Russian history and culture.

18 – Tick off the main haunts with a hop-on hop-off bus ride

bus tours in Moscow

Short on time or just can’t be bothered walking around anymore? Then make sure to check out the double-decker Hop-on-Hop-off Bus, a convenient and cheap way of seeing all the main attractions in one go.

With unlimited-ride tickets lasting between 24 and 72 hours, there’s plenty of flexibility to soak in must-see areas like Red Square, the Kremlin, Arbatskaya Square, Theatre Square, and the Red October neighborhood — and with a free audio tour (in English) throughout the ride, you’re sure to learn a thing or two as well.

Busses usually run every 15 minutes, with the full city loop taking roughly an hour — of course, you can disembark and reboard to your heart’s content.

  • bus tours in Moscow

19 – Learn about military history on Poklonnaya Hill

Poklonnaya Hill, Moscow

For an up-close and personal experience with the past, make sure to check out Poklonnaya Hill — a UNESCO World Heritage Site about 20 minutes out from the city center that’s home to several relics from Russia’s pre-revolutionary era.

It has everything from Great Patriotic War memorials dedicated to fallen soldiers of the Russian military forces, to the Eternal Flame and the Museum of Great Patriotic War. This is an unmissable opportunity for history buffs.

Hot tip: While you’re in the area, be sure to stop into the Victory Museum (the nation’s biggest military history museum) and check out the gold-tipped Church of St. George the Victorious .

20 – Get artsy at the Pushkin State Museum of Fine Arts

Pushkin State Museum of Fine Arts, Moscow

Home to one of the finest and most significant art collections in Russia, the highly-regarded Pushkin State Museum of Fine Arts showcases everything from medieval icons and paintings. With over 500,000 pieces of works by renowned artists like Rembrandt, Renoir, Picasso, Matisse, Karl Bryullov and Rubens, the museum is undeniably one of the best things to do in Moscow for art lovers.

The museum also houses impressive exhibits dedicated to ancient Greece, archaeological collections, decorative arts and a 200,000-item Numismatic library.

21 – Take a charming stroll down Arbat Street

Arbat Street, Moscow

Boasting everything from galleries and craft stores to souvenir shops, cafes, and some of Russia’s finest restaurants and hotels — as well as top-notch street performers (like jugglers and caricaturists) — Arbat Street is one of Moscow’s most famous pedestrian hubs for good reason.

The entire walkway, flanked by colorful buildings, stretches about a kilometer through the historic district, making it the perfect start to any day of inner-city exploring.

22 – Lounge around at the Gorky Central Park of Culture and Leisure

Gorky Central Park of Culture and Leisure, Moscow

One of Moscow’s biggest and most beloved green spaces, Gorky Central Park is a must-visit for anyone looking to soak in some fresh air.

The park boasts 45 hectares of picturesque grassland, forests, Golitsinsky Ponds (home to squirrels and ducks), walking trails, fountains and the Neskuchny Garden. This place is also home to the wooden Olivkovy beach, a hot spot for photographers looking to appreciate the Moskva river.

Plenty of cafes line the well-manicured park, likewise public art projects and picnic spots and an open-air cinema in the summertime!

While a relaxing day in the gardens is never a bad idea, if you’re looking for something a little more interactive, there’s the 18-meter-tall Observation Platform and a handful of museums on site. The Gorky Park Museum , Muzeon Park of Arts , Garage Museum of Contemporary Art and New Tretyakov Gallery are all noteworthy stops within walking distance.

23 – Stare at the ceiling of the Christ the Savior Cathedral

Christ the Savior Cathedral, Moscow

On an easy stroll from the southwest side of the Kremlin, you’ll find a majestic memorial cathedral doused in history: the 5-golden-domed Christ the Savior Cathedral .

With a beautiful color-contrasting exterior that still falls short of the intricately painted inner walls and ceiling, this underrated (due to not being in Red Square with the other main cathedrals) attraction is a must for the bucket list.

24 – Zoom around town in a Soviet van

Soviet van tours in Moscow

If a hop-on-hop-off bus screams of cliche tourism, why not get a little more cultured by skirting around the city’s main haunts in a real, war-era soviet van?

Undeniably one of Russia’s most emblematic vehicles as both a symbol of a Soviet past and a comical cultural nod to its boring exterior (dubbed the “loaf of bread”), the UAZ-452 vans are iconic.

So whether you opt for a pub crawl, landmark sightseeing tour, or day of adventure with wintertime off-roading, be sure to ride shotgun in one of the loaves of bread at some stage!

  • soviet tours

25 – See sharks up close at the Moskvarium

Moskvarium, Moscow

The mightiest aquarium in Europe (by size), the Moskvarium is an impressive modern space dedicated to the beauty and diversity of aquatic life.

Located right on the outskirts of Moscow’s city center (about 20 minutes drive from Red Square), this huge complex encompasses over 70 interactive exhibits. These include live shows, and the chance to go swimming with dolphins — that are sure to impress the whole family.

26 – Go underground at the Bunker 42 Cold War Museum

Bunker 42 Cold War Museum, Moscow

In the depths of Moscow’s shadow-strewn streets, hidden 65 meters beneath the tourist crowds are a Cold War-era bunker and former secret communications center.

Bunker 42 was built in 1955 as a nuclear-proof hideaway, but today you can book tours that reveal its secrets and stories — a must for the common history buff.

  • Bunker 42 tickets

27 – Immserve yourself in the soviet culture at the VDNKh theme park and exhibition space

VDNKh, Moscow

Sprawling across the Ostankinsky District, VDNKh is a massive open-air museum and theme park paying homage to Russian industry and Soviet values.

The enormous complex is decked out with several gold-clad statues and palatial pavilions, each uniquely designed to represent different Soviet interests and endeavors, such as geology and the space race.

Hot tip: For a wonderful view of the Moscow skyline, be sure to jump on the Ferris wheel after riding the small roller coasters and merry-go-round.

28 – Take a trip to the Kolomenskoye Palace

Kolomenskoye Palace, Moscow

Overlooking the sparkling Moskva River about 20 kiometers south of central Moscow, the postcard-worthy Kolomenskoye Palace is a former royal estate. It’s now open to the public as an extensive park with carefully-kept gardens, including one of Russia’s oldest white stone churches (the tent-looking UNESCO-listed Ascension Church ).

It has walking trails through peaceful wooded areas and gorgeous views out over the region from its high hilltop location. The park has long been considered one of the hidden gems when it comes to things to do in Moscow.

29 – Enjoy the view from the Ostankino TV Tower

Ostankino TV Tower. Moscow

With the coveted claim to fame of being the tallest free-standing structure in Europe (and 11th tallest in the world) — standing above the Empire State Building, for reference — the 540.1-meter-tall Ostankino Tower is picturesquely located next to Park Dubovaya Roshcha, not too far from VDNH, the Moskvarium, and the widespread Park Ostankind.

So long as you’re not left lighthearted by heights, the 337-meter-high observation deck is the go-to spot for panoramic views.

30 – Blast off at the Museum of Cosmonautics

Museum of Cosmonautics, Moscow

One for the space nerds and future astronauts, the Museum of Cosmonautics is dedicated to the history, present-day relevance, and future possibilities of space exploration. It provides a spectacular insight into the Soviet perspective of the 1960s space race.

Located on a lovely green site in one corner of VDNKh, the museum features an outdoor planetarium, interactive displays for children, as well as inside exhibits that showcase original spacecraft parts.

For the best experience, consider a pre-arranged tour that includes access to both the Museum and VDNKh.

31 – Complete your Moscow culinary experience with a food tour

food tours in Moscow

Foodies, listen up! Moscow has gained a reputation for being one of the finest cities in Europe for foodies, with an excellent range of restaurants and bars.

For those looking for a complete Moscow culinary experience that includes some of the best hidden gems and experiences, food tours are an ideal way to go.

Depending on your tour of choice, expect to sample a few Pelmeni (dumplings), Blini (wafer-thin pancakes), and world-famous Ponchiki doughnuts. Then wash it all down with some locally-distilled vodka or Nalivka (a sweet berry-infused liquor).

  • food tours in Moscow

32 – Smell the flowers at the Main Botanical Garden — the largest botanical garden in Europe

Main Botanical Garden of the Russian Academy of Sciences, Moscow

Constructed in 1945, the Main Botanical Garden of the Russian Academy of Sciences is a 340-hectare space of plant collections and lakeside walkways to explore.

It’s one of those places that gets better as you make your way around it on foot (or even rollerblades). There are many well-kept gardens, beautiful ponds filled with turtles and waterfowl, a charming Japanese Garden and some very rare trees.

33 – Wander around the Novodevichy Monastery

Novodevichy Monastery, Moscow

The Novodevichy Convent and surrounding Kremlin-style walls combine to be one of Moscow’s most picturesque sites — a UNESCO-listed complex that was founded in the 1500s and includes an interweaving of churches, cathedrals, bell towers and a cemetery.

After admiring the buildings, check out the monastery which is surrounded by green spaces perfect for a stroll and a snack.

To learn all about its architecture and history, opt for a guided tour as recommended by most travelers.

34 – Ride the coasters at Family Park SKAZKA

Family Park SKAZKA, Moscow

If you’re traveling with youngsters who seem to never be able to burn off their energy then make a beeline for the Krylatskoye District neighborhood, home to the popular SKAZKA adventure park.

Kids can enjoy everything from bumper cars to the petting zoo, while parents might want to pop into one of the cafes or restaurants.

Even if you don’t have kids in tow, the adrenaline-pumping roller coasters invite thrill-seekers of all ages.

35 – Understand the deeper meanings of “Soviet Jew” at the Jewish Museum & Centre of Tolerance

Jewish Museum & Centre of Tolerance, Moscow

Opened in 2012, the Jewish Museum and Centre of Tolerance is a fascinating institution dedicated to exploring and honoring the diverse complex Russian-Jewish history and culture.

Explore every facet of the role of Russian Jewry throughout the centuries — including food, artifacts, religious beliefs and cultural traditions. Visitors can also see an array of exhibits made from testimonial footage, as well as a large collection of works of Jewish artists.

For history buffs, the museum dives into the intriguing role that Jewish soldiers played during World War II.

36 – Cruise down the Moscow River!

boat tours in Moscow

For those looking for a unique perspective on the city, there are stacks of tours (romantic, sightseeing, luxury-themed or party-vibed) that explore Moscow from its riverfront.

Take in some of the most iconic landmarks around the Kremlin and Gorky Park on a boat. Cruises can also take you underneath bridges, entertain you with live music and offer insights into the landmarks that pass by with live audio narration.

  • boat tours in Moscow

37 – Grab a table at Café Pushkin

Café Pushkin, Moscow

A favorite of many Muscovites, Cafe Pushkin on Tverskoy Boulevard is an intimate spot to enjoy some authentic Russian dishes.

It’s hand-picked by locals for its traditional décor resembling a nobleman’s house and charming atmosphere (thanks largely to the rustic bookshelves). You’ll find that the menu consists mainly of classic European cuisine mixed with a few local favorites. It’s complemented by a wooden bar with a fine collection of vintage wines and regular live music.

38 – Spend the day at the Karibiya Aquapark

Karibiya Aquapark, Moscow

After a hard day exploring the city, why not spend some time out to relax and unwind at one of Moscow’s largest water parks?

Karibiya has a handful of pools (including a heated salt-water spa) and fun but not too wild slides, plus a bowling alley for the kids, a fitness center and bar for the adults. There’s something to keep everyone entertained.

39 – Take a day trip to Sergiev Posad

Sergiev Posad day trips from Moscow

A photographer’s dream with blue-and-gold cupolas contrasted by snow-white walls, the ancient town of Sergiev Posad (just over an hour’s drive from Moscow) is a quaint tourist favorite. It’s famous for being home to one of Russia’s most important and sacred monasteries — the free-to-visit Trinity Lavra St. Sergius monastery complex.

Founded in 1340 AD by Saint Sergius, today it serves as an active monastery where visitors are free to attend daily services. Admire its truly remarkable artworks and historic museum collections.

  • Sergiev Posad day trip

40 – Spot starfish (and monkeys?) at the Crocus City Oceanarium

Crocus City Oceanarium, Moscow

One of the latest attractions in Moscow, Crocus City Mall’s iceberg-shaped  Oceanarium is a vast three-floor aquarium. It has more than 5,000 species swimming gracefully under one roof — not to mention the reptiles, birds, and monkeys that also call this place home.

Since the mall also boasts shopping centers, a pair of concert halls and a skating rink, there’s no shortage of activities on offer to whisk away a rainy day.

41 – Button-mash at the Museum of Soviet Arcade Machines

Museum of Soviet Arcade Machines, Moscow

Where are the gamers at?

For anyone curious about the video games and technology of Russia’s yesteryear, there’s no better place to visit than this retro museum (complete with Soviet-era soda).

Filled with an impressive collection of more than 100 vintage arcade machines dating back as far as the late 1970s (like ”Pull the Turnip”), it’s sure to take you on a trip down memory lane.

42 – Take a walk through the Alexander Garden

Alexander Garden, Moscow

While the majority of Moscow’s other top attractions require a ticket or entry fee, there is at least one gem that doesn’t. It happens to be right on your doorstep if you’re staying anywhere near the Kremlin.

Alexander Garden (also known as Alexandrovsky Sad) is an expansive park that stretches the entire western wall of the Kremlin (nearly 1km in length). It’s filled to the brim with colorful flower beds, winding walkways and calming fountains.

Don’t miss the tomb of the Unknown Soldier while you’re there.

43 – Sign up for a dog sledding adventure!

dog sledding in Moscow

Cliche? Sure, maybe a little. Seriously fun? You better believe it!

Winter is coming, and that means it’s time to get out there and experience Russia the way only locals can — by dog sledding.

Typically lasting seven or eight hours, these outdoor adventures (which include hotel pick up and drop off) are a wonderful way to experience nature and immerse yourself in ancient Russian traditions — and hang out with a handful of adorable huskies, of course!

Seriously though, this is one of those things you’re going to want photos (and videos) for when you get back home because, really, words just wouldn’t do it justice.

44 – Walk beneath the Iberian Gate and Chapel

Iberian Gate and Chapel, Moscow

Facing away from the Red Square and linking Manezhnaya Square, the Iberian Gate and Chapel (sometimes called the Resurrection Gate) is overflowing with history. It acts as the spiritual entrance to the Red Square and the home of the wooden chapel that houses icons of the Iberian Virgin.

Many believe it is customary to kiss the Iberian icon before entering the gate and for boys to take off their hats. For an insight into the local culture, join a walking tour and learn more about the gate’s significance to religion and history.

To add to the importance, the gate is also the location of ‘Kilometer Zero’ — the official central point of Moscow.

45 – Play all day at the Dream Island theme park

Dream Island, Moscow

After opening its gates early in 2020, Dream Island earned itself the coveted title of being the largest indoor theme park in Europe (yep, that means it’s even open in the harsh winter).

It’s a delight for kids and adults alike. Throughout the park you’ll find an array of rides themed around classic cartoons like Teenage Mutant Ninja Turtles, Pinocchio, the Smurfs, Hotel Transylvania and Hello Kitty. It also has charming and well-arranged streets that transport you to bustling cities like London and Barcelona!

Throw in live performances, plenty of eateries, a cinema and a hotel, and you can see why it’s become all the rage recently.

46 – Race against the clock in an escape room

escape rooms in Moscow

An unmissable and quick activity for any budding Sherlock Holmes out there, escape rooms challenge your mind and require wit, teamwork, and logic. Figure out the puzzles and escape from each room before time runs up.

Moscow’s escape room games usually last around 60 minutes and cover a range of themes (like a USSR Nuclear Bunker or even an outdoor, app-led scavenger game) — perfect for the whole family.

47 – Chill out by the Patriarch’s Ponds

Patriarch's Ponds, Moscow

Surrounded by residential buildings in the fancy downtown Presnensky District, the enormous (9,900 square meters, to be exact) the Patriarshiye Prudy is a beautiful oasis. It’s frequented by dog walkers, picnickers, artists and musicians alike.

In summertime, you’ll find people picnicking on the grassy banks or sunbathing by the ponds. In the winter, it transforms into a magical wonderland of snow and ice, morphing into a popular public skating rink.

Directions on Google Maps

48 – Go behind the scenes at Luzhniki Stadium

Luzhniki Stadium, Moscow

Moscow’s Lujniki Stadium is one of Europe’s biggest soccer complexes, capable of hosting some 80,000 fans with an electric-like atmosphere — as we saw during its phase as the main stadium of the 2018 FIFA World Cup.

Besides being the current home ground of Russia’s National Football Team, it also hosts concerts by some of the biggest international acts and was also the focal point of the 1980 Olympic Games.

If your trip doesn’t line up with any sellout matches, you can still join a backstage stadium tour that explores the dressing rooms, press conference room and the field.

49 – Head to Suzdal and Vladimir for a day

Suzdal and Vladimir day trips from Moscow

A fantastic option for anyone who wants to get out of the chaos of Moscow for a minute, these two towns are parts of the Golden Ring of ancient Russian cities. They present as perfect day trips, thanks to their rich history, diverse culture and white-drenched architecture.

In Suzdal , the Kremlin fortress is the main event, with the Cathedral of the Nativity (and its 13th-century Golden Doors) captivating visitors year after year. In Vladimir , the awe-inspiring Assumption Cathedral (Dormition Cathedral) teaks center stage, with its five golden domes making for a wonderful photo backdrop

Don’t feel like hiring a car? Take the hassle out of your getaway and book a pre-arranged tour that visits both ancient towns on the same day.

50 – Escape the crowds at the Botanic Gardens of Moscow State University

Botanic Gardens of Moscow State University, Moscow

Wielding the title of Russia’s oldest botanic garden, the Botanic Gardens of Moscow State University (founded in 1706) is a fantastic place to escape the city and learn about Russia’s rich flora.

The beautifully arranged garden boasts more than 6,000 plant species that span various climates across the world, allowing visitors to see everything from roses and tulips to cacti and bamboo trees!

51 – Climb inside a tank at the Kubinka Tank Museum

Kubinka Tank Museum, Moscow

A must-see for any military history buff, the Kubinka Tank Museum showcases dozens of tanks and armored vehicles from across the globe, with a particularly heavy focus on Soviet Union models (to be expected, right?).

The collection includes everything from Polish TKS tankettes to the only remaining Panzer VIII Maus, a captured WWI British Mark V and the Object 172 — as well as plenty of cannons, weapons and missiles.

Serving traditional Russian military meals and national staples, even the cafe-restaurant is military-themed!

52 – Sit front row at the Moscow International House of Music

Moscow International House of Music

A world-renowned performance complex on the picturesque Kosmodamianskaya Embankment, this state-of-the-art venue is best known for hosting Vladimir Spivakov’s Virtuosi of Moscow Chamber Orchestra. It showcases everything from classical concerts to jazz, folk music and more!

The venue’s three magnificent concert halls welcome an array of local and international performers. Check the website to see who’s taking center stage during your visit!

53 – Drift through fresh powder on a snowmobile!

snowmobiling in Moscow

While it’s not always winter (though if you want to make the most of your snowy trip, come between December and March), as soon as that first snowfall hits, it’s time for snowmobile tours. Make for a fantastic way to explore the out-of-the-way locations and magical forests beyond Moscow’s city limits.

Even if you’ve never ridden a ski-doo or snowmobile before, the friendly expert instructors will be with you every step of the way, with safety and enjoyment always priorities.

54 – Crank your head skywards in Moscow City

Moscow International Business Center, Moscow

A stark contrast to the ancient and colorful onion domes in the Red Square, Moscow City’s skyscape (aka the Moscow International Business Center ) is full of towering, modern glass-heavy (even twisting) skyscrapers. Many of which are vying at the top of the list of Europe’s tallest buildings.

At 374 meters tall and with 95 floors — and a wonderful restaurant on its 60th floor — the Moscow Federation Tower is a popular choice for tourists. Meanwhile, the 85th and 86th floor of the OKO Towers play host to a Russian restaurant and skating rink respectively.

Be sure to walk through the modern Bagration Bridge and, for the shopaholics, check out the stores and IMAX theater inside AFIMALL City.

55 – Check out Zaryadye Park

Zaryadye Park, Moscow

Within arm’s reach of the famed Red Square, the peaceful slice of greenery that is Zaryadye Park is a breath of beautiful and natural air amidst the concrete jungle. It’s the first new city park to be opened in Moscow for more than half a century.

At various points around the 10-hectare park, you’ll find a few restaurant pavilions, a media center, a museum and a botanical collection housing over a million plants. It also houses the two-stage Zaryadye Concert Hall where thousands of passersby take a seat on the steps every day.

While you’re there, don’t miss the Chambers of the Romanov Boyars, an unusual museum above the northern side of the park.

56 – Stroll around the cozy Hermitage Garden

Hermitage Garden, Moscow

Small yet incredibly charming and found conveniently smack-bang in the middle of the city, the Hermitage Garden is a perfect spot to relax and unwind after a day of learning about Russia’s vast history.

Surrounded by the Sfera Theatre and The Kolobov Novaya Opera Theatre of Moscow , this lovely, leafy garden can be both a relaxing oasis or the prelude to an entertaining evening out.

57 – Treat yourself to a ballet show at the Bolshoi Theatre

Bolshoi Theatre, Moscow

With a reputation that precedes it, the impressive and world-famous Bolshoi Theatre is a must for any theater lover. Its rich history is making it one of the most iconic theaters in Europe.

While there are several performances to choose from throughout the year — from ballet to opera, classic dramas and even acrobatic shows — you can also get your own private backstage tour.

58 – Get artsy, then party at ArtPlay

ArtPlay, Moscow

This old tea factory turned cultural hub of Moscow’s creative arts is heaven on earth for rotating exhibitions by local artists.

Depending on what piques your interest, you can join in on everything from live music to dance classes, art studio workshops, flea markets and film screenings here. However, after the sun goes down, its alter-ego comes out to play.

So, if you’re feeling peckish, stop into the Domozhilov restaurant nearby for a shashlik. Then wash it down at the English pub with a beer before partying it up at Rodnya, a pumping techno club.

59 – Head to the PANORAMA360 Observation Deck

PANORAMA360 Observation Deck, Moscow

A surefire hit for the social media feed, the observation deck at the top of Moscow’s Federation Tower skyscraper — PANORAMA360 — is a must-see selfie stop for its killer views and … ice cream factory.

From the 89th floor, you can soak in the wonder of Moscow old and new from above. It has floor-to-ceiling windows providing 360-degree vistas, a rotating restaurant and mini-cinema to boot.

60 – Throw down a picnic blanket in Sokolniki Park

Sokolniki Park, Moscow

One of the largest green spaces in Moscow, Sokolniki Park is a very popular gathering place for locals and visitors alike.

Spread across the northeastern Sokolniki District, it’s the perfect distance from the city’s main haunts where the crowds remain small but the accessibility stays high.

With its many activities — from sports to live music to festivals — not much beats this park when it comes to outdoor fun!

61 – Catch a traditional Russian dance show

Russian dance shows in Moscow

To get a true sense of the rich and diverse culture in Moscow, you can’t go past one of its many folk dance shows.

While there are several to choose from, “Kostroma” and “The Golden Ring” are two crowd favorite choices. Each is thoroughly unique with traditional music and costumes sure to make for a once-in-a-lifetime night of entertainment.

Of course, due to high popularity, be sure to book in advance.

62 – Book a table at the White Rabbit restaurant bar

White Rabbit restaurant bar, Moscow

Perched above the historical center of Moscow on the 16th floor of the Smolensky Passage building, this lavish restaurant is a must-visit for any foodie-obsessed traveler. Why? Because it continually ranks as one of the top 50 restaurants in the world.

The drool-worthy menu made by fifth-generation chef Vladimir Mukhin consists of creative, beautiful plated meals. The coveted eaterie also boasts 360-degree panoramic views of the city and a fine collection of wines and cocktails.

63 – Have dinner inside the Vysoko-Petrovskiy Monastery

Vysoko-Petrovskiy Monastery, Moscow

Whether you’re an architecture or history buff, while visiting Moscow, it would be a shame to miss out on the rare chance to eat in an actual monastery.

This one is particularly special as it dates back some 700 years. Not only will you get to dig into an authentic Russian menu, but learn about the history of the building and (depending on your booking package) get a guided tour too.

64 – Pass by the ‘Children Are the Victims of Adult Vices’ sculpture

Children Are the Victims of Adult Vices sculpture, Moscow

This free public art installation in Bolotnaya square was created by Mihail Chemaikin in 2001. A somewhat controversial landmark, it depicts how children are influenced by vices — alcohol, theft, ignorance, violence, addiction, poverty and war, to name a few.

The sculpture’s uniqueness and thought-provoking nature makes it an essential stop on any day of wandering around.

65 – Get wild on a pub crawl!

pub crawls in Moscow

You’re on vacation, so it’s time to let your hair down, mingle with some fellow thirsty travelers and party it up Moscow-style!

High-energy pub crawls are a great way to get acquainted with new friends while seeing Moscow’s unique nightlife scene first-hand. Let the locals lead you to hidden gems, tourist hot spots and quirky dive bars.

If you don’t feel like walking, why not join a Soviet minivan crawl instead (where you can drink Soviet champagne onboard!)?

66 – Roll up for the Nikulin Circus!

Nikulin Circus, Moscow

If you haven’t had the chance to see a live circus before — and especially if you’re traveling with kids — why not head over to the Nikulin Circus on Tsvetnoy Boulevard?

It blends traditional Russian acrobatics with modern-day technology, animals, and the classic circular circus stage. This beloved local entertainment is also considered one of the most enjoyable things to do in Moscow!

67 – Get romantic on a Moskva River dinner cruise

dinner cruises in Moscow

What better way to take in the city’s skyline than from a luxury yacht as you enjoy entertainment, fine dining, and (strong) specialty drinks?

Whether you’re looking for something large that can accommodate groups of friends or something smaller with a bit more VIP style, there are several dinner cruises available to suit any taste and budget.

68 – Explore the wonderful Izmailovo District

Izmailovo District, Moscow

One of the city’s best-kept secrets, Izmailovo ‘s focal point is its Kremlin, a colorful wooden complex. Built in 2007, it has had unique museums and flea markets pop up nearby in the years since.

Throughout the area, you’ll uncover museums dedicated to vodka, break and Russian folk art. The district’s charming open-air flea market has all kinds of crafts and souvenirs are haggled on the daily.

Don’t miss Izmailovo Park , which is an enormous 300-hectare space that plays host to souvenir vendors, forest walking paths and even an ice rink in winter.

With so much to see in the district, savvy travelers typically opt for a guided tour.

  • Izmailovo tours

69 – Sip on a cocktail at the award-winning City Space Bar and Lounge

City Space Bar and Lounge, Moscow

Self-dubbed as one of the world’s top 10 bars, with accolades like Luxury Travel Guide’s Bar of the Year 2018, this iconic and luxurious watering hole doesn’t need much of an introduction.

Perched sky-high on the 34th floor of Swissotel Krasnye Holmy, the circular lounge bar slings signature cocktails and dishes up truly stunning views of the city.

Hot tip: While there’s never a poor time to visit, aim to arrive an hour or so before sunset, that’s when the city will truly sparkle below.

70 – Pamper yourself at the Sanduny Baths

Sanduny Baths, Moscow

If you’re looking for something to ease that throbbing headache after a night of pub crawling, why not try the famous Sanduny Baths , a quintessentially Russian experience?

Famed as one of the world’s most beautiful public bathhouses, Sanduny’s steam rooms and pools are said to be some of the best in Moscow. But for something totally unique, you can’t go past the birch twigs massage (read: beating).

71 – Spruce up your social media feed at some Insta-worthy restaurants

insta-worthy restaurants in Moscow

While a good meal is always part of the restaurant experience, getting a good pic for Instagram is half the fun!

Luckily, there are tons of excellent eateries that combine great food with gorgeous aesthetics.

Big Wine Freaks has a fantastic drink selection (naturally), and its dark, classy rooms full of elegant light fixtures and plush furniture bring to mind a spy’s hideout.

Meanwhile, Sempre adopts more of a naturalistic approach, surrounding diners with ferns and greenery.

And at Black Market Moscow , you can choose between indoor and outdoor spaces, each featuring their own unique designs and dining experiences.

Take a bite and snap some pics!

72 – Unleash your inner party animal at the Night clubs

nightlife in Moscow

When the sun goes down, you’ll get to see a whole new side of Moscow: its amazing nightlife!

Head to Propaganda for a bite or a beverage, then dance to some quality club tunes.

Or get a little wild at Chesterfield , where you can pay a flat fee and drink as much as you want – the perfect recipe for fun!

And at Rock’N’ Roll , there’s a new form of excitement every day, from DJ sets to live bands, all playing a lively mix of rock music from across the decades.

With all this excitement, you won’t want to book anything early the next day!

How to get to Moscow?

Unless you’re feeling up to the challenge of a long train journey, you’ll most likely be flying into Moscow.

Luckily, it has three international airports to choose from: Sheremetyevo, Vnukovo, and Domodedovo.

Once you’ve arrived, you’ll be able to easily reach the city via the Aeroexpress train.

Where to stay in Moscow?

Golden Ring Hotel  will make you feel like you’re on top of the world, whether you’re getting pampered at the beauty salon or enjoying a meal in the rooftop restaurants.

Or check in to Radisson Slavyanskaya Hotel & Business Center , which boasts everything from riverside views and a gym to nearby shopping areas and relaxing Turkish baths.

At AZIMUT Hotel Olympic Moscow , the massages, international cuisine, sauna, and swimming pool will keep you happily occupied in between excursions.

And at sister property AZIMUT Hotel Smolenskaya Moscow , you can savor a nice meal or admire the scenery from the lounge, or stroll over to Gorky Park or roam along Stary Arbat Street.

Meanwhile, Oblaka Hotel blends simple charm and a convenient location, with charming red brick exteriors and easy access to historic sites and a metro station.

  • best hotels in Moscow

Visiting Moscow on a budget?

There’s nothing like seeing a city on foot… especially on a free walking tour !

These excursions aren’t just a way to save money while still learning a lot; they also offer a wonderful opportunity to gain local perspectives, courtesy of your guides.

But despite the name, they do accept tips for a job well done, so bring a bit of money with you!

Where to go next?

If you’re short on time but still want to see the best of Moscow, try some multi-day tours ; they’ll provide all of the coolest sights and experiences in an efficient format.

After that, it’s time to start exploring further afield!

Though it’s a bit of a trek, St. Petersburg is well worth the journey!

With its famously decadent buildings to its lively arts scene, this is the perfect place to soak up some culture; but there are also some more offbeat options, like folk shows, vodka tastings, and even an amusement park!

And from the jaw-dropping designs of the metro stations (yes, you read that correctly) to the glimmer of Faberge eggs, it showcases beauty at every turn.

Ready to go beyond Russia?

Dive into the best places to visit in Europe , a smorgasbord of art and history, nature and architecture, showcasing some of the most beloved cities and countries in the world.

Final thoughts

While Russia’s capital may seem imposing, its dynamic culture, live-wire entertainment scene, and remarkable history make it an unbeatable destination, with unique adventures that will linger in your memory long after you’ve returned home.

You may feel a little overwhelmed by all of the incredible things to do in Moscow… but that’s all the more reason to come back!

If you have any other must-see suggestions, noteworthy day trips or quintessential tours worth booking, feel free to write in the comments!

As always, happy travels!

Three decades after the Soviet era, this Moscow street echoes what was.

And hints where russia is heading., welcome to tverskaya street.

MOSCOW — Thirty years ago, the Soviet Union ceased to be. The flag was lowered for the last time on Dec. 25, 1991. That moment still raises deep questions for the U.S.S.R.’s heirs: “Who were we as Soviets, and where are we going as Russians?”

Many of the answers can be found on Moscow’s main thoroughfare — named Gorky Street, after writer Maxim Gorky, from 1932 to 1990, and renamed Tverskaya Street, a nod to the ancient city of Tver, as the Soviet Union was awash in last-gasp reforms.

It was the Soviet Union’s display window on the bright future that Kremlin-run communism was supposed to bring. It was where the KGB dined, the rich spent their rubles, Vladimir Lenin gave speeches from a balcony, and authorities wielded their power against one of the most famous Soviet dissidents, Alexander Solzhenitsyn.

A view of Tverskaya Street from a top floor of the Hotel National in 1980, and in August. The street’s changes through the decades encompass the shifts in everyday life from the Soviet Union in the 1920s to Russia today.

In the 1990s, Tverskaya embodied the fast-money excesses of the post-Soviet free-for-all. In later years, it was packed with hopeful pro-democracy marchers. And now , under President Vladimir Putin, it is a symbol of his dreams of reviving Russia as a great power, reliving past glories and crushing any opposition to his rule.

Join a tour of Moscow’s famed Tverskaya Street.

Hotel National: Where the Soviet government began

The window in Room 107 at the Hotel National faces Red Square and the Kremlin. It offers a perfect view of Lenin’s tomb — fitting, since he was Room 107’s most famous guest.

The Kremlin was damaged during the Russian Revolution in 1917. So Lenin and his wife moved into Room 107 for seven days in March 1918, making the hotel the first home of the Soviet government.

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The Hotel National in Moscow, from top: Artwork in the Socialist Realist style — which artists were ordered to adopt in the 1930s — still adorns the hotel; Elena Pozolotina has worked at the hotel since 1995; the hotel, which contains a restaurant, was built in 1902; the National has hosted notable guests, including Soviet leader Vladimir Lenin, then-Sen. Barack Obama (D-Ill.) and actor Jack Nicholson. (Photos by Arthur Bondar for The Washington Post)

The National, built in 1902 during the era of Imperial Russia, also accommodated other Soviet leaders, including Leon Trotsky and Felix Dzerzhinsky, chief of the secret police. The building continued to be used by the Soviet government as a hostel for official party delegates and was renamed First House of Soviets in 1919.

Guests can now stay in the same room Lenin did for about $1,300 a night. In more recent years, the hotel has hosted notable guests including Barack Obama (when he was a senator) and actor Jack Nicholson.

“This hotel feels a little like a museum,” said Elena Pozolotina, who has worked at the National since 1995.

“We have rooms that look onto Tverskaya Street, and we always explain to guests that this is the main street of our city,” Pozolotina said. “This corner of Tverskaya that we occupy, it’s priceless.”

Stalin’s plan: ‘The building is moving’

When Soviet leader Joseph Stalin demanded a massive redevelopment of Moscow in 1935, an order came to transform modest Gorky Street into a wide, awe-inspiring boulevard.

Engineer Emmanuel Gendel had the job of moving massive buildings to make way for others. Churches and monasteries were blown up, replaced by newspaper offices and a huge cinema.

The Moscow Central Eye Hospital was sheared from its foundation, rotated 97 degrees, jacked up, hitched on rails and pushed back 20 yards — with surgeons operating all the while, or so official media reported at the time.

In 1935, Soviet leader Joseph Stalin demanded the widening of the modest road, at the time called Gorky Street. Buildings were moved, as shown in this 1940s photo. Today, the road is a wide boulevard known as Tverskaya Street.

Gendel’s daughter, then about 8, proudly stood at a microphone, announcing: “Attention, attention, the building is moving.” Tatiana Yastrzhembskaya, Gendel’s granddaughter and president of the Winter Ball charity foundation in Moscow, recalls that Gendel extolled communism but also enjoyed the rewards of the elite. He drove a fine car and always brought the family the best cakes and candies, she said.

The largest Gorky Street building Gendel moved was the Savvinskoye Courtyard. The most difficult was the Mossoviet, or Moscow city hall, with a balcony where Lenin had given speeches. The building, the former residence of the Moscow governor general, had to be moved with its basement. The ground floor had been a ballroom without central structural supports.

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Moving buildings on Gorky Street in 1940, from left: A mechanic at a control panel regulates the supply of electricity while a house is being moved; a postal worker passes a moving house; a specialist unwinds a telephone cable during a building move to maintain uninterrupted communication; 13 rail tracks were placed under a house, on which 1,200 metal rollers were laid. (Photos by RGAKFD)

Gendel’s skills were used all over the U.S.S.R. — straightening towers on ancient mosques in Uzbekistan, inventing a means to drag tanks from rivers during World War II and consulting on the Moscow Metro.

Like many of the Soviet Union’s brightest talents, Gendel found that his freedom was tenuous. His ex-wife was called by the KGB internal spy agency in 1937 and asked to denounce him. She refused, and he avoided arrest.

The largest Gorky Street building moved was Savvinskoye Courtyard, seen behind the corner building in this photo from 1938, a year before it was relocated; now, it is tucked behind No. 6 on Tverskaya Street.

“I believe he was not arrested and sent to the camps because he was a unique expert,” said Yastrzhembskaya. World War II, known in Russia as the Great Patriotic War, interrupted the Master Plan for Gorky Street.

Aragvi restaurant: A haunt of the KGB

In the 1930s, the head of the elite NKVD secret police, Lavrenty Beria, one of the architects of the Stalin-era purges, ordered the construction of a state-owned restaurant, Aragvi, to showcase food from his home republic of Georgia.

One night, NKVD agents descended in several black cars on a humble Georgian canteen in Moscow that Beria had once visited. The agents ordered the chef, Longinoz Stazhadze, to come with them. The feared NKVD was a precursor to the KGB.

Stazhadze thought he was being arrested, his son Levan told Russian media. He was taken to Beria, who said that he had agreed with “the Boss” (Stalin) that Stazhadze would run Aragvi. Stazhadze had grown up a peasant, sent to work in a prince’s kitchens as a boy.

The Aragvi restaurant was a favorite of the secret police after it opened in 1938. Nugzar Nebieridze was the head chef at Aragvi when it relaunched in 2016.

Aragvi opened in 1938. It was only for the gilded set, a reminder that the “Soviet paradise” was anything but equitable. The prices were astronomical. It was impossible to get a table unless the doorman knew you or you could pay a hefty bribe.

Aragvi, at No. 6 Tverskaya, was a favorite of the secret police; government officials; cosmonauts and pilots; stars of theater, movies and ballet; directors; poets; chess masters. Beria reputedly dined in a private room. Poet Sergei Mikhalkov said he composed the lyrics of the Soviet national anthem while sitting in the restaurant in 1943.

It was privatized in the 1990s and struggled, before closing in 2002. It reopened in 2016 after a $20 million renovation. But the new Aragvi closed abruptly in 2019 amid reports of a conflict between its owner and the building managers.

“You put your entire soul into cooking,” said the former head chef, Nugzar Nebieridze, 59, celebrated for his khinkali, a meaty dumpling almost the size of a tennis ball. He was devastated to find himself unemployed. But other doors opened. He now prefers to travel, giving master classes around Russia.

Stalin’s funeral: A deadly street crush that never officially happened

On March 6, 1953, the day after Stalin died of a stroke, an estimated 2 million Muscovites poured onto the streets. They hoped to catch a glimpse of his body, covered with flowers and laid out in the marbled Hall of Columns near Red Square.

Yulia Revazova, then 13, sneaked from her house with her cousin Valery without telling their parents. As they walked toward Pushkin Square, at one end of Gorky Street, the procession turned into a scene of horror. They saw people falling and being trampled. Some were crushed against metal fences. Valery, who was a few years older, grabbed Yulia by the hand and dragged her out of the crowd.

In March 1953, Soviet officials, including Nikita Khrushchev and Lavrenty Beria, followed the coffin of Soviet leader Joseph Stalin in a processional in Moscow.

“He held my hand really tight and never let it go, because it was pure madness,” she recalled recently. “It took us four or five hours to get out of there. People kept coming and coming. I couldn’t even call it a column; it was just an uncontrollable mass of people.”

“I still have this feeling, the fear of massive crowds,” added Revazova, 82. “To this day, if I see a huge group of people or a really long line, I just cross the street.”

Neither Revazova nor her cousin knew about Stalin’s repressions.

“People were crying. I saw many women holding little handkerchiefs, wiping away tears and wailing,” she recalled. “That’s the psychology of a Soviet person. If there is no overarching figure above, be it God or Lenin, life will come crashing down. The era was over, and there was fear. What will we do without Stalin?”

Officials never revealed how many people died that day. The Soviet-approved archival footage of the four days of national mourning showed only orderly marches and memorials.

No. 9: The ruthless culture minister

The Soviet culture minister, the steely Yekaterina Furtseva, was nicknamed Catherine the Third, after the forceful Russian Empress Catherine the Great. Furtseva destroyed writers, artists or anyone else who challenged Soviet ideas. She lived at an elite 1949 apartment building for government officials at No. 9 — an ultra-prestigious address with a view of the Kremlin.

Furtseva, a former small-town weaver, made sure that No. 9 was only for the cream of party officials and other notables, such as famous Soviet actress Natalia Seleznyova, scientists, conductors and architects.

Riding the coattails of Soviet leader Nikita Khrushchev, Furtseva was the only woman in the Politburo and later became the Soviet Union’s cultural gatekeeper despite her provincial sensibilities. She once infamously mixed up a symphony with an opera, and critics were quick to notice.

In the late 1940s, No. 9 was being constructed; today, the building is home to apartments, shops and offices.

“She had little in common with the artistic leaders of her country except a liking for vodka,” Norwegian painter Victor Sparre wrote in his 1979 book on the repression of dissident Soviet writers, “The Flame in the Darkness.”

Furtseva was famous for previewing performances and declaring anyone even subtly critical of Soviet policies as being anti-state. Director Yuri Lyubimov described one such visit to Moscow’s Taganka Theater in 1969, when she turned up wearing diamond rings and an astrakhan coat. She banned the play “Alive,” depicting a cunning peasant’s struggle against the collective farm system. She “was livid, she kept shouting,” he told L’Alternative magazine in 1984. She stormed out, warning him she would use her influence, “up to the highest levels,” against him.

He was expelled from the party and in 1984 was stripped of his citizenship. She vehemently denounced Solzhenitsyn, and banned the Bolshoi Ballet’s version of “Carmen” in 1967 over prima ballerina Maya Plisetskaya’s sensual performance and “un-Soviet” costumes that did not cover enough leg.

“The ballet is all erotica,” she told the dancer. “It’s alien to us.” But Plisetskaya, whom Khrushchev once called the world’s best dancer, fought back. The ballet went on with some excisions (the costumes stayed) and became a legend in the theater’s repertoire.

Furtseva was nearly felled by scandal in 1974, ordered to repay $80,000 spent building a luxurious dacha, or country home, using state labor. She died months later.

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Where Solzhenitsyn was arrested

The Nobel Prize-winning Solzhenitsyn exposed the Soviet system’s cruelty against some of its brightest minds, trapped in the gulag, or prison camps.

Solzhenitsyn was given eight years of hard labor in 1945 for privately criticizing Stalin, then three years of exile in Kazakhstan, a Soviet republic at the time. His books were banned. After release from exile in 1956, he was allowed to make only 72-hour visits to the home of his second wife, Natalia, at 12 Gorky St., Apt. 169. Solzhenitsyn had to live outside the city.

“People knew that there were camps, but not many people, if any, knew what life was like in those camps. And he described it from the inside. He had been there himself, and that was shocking to a lot of people,” said Natalia Solzhenitsyna during a recent interview at the apartment, which became a museum in 2018.

“Many people say that he did make a contribution to the final fall of the Soviet Union.”

Solzhenitsyn, who died in 2008, called Russia “the land of smothered opportunities.” He wrote that it is always possible to live with integrity. Lies and evil might flourish — “but not through me.”

The museum displays tiny handwritten copies of Solzhenitsyn’s books, circulated secretly; film negatives of letters smuggled to the West; and beads made of compacted bread that he used to memorize poems in prison.

“He spent a lot of time here with his children. We were always very busy. And we just enjoyed ourselves — being together,” Solzhenitsyna said. They had three sons.

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No. 12 Gorky St., from top: Natalia Solzhenitsyna lived in the apartment for years, and her husband, Soviet dissident Alexander Solzhenitsyn, was allowed only short visits; the site now houses a museum displaying items connected to him, such as negatives containing a copy of a novel he wrote; another exhibit includes Solzhenitsyn’s clothes from when he was sent to the gulag and beads made of compacted bread that he used to memorize poems; the Nobel Prize-winning writer’s desk is featured at the museum. (Photos by Arthur Bondar for The Washington Post)

Because of KGB bugs, if the couple were discussing something sensitive, they wrote notes to each other, and then destroyed them. Two KGB agents usually roosted in the stairwell on the floor above, with two more on the floor below.

“The Soviet authorities were afraid of him because of his popularity among intellectuals, writers, people of culture and the intelligentsia.”

Her favorite room is decked with black-and-white photos of dissidents sent to the gulag, the Soviet Union’s sprawling system of forced labor camps. “It’s dedicated to the invisibles,” she said, pointing out friends.

Sweden planned to award Solzhenitsyn’s 1970 literature prize in the Gorky Street apartment, but the writer rejected a secret ceremony. A Swedish journalist in Moscow, Stig Fredrikson, was Solzhenitsyn’s smuggler. He carried Solzhenitsyn’s Nobel lecture on tightly rolled film disguised as a battery in a transistor radio, and he took other letters to the West and transported photos taped to his back.

“I felt that there was a sense of unfairness that he was so isolated and so persecuted,” Fredrikson said in a recent interview. “I got more and more scared and more and more afraid every time I met him.”

In 1971, the Soviet Union allegedly tried to poison Solzhenitsyn using a secret nerve agent, leaving him seriously ill. Early 1974 was tense. The prosecutor subpoenaed him. State newspapers railed against him.

The morning of Feb. 12, 1974, the couple worked in their study. In the afternoon, he walked his 5-month-old son, Stepan, in the yard below.

“He came back here, and literally a minute later, there was a ring at the door. There were eight men. They immediately broke the chain and got in,” his widow said. “There was a prosecutor in his prosecutor’s uniform, two men in plainclothes, and the rest were in military uniform. They told him to get dressed.”

“We hugged and we kept hugging for quite a while,” she recalled. “The last thing he told me was to take care of the children.”

He was deported to West Germany. The couple later settled in Vermont and set up a fund to help dissident writers, using royalties from his book “The Gulag Archipelago.” About 1,000 people still receive money from the fund, according to Solzhenitsyna.

When the writer and his wife returned to Russia in 1994, they traveled across the country by train. Thousands of people crushed into halls to hear him speak.

Solzhenitsyn abhorred the shock therapy and unchecked capitalism of the 1990s and preferred Putin’s tough nationalism. He died of heart failure at 89 in August 2008, five months after a presidential election in which Putin switched places with the prime minister, Dmitry Medvedev, in a move that critics saw as a ploy to get around constitutional term limits.

No. 6: ‘Feasts of thought’

Behind a grand Stalin-era apartment block at 6 Gorky St. sits an ornate 1907 building famous for its facade, art nouveau glazed blue tiles, elegant arches and baroque spires. Once a monastery dormitory, it was a staple of pre-Soviet postcards from Moscow. But in November 1939, the 26,000-ton building was put on rails and pushed back to widen the street.

Linguists Lev and Raisa Kopelev lived in Apt. 201 on the top floor. Their spacious dining room became a favored haven for Moscow’s intelligentsia from the 1950s to the 1980s.

During the Tverskaya Street reconstruction, the Savvinskoye building, where Apt. 201 was located, was pushed back into the yard and blocked by this Stalin-era apartment block, shown in 1966 and today.

“People gathered all the time — to talk. In this apartment, like many other kitchens and dining rooms, at tables filled more often than not with vodka, herring and vinaigrette salad, feasts of thought took place,” said Svetlana Ivanova, Raisa’s daughter from another marriage, who lived in the apartment for nearly four decades.

Solzhenitsyn and fellow dissident Joseph Brodsky were Kopelev family friends, as were many other artists, poets, writers and scientists who formed the backbone of the Soviet human rights movement of the 1960s.

As a writer and dissident, Kopelev had turned his back on the Communist Party and a prestigious university position. The onetime gulag prisoner inspired the character Lev Rubin in Solzhenitsyn’s novel “In the First Circle,” depicting the fate of arrested scientists.

“The apartment was a special place for everyone. People there were not afraid to speak their mind on topics that would be considered otherwise risky,” Ivanova said. “A new, different spirit ruled in its walls.”

Eliseevsky: Pineapples during a famine

The Eliseevsky store at No. 16 was a landmark for 120 years — born in czarist Russia, a witness to the rise and fall of the Soviet Union, a survivor of wars, and a bastion during eras of shortages and plenty. It closed its doors in April.

Eliseevsky fell on hard times during the coronavirus pandemic, as international tourists dwindled and Russians sought cheaper grocery-shopping alternatives.

In the palace-like interior, two chandeliers hang from an ornate ceiling. Gilt columns line the walls. The front of the store, looking out at Tverskaya Street, has a row of stained glass.

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The Eliseevsky store, which opened in 1901, is seen in April, with a few customers and some archival photos, as it prepared to close as an economic victim of the coronavirus pandemic. (Photos by Arthur Bondar for The Washington Post)

Denis Romodin, a historian at the Museum of Moscow, said Eliseevsky is one of only two retail spaces in Moscow with such pre-revolutionary interiors. But Eliseevsky’s level of preservation made it “one of a kind,” he said.

The building was once owned by Zinaida Volkonskaya, a princess and Russian cultural figure in the 19th century. She remodeled the house into a literary salon whose luminaries included Russia’s greatest poet, Alexander Pushkin.

St. Petersburg merchant Grigory Eliseev opened the market in 1901. It quickly became a hit among Russian nobility for its selection of European wines and cheeses.

In 1934, the Eliseevsky store is seen next to a building that is being constructed; in September, the market, a landmark for 120 years, was empty, having closed in April.

Romodin said it was Russia’s first store with price tags. Before Eliseevsky, haggling was the norm. And it was also unique in having innovative technology for the time: electric-powered refrigerators and display cases that allowed goods to be stored longer.

Even in the Soviet Union’s hungriest years, the 1930s famine, Eliseevsky stocked pineapples.

“One could find outlandish delicacies here, which at that time seemed very exotic,” Romodin said. “It was already impossible to surprise Muscovites with wine shops. But a grocery store with luxurious interiors, and large for that time, amazed and delighted Muscovites.”

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The First Gallery: A glimpse of openness

In 1989, in a dusty government office by a corner of Pushkin Square, three young artists threw off decades of suffocating state control and opened the Soviet Union’s first independent art gallery.

That April, Yevgeny Mitta and two fellow students, Aidan Salakhova and Alexander Yakut, opened First Gallery. At the time, the Soviet Union was opening up under policies including glasnost, which gave more room for public debate and criticism.

Artists were ordered to adopt the Socialist Realist style in 1934, depicting scenes such as happy collective farmworkers. Expressionist, abstract and avant-garde art was banned. From the 1970s, underground art exhibitions were the only outlets to break the Soviet-imposed rules.

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The First Gallery, from top: Yevgeny Mitta, Aidan Salakhova and Alexander Yakut opened the Soviet Union’s first independent art gallery in 1989 and received media attention; Mitta works on a painting that he displayed at his gallery; Mitta recalled recently that he “felt we had to make something new”; an undated photo of Mitta at his gallery in Soviet times. (Photos by Arthur Bondar for The Washington Post and courtesy of Yevgeny Mitta)

“I just felt we had to make something new,” recalled Mitta, 58, who kept his interest in contemporary expressionism a secret at a top Moscow art school in the 1980s.

“It was like nothing really happened in art history in the 20th century, like it stopped,” he said. “The Socialist Realism doctrine was invented and spread to the artists as the only one, possible way of developing paintings, films and literature.”

After the collapse of the Soviet Union, artists had to “learn how to survive, what to do, how to work and make a living,” he said.

McDonald’s: ‘We were not used to smiling’

In the Soviet Union’s final years, a mania raged for all things Western. Estée Lauder opened the first Western-brand shop on Gorky Street in 1989, after meeting Raisa Gorbachev, the wife of reformist Soviet leader Mikhail Gorbachev, in December 1988.

The Soviet Union’s first McDonald’s, located across Pushkin Square on Gorky Street, opened on Jan. 31, 1990 — a yellow-arched symbol of Gorbachev’s perestroika economic reforms. Pizza Hut opened later that year. (In 1998, Gorbachev starred in a commercial for the pizza chain.)

Karina Pogosova and Anna Patrunina were cashiers at the McDonald’s on opening day. The line stretched several blocks. Police officers stood watch to keep it organized.

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The Soviet Union’s first McDonald’s opened in 1990 and eager customers lined up to enter; Karina Pogosova, left, and Anna Patrunina were cashiers at the fast-food restaurant on Gorky Street then, and they are senior executives with the company today. (Photos by Peter Turnley/Corbis/VCG/Getty Images and Arthur Bondar for The Washington Post)

“The atmosphere was wonderful. The first day I had to smile the entire day and my face muscles hurt,” Patrunina said. “This is not a joke. Russians do not smile in general, so we were not used to smiling at all, not to mention for more than eight hours straight.”

Pogosova and Patrunina were students at the Moscow Aviation Institute when they learned McDonald’s was hiring through an ad in a Moscow newspaper. Interview questions included: “How fast can you run 100 meters?” It was to gauge if someone was energetic enough for the job.

Pogosova and Patrunina are still with the company today, as senior vice president of development and franchising and vice president of operations, respectively.

“I thought that this is the world of opportunities and this new world is coming to our country, so I must be in this new world,” Patrunina said.

The smiling staff wasn’t the only culture shock for customers. Some had never tried the fountain sodas that were available. They were unaccustomed to food that wasn’t eaten with utensils. The colorful paper boxes that Big Macs came in were occasionally saved as souvenirs.

McDonald’s quickly became a landmark on the street.

“I remember very well that the street and the entire city was very dark and McDonald’s was like an island of light with bright signage,” Pogosova said. “The street started to change after McDonald’s opened its first restaurant there.”

Wild ’90s and a missing ballerina

The end of the Soviet Union uncorked Moscow’s wild 1990s. Some people made instant fortunes by acquiring state-owned enterprises at throwaway prices. Rules were being written on the fly. The city was pulsing with possibilities for those with money or those desperate to get some.

“It was easy to get drunk on this,” said Alex Shifrin, a former Saatchi & Saatchi advertising executive from Canada who lived in Moscow from the mid-1990s until the late 2000s.

It all was on full display at Night Flight, Moscow’s first nightclub, opened by Swedish managers in 1991, in the final months of the Soviet Union, at Tverskaya 17. The club introduced Moscow’s nouveau elite to “face control” — who merits getting past the rope line — and music-throbbing decadence.

The phrase “standing on Tverskaya” made its way into Russian vernacular as the street became a hot spot for prostitutes. Toward the end of the 2000s, Night Flight had lost its luster. The club scene in Moscow had moved on to bigger and bolder venues.

Decades before, No. 17 had been famous as the building with the dancer: a statue of a ballerina, holding a hammer and sickle, placed atop the cupola during Stalin’s building blitz.

The statue of a ballerina, holding a hammer and sickle, could be seen atop the building at No. 17 in this 1943 photo; today, the dancer is missing.

Muscovites nicknamed the building the House Under the Skirt.

“The idea was to have Gorky Street as a museum of Soviet art. The statues represented a dance of socialism,” art historian Pavel Gnilorybov said. “The ballerina was a symbol of the freedom of women and the idea that, before the revolution, women were slaves. It is as if she is singing an ode to the regime.”

The crumbling statues were removed by 1958. People forgot them. Now a group of Muscovites, including Gnilorybov, are campaigning for the return of the ballerina.

“It’s an idea that we want to give the city as a gift. It’s not political,” he said. “It’s beautiful.”

Pushkin Square: For lovers and protesters

Pushkin Square has been Moscow’s favorite meeting place for friends, lovers and political demonstrations.

In November 1927, Trotskyist opponents of Stalin marched to the 27th House of Soviets at one end of Tverskaya Street, opposite the Hotel National, in one of the last public protests against the Soviet ruler.

A celebration to say goodbye to winter at Pushkin Square in February 1987.

In December 1965, several dozen dissidents gathered in Pushkin Square to protest the trials of two writers. It became an annual event. People would gather just before 6 p.m. and, on the hour, remove their hats for a minute.

In 1987, dissidents collected signatures at Pushkin Square and other locations calling for a memorial to those imprisoned or killed by the Soviet state. The movement evolved into Memorial, a leading human rights group. Memorial was declared a “foreign agent” in 2016 under Putin’s sweeping political crackdowns.

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In January 2018, left, and January 2021, right, protesters gathered at Pushkin Square. (Photos by Arthur Bondar for The Washington Post)

Protests in support of opposition leader Alexei Navalny were held at Pushkin Square earlier this year. And it is where communists and liberals rallied on a rainy September night to protest 2021 parliamentary election results that gave a landslide win to Putin’s United Russia party despite widespread claims of fraud.

Nearly 30 years after the fall of the U.S.S.R., Putin’s Russia carries some echoes of the stories lived out in Soviet times — censorship and repressions are returning. Navalny was poisoned by a nerve agent in 2020 and later jailed. Many opposition figures and independent journalists have fled the country. The hope, sleaze and exhilaration of the 1990s have faded. Tverskaya Street has settled into calm stagnation, waiting for the next chapter.

Arthur Bondar contributed to this report.

Correction: A map accompanying this article incorrectly spelled the first name of a former Soviet leader. He is Vladimir Lenin, not Vladmir Lenin. The map has been corrected.

About this story

Story editing by Robyn Dixon and Brian Murphy. Photos and videos by Arthur Bondar. Archival footage from the Russian State Documentary Film and Photo Archive at Krasnogorsk; footage of Joseph Stalin’s funeral from the Martin Manhoff Archive, courtesy of Douglas Smith. Photo editing by Chloe Coleman. Video editing by Jason Aldag. Design and development by Yutao Chen. Design editing by Suzette Moyer. Maps by Dylan Moriarty. Graphics editing by Lauren Tierney. Copy editing by Melissa Ngo.

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