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  • Sep 14, 2020

Faces of the 4th | Nick Niespodziani & Pete Olson

One night only. a cover band plays one hit wonders from the 70's in a smoky basement in the virginia highlands. the room is packed, the mood is groovy, and yacht rock revue is born..

yacht rock revue members peter olson

Fast forward 11 years and I’m talking to Nick Niespodziani, singer, guitarist, leader of Yacht Rock Revue, and co-owner of Venkman’s, while he’s sitting in a hotel conference room eating a salad. “In the beginning there was an idea to do a night of 70’s one hit wonders. Like songs that everybody knew the words to but nobody knew who the band was. Like forgotten by time, kind of like some of the band members would’ve been if they hadn’t gotten in this band.”

I hear a “hey, hey” in the background, some laughter, and a final “here we are, 11 years later with a retirement plan.”

There sure aren’t any plans to retire anytime soon though. Yacht Rock Revue is still going strong today, as they’re on tour and sidestepping their way through the whole journey. Niespodziani didn’t imagine their success to be as big as it is though. There was a point where he realized that this wouldn’t last forever, and “needed to capitalize on this local C-list celebrity status and cash in on the restaurant.” Now, Venkman’s is born. A modern comfort food spot in the Old Fourth Ward neighborhood that “ features eclectic live music curated by partners Nick Niespodziani and Peter Olson, ” vocalist, guitarist and percussionist of YRR.

Venkman’s is all about eating good food while listening to good music. They’re not trying to reinvent the hamburger, they just want you to have a tasty hamburger. The de facto leader’s favorite item on the menu right now is the chicken sandwich, and just as I’m about to make a joke comparing it to the Popeye’s chicken sandwich, he beats me and says “it’s better than Popeye’s” and I take his word for it.

I questioned whether or not the band or the restaurant would find the same success if they were located in a different neighborhood, but it seems as if it was never really a question to begin with. Their band used to practice in what used to be a rehearsal space across from Venkman’s, so they were familiar with the neighborhood and knew that the idea of the Beltline was in line with the values they wanted to keep with the restaurant. He also jokes: “We had our cars broken into in that neighborhood, so we knew.” A right of passage, some might say.

yacht rock revue members peter olson

“We were always going to be a part of urban redevelopment in some way. It’s gone about the way that I thought. I didn’t realize we were as far ahead as we were, as challenging as it was in the beginning, but it’s coming around now.” People have since come up to him after YRR shows to talk about Venkman’s and the O4W neighborhood. “It’s a thing now, where before it was a mystery zone.”

Looking at the Venkman’s website, there’s an event that’s happening almost every night. What’s the best practice to balance being in a popular band while also owning a restaurant? “It’s not very balanced. You just kinda try to keep all the balls in the air and hope that they don’t fall.” And he doesn’t forget to give credit where credit is due. They have a great staff that holds it down while they’re on tour, and that’s “not just a PR statement, it’s actually very true.” They found out early on that people were wanting these events within the space they own, centered around the idea that they wanted to bring people together, sing songs, watch movies and eat food.

“That’s the cool thing about Venkman’s. If a venue only does acoustic singer/songwriter stuff, it has a certain type of audience that comes there. But that’s not what Venkman’s is playing. We have country shows, R&B shows, and brunches for kids that bring in soccer moms from the suburbs. It’s a pretty diverse audience. That’s one of the things about Venkman’s that I’m most proud of is that, on any given night you can go in and there can be a totally different vibe, a different age group, or demographic of people.”

As Niespodziani finishes his salad and our conversation comes to an end, we talk breakfast, his favorite being the duck egg hash from his restaurant. He continues to make a light sarcastic comment about Cracker Barrel being “good” to which I genuinely agree, and he responds with “that was a joke.”

Justice for Cracker Barrel!

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Confessions of a Cover Band: Yacht Rock Revue croons the hits you love to hate

yacht rock revue members peter olson

"I never would've guessed I'd be doing what I'm doing now. The 23-year-old me would punch me in the face."

One night in 2012, a man in a Ronald Reagan mask paused beneath a stop sign in the Old Fourth Ward. Armed with a stencil and a can of white spray paint, he transformed the sign into a tribute to a 1978 hit by a mostly forgotten Canadian pop crooner named Gino Vannelli: “I just wanna STOP & tell you what I feel about you, babe.”

“I Just Wanna Stop” is the kind of song whose words most Americans over 40 know despite never consciously choosing to listen to it. After peaking at no. 4 on the Billboard Hot 100 in 1978, the tune never quite disappeared, becoming the aural equivalent of a recurring wart. The song found a second life—an endless one, as it turns out—in the musical nether region where the smooth, soft-rock hits of yesteryear remain in heavy rotation. Yes, that’s “Africa” you’re hearing in the dentist’s office. And “What a Fool Believes” in line at CVS. And that faint melody burrowing into your brain while on hold for the next available customer service agent? That’s “Steal Away.” Songs like these, disparaged by critics in their time then jokingly christened “yacht rock” by a comedy web series in 2005, are now the soundtrack to American tedium.

They’ve also become the source of a very good—if conflicted—living for the man who defaced the stop sign: Nick Niespodziani, the singer, guitarist, and de facto leader of the wildly popular cover band Yacht Rock Revue , which tours the country, headlines 1,000-plus capacity venues, and occasionally even plays with the original artists behind these hits.

At the time of the Vannelli vandalism, Yacht Rock Revue had begun to graduate from a local curiosity to a national one. Niespodziani’s sister videotaped the incident and posted it on YouTube. They then printed T-shirts of the sign and, when Vannelli performed at the Variety Playhouse, they got one to him.

On a gray Monday afternoon not long ago, Niespodziani was standing at this crossroads, looking at the sign, trying to explain the motivation behind the prank. “We had this idea, so we videotaped,” he said. “It was definitely guerrilla marketing.” Also, he was pretty drunk.

The episode seems to capture something ineffable about Yacht Rock Revue—part fandom, part joke, part self-promotion, each element infused with irony. When YRR takes the stage at Venkman’s, an Old Fourth Ward restaurant and nightclub co-owned by Niespodziani and bandmate Pete Olson, the band is fully in character, complete with gaudy shirts and sunglasses. They crack jokes about each other’s moms and theatrically highlight multi-instrumentalist Dave Freeman’s one-note triangle solo during America’s “You Can Do Magic.”

“This music isn’t easy to perform,” Olson says. Yacht rock songs tend to be filled with complicated chord changes. All seven band members are accomplished musicians, and Niespodziani, who trained for a spell as an opera singer, is a rangy vocalist, capable of gliding through the high notes in Hall & Oates’s “Rich Girl,” Michael McDonald’s gruff tenor in “I Keep Forgetting,” and Dolly Parton’s amiable twang in “Islands in the Stream,” without seeming to strain. He, Olson, and drummer Mark Cobb first played together in Y-O-U, a band they formed at Indiana University in the late ’90s. They found scant support for original music there, so they relocated to Atlanta in 2002.

Photograph by Mike Colletta

Y-O-U built a buzz in Atlanta, thanks to Niespodziani’s catchy, Beatles-esque songs and the group’s playful gimmicks. They performed, straight-faced, as Three Dog Stevens, a sad-sack trio playing what they called “sandal-rock” (a made-up, synth-heavy genre defined by its purveyors’ predilection for wearing sandals with socks); they covered Michael Jackson’s “Thriller” entirely on keyboards while dressed as the Royal Tenenbaums; they created a YouTube mockumentary series about a competitive jump-roping team. “Comedy has always been part of what we do,” Niespodziani said. “We were doing anything to get noticed because we felt we had good songs but just couldn’t break through with them.”

“I said, ‘That sounds like hell on Earth.’ He was like, ‘But you’re going to make a lot of money.’ So we did it.”

In 2008, Y-O-U was booked every Thursday at the 10 High club in Virginia-Highland. They’d stage “Rock Fights,” playing dueling sets of covers by artists like Bob Seger, John Mellencamp, and INXS, or rejigger Y-O-U songs as soul rave-ups with horns and backing singers, or do a standup comedy night. Yacht Rock Revue was just another of these goofs: Put on silly clothes, and play songs everybody knows but nobody really likes—or claims not to. It was Cobb and guitarist Mark Dannells who came up with the idea. Dannells thought about calling it “A.M. Gold” but Cobb had recently seen a viral web series called Yacht Rock and felt like the term would resonate. Niespodziani went along because his friends needed his vocals. Two band members wore wigs to that first show, and, at one point, Niespodziani stripped off his shirt. People loved it. The club’s booker invited them back the next Thursday. The gig sold out. He asked them to do it every Thursday.

“I said, ‘That sounds like hell on Earth,’” Niespodziani recalls. “He was like, ‘But you’re going to make a lot of money.’ So we did it.”

Most cover bands are awful. But because they play well-known songs, they often secure regular, paying gigs that bands playing original music can’t. Even for the good ones, there’s a ceiling. Few ever perform further than 20 miles from wherever they played their first gig. What’s more, performing other people’s music for a living carries a degree of shame. Cobb has heard the mutterings about Yacht Rock Revue: “Why are these guys playing covers? They could write their own songs. They don’t need to hide behind a gimmick.”

Most of the guys in Yacht Rock Revue—which also includes bassist/vocalist Greg Lee and keyboardist/vocalist Mark Bencuya—had already spent half a lifetime dragging gear into dank basement bars to play for a few bucks and even fewer people. They did this in an era when the music business was cratering. The rise of the internet taught a generation of consumers that music is free, devaluing the dream to which musicians dedicate their lives.

When Yacht Rock Revue started in 2008, Dannells was nearly 40. “It’s not like the world is beating down the door of 40-year-old rock stars,” he says. Today, Yacht Rock is a business, owing its success partially to the corners of the business that haven’t collapsed: live music and merchandising. Besides their public shows, Yacht Rock Revue plays a steady stream of well-paying corporate gigs. They also sell lots of captain’s hats, T-shirts, and other swag. The success of the franchise means it’s been more than five years since any of them had a day job. Niespodziani and Olson created a company, Please Rock , that provides the bandmembers and their families with health insurance, 401Ks, and all the other trappings of comfortable, upper-middle-class stability few musicians ever achieve. All this grants bandmembers some real creative freedoms. “I just released a whole record of orchestral music,” Dannells says. “I don’t care if it sells. I just do it for enjoyment.”

Niespodziani shuttered Y-O-U years ago but still writes elegant power-pop songs for his other band, Indianapolis Jones . But the difference between his two bands’ profiles is stark. Troy Bieser, who has been working on a documentary about Yacht Rock Revue, says he’s seen this in the juxtaposition of the footage he’s compiled. “I’ve seen Nick going through the journey of being thankful for the success but it also feeling ill-fitting,” Bieser says. “That existential dilemma has followed him.”

Niespodziani knows whenever Yacht Rock plays anywhere, that’s a slot a band like Indianapolis Jones can’t get. “We’re a big part of the problem,” he says. As a 39-year-old father of one, who’s worked hard to get what he has, he isn’t about to give it up, but he’s also honest about the compromises he’s made and doesn’t hide from the question that is a natural byproduct of his own success: When a joke becomes your life, how do you keep your life from becoming a joke?

“I never would’ve guessed I’d be doing what I’m doing now,” he says. “The 23-year-old me would punch me in the face and leave me for dead.”

Yacht rock was mostly made in the late ’70s and early ’80s, but the genre wasn’t named until 2005 when JD Ryznar, a writer and actor, created the Yacht Rock web series with a few friends. The video shorts imagined the origins of songs like the Doobie Brothers’ “What a Fool Believes,” Toto’s “Rosanna,” and Steely Dan’s “FM.” The music, Ryznar says, was well-crafted, like a yacht, and recurring nautical imagery in songs like Christopher Cross’s “Sailing” or on Loggins and Messina’s album Full Sail made the term fit. According to Ryznar, true yacht rock has jazz and R&B influences, is usually produced in California, and frequently involves a rotating group of interconnected studio musicians. The term was never intended to be a pejorative—“we never thought it was silly music,” Ryznar says—but the web series is most definitely comedy, and feelings about the music itself tend to be buried under layers of hipster irony, warm nostalgia, and veiled contempt. Yacht rock songs are finely constructed: They’ve got indelible pop hooks, but they’re decidedly professional, not ragged and cool like punk or early hip-hop, which were canonized among the music of that era.

For the first Yacht Rock Revue gig, much of the set list came from a compilation CD that Cobb had burned titled The Dentist’s Office Mix. It included songs like Player’s “Baby Come Back,” Ambrosia’s “The Biggest Part of Me,” and Rupert Holmes’s “Escape (The Piña Colada Song).” “I’d put it on at parties and just see what the reactions would be,” Cobb says. “It was a weird, guilty pleasure.”

Niespodziani’s initial feelings about the music were uncomplicated. “I wasn’t a fan,” he says. “I was really into music that made people feel something, that had some grit and humanity to it. The ethos I thought was important in rock ’n’ roll was rebellious fun crossed with a heart-on-your-sleeve kind of thing. Yacht rock doesn’t do any of that. It doesn’t rebel.” He found a lot of yacht rock to be technical, clinical, and sterile. “Sophisticated for the sake of being sophisticated.”

Onstage, Niespodziani is the picture of unapproachable retro cool. Tall, with shaggy hair and an angular face, he hides behind large, dark sunglasses and frequently surrenders a thin half-smile. In other words, he personifies the classic, arrogant, coked-up, late-’70s rock frontman. In person, he gives off nearly the opposite impression. Over coffee, he’s thoughtful, earnest, and self-deprecating. His sharp facial features are accentuated by wide-lensed prescription glasses, and, having traded the polyester shirts he favors onstage for a camouflage green hoodie, the vibe Niespodziani exudes is hardcore music geek. Olson, who has known Niespodziani since they were in fourth grade in Columbus, Indiana, says when they met, “Nick was the nerdy kid who was good at math and jump-roping.”

Photograph by Emily Butler

Yacht Rock Revue, for Niespodziani, is a part he plays: “I’m almost more an actor than a musician.” He and his bandmates spend hours prowling vintage stores looking for the retro leisure wear that they don onstage—and then a not inconsiderable amount of money getting those old clothes tailored to fit. “It’s a war of attrition,” he says. “You find something that might work, and then it’s itchy or it smells or holes develop because the shirt is older than I am. You have to be shopping at all times.” They once did a gig in street clothes, but it felt wrong. “Polyester,” he says, “is our armor.”

Sometimes that armor hasn’t been enough for Niespodziani. During the band’s first few years, they played weekly at the 10 High. “I would drink a lot and almost sabotage myself, sometimes onstage, and make fun of it,” he says. “People would ask me about the band, and I’d talk down about it and act like I was too cool. I didn’t lash out at people, but it was strange to get well-known for something that didn’t make me feel good about myself. I’d get drunk onstage to deal with it.”

His bandmates certainly noticed, but, for the most part, they let their friend work through it. “He’s been the moodiest about it,” Cobb says. “He just hates Rupert Holmes’s ‘Escape (The Piña Colada Song).’ Hates it. But he knows it goes over well.” So when Niespodziani’s got to play it, he’ll often deadpan an introduction comparing Holmes to da Vinci and Picasso. “By talking about how great it is, it helps me shed that song’s terribleness.”

Niespodziani believes the ironic distance he puts between the guy he is onstage and the guy drinking coffee at Ponce City Market is fundamental to the band’s success. “Because we thought—or at least I thought—I was too cool to be doing this, everything has keyed off what the audience reacts to, whether it’s the clothes we wear, the sidestep dance we do, whatever. The audience has been the head of the snake. We’ve just been following it.” It helps that with more than 500 songs in their repertoire, the band doesn ’ t burn out too badly on any tune. “The only song we have to play is ‘Africa.’” The 1982 hit by Toto, by a band made up of talented but largely anonymous studio musicians, has become something of an Internet meme itself, with multiple think pieces devoted to untangling its allure. “Part of it may be the audacity of the synthesizer sound,” Niespodziani says. “They’re just so cheesy. The chords are fairly complex and pretty unexpected. The way it goes to the minor key in the chorus is kind of a cognitive disconnect. And when you listen to the words, it’s not really about anything. Maybe that’s why it’s so quintessentially yacht rock. It’s not so much what the words are saying, it’s how they make you feel, this combination of pure joy crossed with reminiscing.”

Despite his ambivalence about the music, Niespodziani is first among equals within the band. He sings lead on more songs than anyone else, and it’s his judgment they trust when adding songs to their catalog. He has a system: “Generally, the more a song annoys me, the more likely it makes sorority girls want to eat each other’s brains. Also, almost every song would be an encore for the band we’re covering. So, those are the basics: Does it annoy me? Are girls going to like it? Would it be an encore for the band we’re covering?”

“I’m almost more an actor than a musician.”

Others in the band are more unabashed about the music. “I’ve always loved all this stuff,” says Lee, the bassist. “You have to love it before you can play with it in that comedy sense and do it right.” This ability to walk that line between having fun with the music and making fun of the music has won over many of the original artists. When the band first reached out to guys like Dupree, Gary Wright (“Dream Weaver”), and Player’s Peter Beckett, some artists disdained the term “yacht rock” and feared being treated as a joke. Dupree was an early convert and evangelized about the band to his peers, touting their musicianship and enthusiasm. He says those who eventually performed with Yacht Rock Revue were “staggered that they were playing in front of 4,000 people who knew every word to their songs.”

The genre’s rise as a cultural touchstone—Jimmy Fallon has been a big booster, inviting Dupree, Cross, McDonald, and others to perform on TV, and there’s now a SiriusXM station devoted to it—has benefited these artists. Their Spotify and YouTube streaming numbers have risen noticeably. “It’s made a big impact financially,” Dupree says. “Even the skeptics have seen the power of it.”

For a while, the band had a bit of a good-natured Twitter beef with the creators of the Yacht Rock web series. Ryznar admits he initially felt like the band had hijacked his idea, but now his only real gripe is Yacht Rock Revue’s liberal definition of yacht rock. “Half their set is incredible yacht rock,” Ryznar says. “The other half, they play way too much Eagles, America, and Fleetwood Mac. Those aren’t yacht rock bands.”

The band makes no apologies. As Niespodziani puts it, “Yacht rock is what we say it is now.” That’s not just bravado. Yacht Rock Revue trademarked the term “yacht rock” for live performances, so other acts can’t use it without permission. The maneuver helped snuff out competition from other cover bands but occasionally puts them in conflict with some of the genre’s originators. When Cross’s manager tried to assemble a “Yacht Rock” tour featuring Cross, Orleans, and Firefall, it ran afoul of the trademark.

“We said, ‘If you want to call it Yacht Rock, we’ve got to be the [backing] band,’” Olson says. That compromise collapsed when Cross’s manager “wanted a piece of the trademark and of all our earnings over three years.” Yacht Rock Revue sent a cease-and-desist letter instead.

The band’s set list is anchored in the classic late ’70s, early ’80s yacht-rock era but can stretch to include songs as old as the late ’60s or as recent as the early ’90s. Of course, there’s a balance to be struck: If they go too far afield, they risk becoming just another cover band, but there are other considerations to take into account, too. As Cobb explains, “Nothing about Whitney Houston is in the genre, but when we play ‘I Wanna Dance with Somebody,’ the chicks go crazy, everybody orders another round, the bar sells out of Tito’s and Red Bull, and they’re like, ‘When can you come back? You broke alcohol records.’”

The band’s audiences have evolved over time. The earliest shows were heavy on hipsters and fellow musicians. Then, those fans brought their parents. At a Buckhead Theatre gig in March, the crowd leaned toward balding guys in button-down shirts and platinum-blond women wearing expensive-looking jewelry. Niespodziani once called yacht rock “the music of the overprivileged,” which was a joke, but also not. Getting older, wealthier fans out to shows is an impressive accomplishment most artists would envy, but it has changed something fundamental about Yacht Rock’s appeal. “When we started, it was people elbowing each other, laughing at this music,” Niespodziani says. “Now, there’s no irony.”

On a night off during a Vegas stand in 2015, the entire band went to see Ringo Starr and his All-Starr Band perform at the Pearl Theater in the Palms Casino. Starr began doing these tours in 1989, fronting a band of aging rockers like Gary Wright, Steve Lukather (Toto), and Gregg Rolie (Santana, Journey), whose names and faces you might not recognize but whose songs you certainly would. Just past the midway point in the show at the Pearl, Lukather stepped to the mic, and Starr began beating out a familiar rhythm on the drums. As Lukather picked out the first few notes on the guitar and the synths pumped out the insistent melody, the song was instantly recognizable: “Africa.” In the theater balcony, Cobb recalls looking across at Niespodziani and seeing something change in his friend. “I just watched Nick’s face and, all of a sudden, it was as if this weight lifted off him.”

The Beatles had always been Niespodziani’s favorite band. “Now, I’m watching Ringo Starr, and he has to play fucking ‘Africa’ every night, too,” Niespodziani says. “He was in the Beatles! That was a life-changing moment for me.” Starr and his band were touching many of the same nerves in the audience at the Pearl Theater that Yacht Rock Revue touches all the time. “When we started Yacht Rock, I didn’t like the music we were playing. I didn’t like myself for being in a cover band. I had some dark times. It’s been a journey for me to get okay with it. That was a pretty key moment. Once you get to a certain point in the music business, everybody’s hustling. I’m not going to look down my nose at anybody for doing anything that makes it possible to feed their family by singing songs.”

Seeing Starr go yacht rock was a significant step that’s made enjoying Yacht Rock Revue’s triumphs a little easier. For years, Olson and Niespodziani waited for interest in yacht rock—and their band—to fade. Opening Venkman’s was a hedge against that. But Yacht Rock Revue’s stock continues to rise. Their touring business has grown 375 percent since 2014. “It’s not a fad,” Niespodziani says. “This is going to be our biggest year by far.” They play increasingly larger venues and have recently started booking dates overseas, including this summer in London.

The question is, where else can they take this, literally and figuratively? Back in 2013, the band quietly released a five-song EP: four original songs and a cover of—what else?—“Africa.” They used to occasionally drop an original tune into their shows, sometimes announcing it as a “Hall & Oates B-side.” The crowds were amenable, kind of. “It’s hard when they know every word to every song,” Niespodziani says. “They don’t come for discovery; they come for familiarity.” That’s a truism any band who has ever had a hit knows all too well. The essential appeal of Yacht Rock Revue—and yacht rock—is a combination of nostalgia and escape, a yearning for the simpler, easier time these songs evoke. Yet Niespodziani has been wondering lately if it’s possible to pivot fans to his own songs, either with Yacht Rock Revue or Indianapolis Jones.

“That’s still my dream,” he says, “to have one song that matters to somebody the way ‘Steal Away’ matters to people. No matter what else I do in life, if I don’t ever get over that bar, part of me will feel like I failed at the one thing I wanted. I don’t know if I can ever let go of that. I don’t know if I’m ready to face that darkness.”

In 2013, during a commencement speech at Syracuse University, the author George Saunders told graduates, “Success is like a mountain that keeps growing as you hike up it.” Niespodziani brought this quote up to me while we were having coffee. He knows his life is nothing to complain about. He lives a rarefied existence where he gets paid a lot of money to play music. But clearly, the mountain grows in front of him, and the hike up isn’t always easy. He’s still prone to self-deprecating asides about his band, he still kinda envies the Robbie Duprees of the world—but, hey, he doesn’t need to get drunk onstage anymore, and he doesn’t lose sleep wondering if he’s a force for good or evil in the world. That stop sign at the crossroads in the Old Fourth Ward isn’t an omen or a cautionary tale. It’s simply a funny story that makes people smile. He’s just working on becoming one of them.

“The way I really made peace with it is, it occurred to me that everywhere we went, everyone was so happy to see me,” he says. “These people, it’s the highlight of their week to come sing along with these tunes. If your job is making people happy, that’s a pretty good calling.” He leans back in his chair and smiles. “My job is to make it okay for everybody else to have fun. That’s kind of cool.” He gets quiet for a moment and shrugs.

This article appears in our  July 2018 issue .

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Plugged In: Yacht Rock Revue's dream tour with Kenny Loggins swings home to Georgia. 'It's a rush!'

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Atlanta's Yacht Rock Revue is touring with Kenny Loggins and will appear at the Ameris Bank Amphitheatre in Alpharetta, Ga. on May 13, 2023.

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Welcome to Plugged In, our digital interview series on GPB.

GPB's Kristi York Wooten talks with members of Yacht Rock Revue, an Atlanta band known for playing hits of the 1970s, '80s and beyond. The band is currently on tour with one of its musical heroes, Kenny Loggins, and will perform May 13 at Ameris Bank Amphitheatre in Alpharetta. Frontmen Nick Niespodziani and Peter Olson are here to talk about this once-in-a-lifetime gig.

Kristi York Wooten: Welcome, Nick and Peter. How are you? 

Nick Niespodziani and Peter Olson: Great. Thanks for having us, Kristi.

Kristi York Wooten: Excited to talk to you. So I want to get started with something that's in the news today, and that is that while you were on the Kenny Loggins tour in Texas, you had some things stolen, your instruments and things. Do you want to give us a little bit of an update on what happened? 

Nick Niespodziani: Yeah, we came off stage with Kenny Loggins in Fort Worth on Friday, our first show with Kenny, and it was amazing, incredible energy from the crowd, everything you would hope for. And we woke up the next morning to discover our entire trailer had been stolen off the back of one of our vans. It was wild. Very high moment, followed by a very low moment. 

Kristi York Wooten:  So I know that's disconcerting for musicians to not be with their instruments, some of which I believe you told me earlier you've had since high school or college. So what are you going to do about the next couple of shows? I know you said you might borrow some instruments and things like that to get those shows done, and until you find out what happens to the others. 

Nick Niespodziani:  Yeah, the show goes on. 

Peter Olson:  That's right. Yeah. We've had incredible support from the musician industry. All of our friends have reached out not just to offer, you know, emotional support, but lots of offers to borrow gear, anything that we need to. To keep the show going. Just Saturday night, the night after we had the gear stolen, we were fortunate in that another band was on the bill and they allowed us to play some of their gear in order to make things happen. So we cobbled it together with some rented pieces and pieces borrowed from other musicians. And that's how we'll make it happen here until we can get things replaced.

Nick Niespodziani:  And I just want to make the point, you know, we're lucky we have insurance and we're also lucky that we're big enough and our organization is established enough that we can take a hit like this and keep going. Like, if this happened to an indie rock band who's not playing on the same scale as we are, it can be a deathblow to a band. So just next time you see this happen to a smaller band, find a way to get out there and support them. Like, we're lucky we're going to be okay. But not everyone is so lucky. 

Kristi York Wooten:  Good advice. So take us back to the beginning. Nick, we'll start with you. Take us back to the beginning: You're putting your band together. It had to stem from a childhood love of these — these songs that you heard on F.M. radio in the '70s or '80s. So can you take us back to the beginning of the idea for the band? 

Nick Niespodziani:  I mean, the band kind of came about on accident. It was never intended to be a band. It was supposed to be a one-off show that we were doing in a series of other one-off shows, and this one-off show connected with people in a completely different way than any of the other ones did. And ever since that moment, we saw the way it connected with the audience and the feelings that this music gave people. And we've been kind of chasing the head of that snake ever since. 

Kristi York Wooten:  And what year did you start, Peter? 

Peter Olson:  2007 was the first Yacht Rock show. 

Kristi York Wooten:  So tell me a little bit about when  The New York Times featured you in a 2020 story about the pandemic. You guys were one of the first bands out there playing in that sort of bizarre moment of people driving cars to watch a concert in their cars in a field. Can you talk a little bit about that experience, each one of you? 

Nick Niespodziani:  Man. That was one of the most nerve-wracking weeks leading up to a concert that I've ever experienced, because the week before that, another artist, I can't remember his name, it was a country artist, had thrown a concert that was not, like, COVID-friendly and had just gotten lambasted all across the media. And, you know, we were taking it very seriously and the last thing we wanted was for our one New York Times article to be about how we were going against COVID protocols or whatever. So we had extensive talks with Live Nation to make sure that this was going to be actually a safe situation and they were going to enforce it. And it all turned out okay. But it was very nerve-wracking. 

Peter Olson:  Yeah, and it was, I think, in normal times everyone was so spread out and it was we were playing to a giant field of people that were so far away that it would be hard to harness that energy on stage and give it back. But because of the circumstances of coming from isolation and quarantine, it was like just the honking of horns from all the cars and everything. It was like we were just feeding off of that, that there were real people in front of us.

Kristi York Wooten:  That's great. 

Nick Niespodziani:  I forgot about the horns, though. That was how the encore was asked for. It was like a choir of car horns. Yeah. 

Kristi York Wooten:  So you've kind of experienced the gamut of what live performance is in ... the age of streaming. So around the time you all started your rock revue is when things like Spotify were becoming popular. So tell me a little bit about how live performance itself has changed since then — or has it? How have things changed over the course of ... obviously you've made it through the pandemic … and here we are at a new phase. How has either your audience or the way you approach music … has any of that changed since you started? Do people request different things from you? Do different songs get bigger cheers, anything like that? 

Nick Niespodziani:  I mean, I think part of what we do is definitely emblematic of the Spotify era in that we are like a playlist, an infinite playlist of songs from an era. And that's an experience that people are looking for now. But I think, you know, whether we're talking about our first shows when we were starting out, or whether we're talking about the live streaming during the pandemic or everything that's happened since then, the one constant threat is that people want that person-to-person connection of live music. And that's been our livelihood. You know, we never made a bunch of money off of selling records so those changes to the business haven't affected us. And I think that, you know, whatever changes are coming in the future, that person-to-person like live music connection is the thing. 

Peter Olson:  Yeah. I feel like from a performance standpoint, we kind of picked up where we left off. Not a lot changed. It's amazing how long ago that the pandemic phase can feel. But it was like when we started playing again, it was just like we had just had our last gig a month before. But the thing that was really different was that we kind of were at a phase in our career where we were garnering a national fanbase, and over the course of the pandemic, they had this opportunity to connect with each other via the livestream concerts that we did. So when we came out back out on tour, there was already this connection, not necessarily with the — well, there was a deeper connection with the band and our fans, but also the fan-to-fan connection was just unbelievable. And we see that live on, which is really cool. 

Kristi York Wooten:  That's a good point. So you talked about your live show being a playlist. So let's talk about this playlist. So how did you first come up with your very first gig of which songs you were going to choose? And let's tell the audience to what your personal definition of yacht rock is. I asked a member of Toto what his definition of Yacht Rock is, and he said, "I don't know because I don't have a yacht yet." But you can tell us how you came to love bands like Toto, artists like Kenny Loggins, Michael McDonald, The Doobie Brothers, and how you kind of put that first playlist together and how, that has grown or changed over the years as well. I know that that Yacht Rock has now been expanded to allow some songs from '90s and 2000s to sneak in a little bit.

Nick Niespodziani : Yacht Rock is now whatever we say it as far as we're concerned. [Laughs]

Kristi York Wooten:  You own it. 

Nick Niespodziani : Yeah, well, you know, there's no point in a limited definition for us because our whole thing is having fun with people at the concert and like, saying that Yacht Rock can only be made between 1976 and 1984 in Southern California doesn't really, like do anything for us or for our fans, you know. I mean, that is the that is the center of it. That's where it starts. But it goes out from there. And Yacht Rock is really less, to me, of a genre than it is a vibe. And if you set that vibe, then anything can be Yacht Rock.

Peter Olson:  Yeah, people like to put those parameters on like the date and where it was recorded and that kind of thing. But you don't do that to any other genre. It's not like grunge had to come from Seattle, right? Grunge was made all over the country. It was just a style of music. It's a feeling or a general sound. 

Nick Niespodziani : It's kind of like basketball, like it's fun to talk about, like whether, you know, Kobe's Lakers would have beaten Jordan's Bulls. But in the end, you just want to go watch people play basketball and have fun. And that's kind of my view on the whole ‘what is Yacht Rock?’ and ‘what is not Yacht Rock’ debate? 

Kristi York Wooten:  So you're out on tour with Kenny Loggins. Tell us about the first gig. Tell us about what went over well in your show. And then you said that you were able to talk with [Kenny Loggins] as well. So tell me a little bit about that first night on tour with Kenny Loggins. Peter, we'll start with you. 

Peter Olson:  It was the first time I think we all had butterflies in quite a while going up on stage, but it was incredible. It was at Dickies Arena in Fort Worth, and it was a packed house, and we had a little bit of arena experience, but not like this. And so when we got up there and I think we kind of were all in our heads a little bit through the first few songs and a little nervous. But once we found our flow, it felt really good, and it was a lot of fun and then it was over like that. Our set was 45 minutes that night and it just came and went so fast. But it was a rush.

Nick Niespodziani : It was interesting because most bands who've gotten to the level that we're at spent a lot of time on the road opening up for other bands, right? Like, that's pretty common. That's what you do. And when we when we were in an indie rock band, we would play 45-minute sets opening up for, you know, whoever. But this band had actually never opened up for someone else before, so that was a new experience. And we were also — another thing we haven't done a long time, we were playing in front of a bunch of people who we needed to win over. Like we're, you know, at this point we're playing places like Chastain headlining ourselves and everyone is there to see us and we've been there already and they've bought into what we're doing. So it was kind of like being the young buck again out there, like having to prove ourselves in an opening set. It was unfamiliar territory and a lot of that kind of like nervous energy came out, I think, in a pretty positive way. 

Peter Olson:  Yeah, and we're taking that two-hour playlist that we're so used to delivering. And when laying it down, when you talk about what is the Yacht Rock sound, like doing what we're best at, we had a limited time to, to deliver that.

Kristi York Wooten:  So what songs can folks expect when they come to Alpharetta next Saturday night? 

Nick Niespodziani:  We won't be playing any Kenny Loggins songs in our set. [Laughs]

Peter Olson:  So we check out what you might call the major boxes mean you can anticipate. Doobie Brothers and Christopher Cross and Toto. We can't give away the set list. I can’t tell you everything. 

Kristi York Wooten:  We’ve got to have some surprises there. You told me earlier that Kenny Loggins had asked you all to be on this tour. That it was a request from him. So how did that feel? 

Nick Niespodziani:  It was so cool. He came up right before we played and introduced himself to all of us and said, ‘You know, I'm really excited to have you guys. And it was my decision to have you on this tour. It wasn't my agent. It wasn't my manager telling me I had to do it. It was it was my decision, because I see the energy that you guys bring, and I want that to be a part of my show.’ And that was really a ‘Wow, we've made it’ kind of moment. 

Kristi York Wooten:  So did you watch from the wings? You watched Kenny from the wings, or were you out in the audience?

Peter Olson:  Oh, yeah. From the wings. We watched the whole show, and it — man, he brings it. He's still incredible.

Nick Niespodziani:  Yeah. If you're out there wondering, ‘Can Kenny Loggins still sing?’ The answer is emphatic, 'Yes!' His voice is money. 

Kristi York Wooten:  Do you have a show highlight from his set list? 

Nick Niespodziani:  Oh, there were several. For me, “Danny’s Song” is always one that gets me because that was one that my dad would play. He’d play those Loggins and Messina records in the garage when I was a kid. But then [Kenny] closed the show with “Forever,” which is a song that I hadn't really remembered as well. But then it got to that, that moment where he sings the big “forever” [sings] at the at the end. And he just nailed the note after his whole set. It was ... that one just knocked me back. It was incredible. 

Peter Olson:  Yeah. “Keep the Fire” is one of my favorites. But he touches on, he does the whole span of his career, and he breaks it down and pulls out the acoustic guitar. And not only can the guy sing, but the guy can still wail on the guitar. He's incredible. 

Kristi York Wooten:  And so this tour is going for several months this year. So do you have any plans for. Is it going to Europe or just this is just the North America tour? 

Nick Niespodziani:  Just United States? I don't know. Tell Kenny that he's wanted in Europe because we want to go. 

Kristi York Wooten:  Well, thank you both for being here. Nick Niespodziani and Peter Olson from Yacht Rock Revue performing and opening for the first time on a tour when they are used to being headliners. Opening for Kenny Loggins at the Ameris Bank Amphitheater in Alpharetta, Georgia, on May 13. Thank you again.

Peter Olson:  Thank you. 

Nick Niespodziani:  See you out there, Atlanta. 

Secondary Content

About the author.

Kristi York Wooten

Kristi York Wooten ( she/her ) is a digital editor and journalist based in Atlanta. She works with the GPB radio and digital news teams as an editor, writes and produces features for digital and radio and leads editorial and production for the GPB News Weekend newsletter. Her work appears in  The New York Times ,  The Economist ,  The Atlantic ,  Newsweek, Rolling Stone  and others.

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'Yacht rock is a vibe:' Yacht Rock Revue brings chill tunes to Massachusetts

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If the words “yacht rock” bring anything to mind, it’s probably the dulcet tones of Michael McDonald and Kenny Loggins, or West Coast-centric, boat-owning, soft-rocking, good time tunes.

“But more than that, yacht rock is a vibe,” Nicholas Niespodziani, who sings in the band Yacht Rock Revue, told GBH’s Morning Edition co-host Jeremy Siegel. “You know, you're drinking a piña colada on the beach, chilling out, this is the music to put on.”

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Yacht Rock Revue, icons of the nostalgia-heavy soft-rock genre popular in the 1970s and ’80s, are in Hyannis Thursday evening and at the Leader Bank Pavilion in Boston Friday.

“The exchange of energy between the band and the audience is incredible at our shows, particularly in Boston,” Niespodziani said. “We recorded our first live album in Boston and there's just something about Massachusetts, Smooth-achusetts, if you will, that that really connects.”

Niespodziani and Peter Olson, who also sings in the band, met growing up in Indiana. They formed a band called Y-O-U in the ’90s and started playing shows in Atlanta.

“We had an indie rock band but never really made it, and we were kind of on the back end of that, in our late 20s trying to figure out what was next,” Olson said.

The band did a yacht rock-themed show almost at random, playing a one-off for one-hit wonders of the 1970s, Olson said.

“We did one show and it sold out, and then we did another show and it sold out. And then all of a sudden it's becoming more popular and we're quitting our jobs and getting an office and buying a van and becoming a real band,” Olson said. “And it's been a wild journey. We keep wondering, when is it going to fade out? But it's only getting stronger 15 years in.”

The band has since grown to 10 members who tour nationwide for much of the year.

In Yacht Rock Revue’s early days, audiences seemed to be drawn to the music a bit more ironically, Olson said. He’d see people elbowing one another when Rupert Holmes’ “Escape (The Piña Colada Song)” came on.

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“These are wonderfully crafted songs, and there's something about them that actually never left,” Niespodziani said. “It's almost like they'd been in the subconscious part of our brains in that they've actually been spinning in like, your grocery store and your dentist's office and at your hardware store. If you pay close attention, once you know what yacht rock is, you'll realize that it's everywhere.”

It’s also just fun, Olson said.

“You don't have to feel guilty about enjoying the songs,” Olson said. “They're fun to listen to. They're fun to vibe out to or to rock out to. And there's nothing wrong with that. There's nothing to be ashamed of with that.”

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Yacht Rock Revue

Yacht Rock Revue is an American band that specializes in performing and paying tribute to the soft rock and yacht rock music of the 1970s and 1980s. The term " yacht rock " refers to a style of music characterized by smooth melodies, lush harmonies, and lyrics often associated with a carefree, summertime, or coastal lifestyle. Yacht Rock Revue is known for their energetic live performances and their faithful renditions of classic yacht rock songs, as well as their original music in the same style.

The band has a significant following for their nostalgic and entertaining shows. They often dress in retro attire to enhance the overall experience. Yacht Rock Revue tours extensively and is a popular act for fans of yacht rock and classic soft rock music. Their performances typically include hits from artists such as Steely Dan, Michael McDonald, Hall & Oates, Toto, and many others from the era.

  • 1 Formation
  • 2 Touring and National Recognition
  • 3 The Yacht Rock Revival
  • 4 2018-Present
  • 5 Discography
  • 6.1 Members
  • 7 References

Formation [ edit ]

Yacht Rock Revue formed in Atlanta, Georgia, in the early-2000s by a group of friends who shared a passion for the smooth, easy-listening music of the 1970s and 1980s. Founding members of the band  include current frontmen Nicholas Niespodziani and Peter Olson, who both have backgrounds in various musical projects before coming together to create Yacht Rock Revue. Many of the other additional members of the band came from the indie band, Y-O-U, one of said projects.

In the early days, Yacht Rock Revue primarily performed in and around the Atlanta area, gaining a local following for their energetic and entertaining performances. They quickly became known for their attention to detail, both in their musical arrangements and their onstage presence, often dressing in period-appropriate attire and incorporating humor and nostalgia into their shows.

As the band's popularity grew, they began touring more extensively, and their reputation as a premier yacht rock tribute act spread beyond Georgia. They gained a dedicated fanbase of people who appreciated their commitment to the music and the era it represented. Over the years, the band expanded its lineup and repertoire, including original songs in the yacht rock style.

Over the years, Yacht Rock Revue has shared the stage with Walter Egan , Robbie Dupree , Elliot Lurie ( Looking Glass ), Peter Beckett (Player), Bobby Kimball (former lead singer of Toto ), Jeff Carlisi ( .38 Special ), Albert Bouchard ( Blue Öyster Cult ), Bill Champlin ( Chicago ), Denny Laine ( Wings ) and more. [1]

Touring and National Recognition [ edit ]

As Yacht Rock Revue continued to hone their craft, their reputation as the premier yacht rock band spread. The band's lineup expanded as they added more talented musicians to their roster, allowing them to cover an even wider range of yacht rock hits. Over time, they included original songs in the yacht rock style, showcasing their songwriting prowess while staying true to the genre's signature sound.

A key turning point for Yacht Rock Revue was their decision to embark on extensive national tours. They began to play shows outside of Georgia, performing in cities across the United States.

The band's performances often featured hits from artists such as Steely Dan, Michael McDonald, Hall & Oates, Toto, Christopher Cross, and many others associated with yacht rock. Their setlists were carefully curated to capture the essence of the genre and its diverse range of musical styles.

Yacht Rock Revue's dedication to their craft and their infectious enthusiasm for yacht rock caught the attention of not only fans but also the media. They received favorable coverage in various publications and earned praise for their ability to revive and celebrate this nostalgic genre. Their shows attracted a diverse audience, from longtime yacht rock aficionados to younger music enthusiasts eager to discover the genre.

The Yacht Rock Revival [ edit ]

Yacht Rock Revue eventually began to host an annual concert where they would invite members of the original bands that they cover to join them on stage to play a few songs. The first Yacht Rock Revival was held in 2011 in a parking lot at Andrews Entertainment Complex in Atlanta with about 1,000 attendees. This continued to grow in popularity year after year, and by 2018, the Revival was held at State Bank Amphitheatre in Chastain Park to a sold-out crowd of over 6,000 people.

This has led to Yacht Rock Revue sharing the stage with Walter Egan , Robbie Dupree , Elliot Lurie ( Looking Glass ), Peter Beckett (Player), Bobby Kimball (former lead singer of Toto ), Jeff Carlisi ( .38 Special ), Albert Bouchard ( Blue Öyster Cult ), Bill Champlin ( Chicago ), Denny Laine ( Wings ) and more.

2018-Present [ edit ]

Following 2018, the band's popularity seemed to be growing at an exponential rate. They continued to tour nationwide and broaden their yacht rock brand. A signature sign of this is the massive quantity of captains hats that can be seen being worn by fans at their shows. The venues they were playing were becoming bigger and bigger, and the demand for live performances continued to rise.

In 2019, they released their first live album, containing 26 songs performed live in Boston. This would be followed in 2020 by their debut original album, “Hot Dads in Tight Jeans.”

In 2023, Kenny Loggins, a staple of the Yacht Rock genre, announced that he would be embarking on his final tour, “This Is It,” and that Yacht Rock Revue would be the opener. This gave the band its first opportunity to play in arenas and large amphitheaters, broadening their audience and giving them even more exposure.

In 2024, Yacht Rock Revue is slated to tour at their largest capacity yet opening for REO Speedwagon and Train. The shows will be played all across the country from July to September

Discography [ edit ]

  • Yacht Rock Revue (Live in Boston) (2019)
  • Hot Dads in Tight Jeans (2020)
  • COAST to COAST (Live) (2023)
  • Between the Moon and New York City (Live) (2023)

Personnel [ edit ]

Members [ edit ].

  • Nicholas Niespodziani - lead vocals, guitar, percussion
  • Peter Olson - lead vocals, guitar, percussion
  • Mark Dannells - lead guitar, backing vocals
  • Greg Lee - bass, backing vocals
  • David Freeman - keyboards, saxophone, flute, backing vocals
  • Mark Bencuya - keyboards, backing vocals
  • Keisha Jackson - backing vocals
  • Kourtney Jackson - backing vocals
  • Ganesh Lee -drums, percussion
  • Jason Nackers - drums, percussion

References [ edit ]

This article "Yacht Rock Revue" is from Wikipedia . The list of its authors can be seen in its historical and/or the page Edithistory:Yacht Rock Revue . Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one.

  • Blanked or modified
  • Cover bands
  • American soft rock music groups
  • 2007 establishments in Georgia (U.S. state)
  • Musical groups established in 2007

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Located next to Noginskoye Highway in Electrostal, Apelsin Hotel offers comfortable rooms with free Wi-Fi. Free parking is available. The elegant rooms are air conditioned and feature a flat-screen satellite TV and fridge...
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Ekotel Bogorodsk Hotel is located in a picturesque park near Chernogolovsky Pond. It features an indoor swimming pool and a wellness centre. Free Wi-Fi and private parking are provided...
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Surrounded by 420,000 m² of parkland and overlooking Kovershi Lake, this hotel outside Moscow offers spa and fitness facilities, and a private beach area with volleyball court and loungers...
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Surrounded by green parklands, this hotel in the Moscow region features 2 restaurants, a bowling alley with bar, and several spa and fitness facilities. Moscow Ring Road is 17 km away...
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Elektrostal Nearby

Below is a list of activities and point of interest in Elektrostal and its surroundings.

Elektrostal Page

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DB-City.comElektrostal /5 (2021-10-07 13:22:50)

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  1. Yacht Rock Revue

    Yacht Rock Revue is an American rock band formed in Atlanta, Georgia in 2007. ... In 2015, two of the founding band members, Peter Olson and Nicholas Niespodziani, opened Venkman's, a restaurant and music venue in Atlanta's Old Fourth Ward neighborhood.

  2. Faces of the 4th

    One night only. A cover band plays one hit wonders from the 70's in a smoky basement in the Virginia Highlands. The room is packed, the mood is groovy, and Yacht Rock Revue is born.Fast forward 11 years and I'm talking to Nick Niespodziani, singer, guitarist, leader of Yacht Rock Revue, and co-owner of Venkman's, while he's sitting in a hotel conference room eating a salad. "In the ...

  3. About

    Since their formation in 2007, Yacht Rock Revue has amassed a devoted following, drawing fans from all walks of life to their extraordinary live performances. Their attention to detail and devotion to authenticity are unrivaled, transporting audiences to a time when yacht parties and smooth sailing were the order of the day. ... Peter Olson ...

  4. About

    Yacht Rock Revue began in the least-yachtiest of states, 2,000 miles from breezy Marina del Rey. Niespodziani and Pete Olson met in the fourth grade in suburban Indiana, went on to Indiana University in the late Nineties, formed the band Y-O-U, then escaped - Rupert Holmes reference intended - to Atlanta.

  5. The accidental success of Yacht Rock Revue

    Richard L. Eldredge. One night in 2008, singers Nicholas Niespodziani and Peter Olson and drummer Mark Cobb, then members of the Atlanta-based indie rock band Y-O-U, showed up to their weekly ...

  6. Interview With Yacht Rock Revue Band Member Peter Olson

    interview with peter olson of yacht rock revue at mayo pac in morristown nj july 2016 jim petrecca yesterdays treasures productions

  7. Interview with Peter Olson

    Adam interviews Peter Olson one of the members of Yacht Rock Revue. Peter Olson with Adam Ritz. Peter Olson far left, performing with John Oates. Peter Olson far left with Yacht Rock Revue. Leave a Reply Cancel reply. You must be logged in to post a comment. Contact the Show. Your Name Email

  8. Wind in their sails: Columbus-infused Yacht Rock Revue members hit

    Columbus native Nick Niespodziani acknowledged that Yacht Rock Revue began far from the limelight of the record industry 12 years ago. "We played of lot of cruddy clubs," vocalist/guitarist ...

  9. Blasts from the past: Yacht Rock Revue preps '70s tunes and more for

    Columbus native and guitarist Peter Olson figured it would have been a wonderful, picture-perfect, full-circle moment. He so wanted he and his six bandmates in Yacht Rock Revue to take the stage ...

  10. ROLLING STONE: 'People Don't Let Go of These ...

    Who knows — perhaps their own 21st-century yacht jams will one day become a part of the genre's core canon. After years spent wondering and worrying when the yacht-rock wave would crash, Niespodziani and Olson have come to just enjoy the ride. "We always thought the fad would end. But people don't let go of these songs.

  11. The Revue is in: Yacht Rock takes over hospice concert

    Peter Olson, a Columbus native, performs with Yacht Rock Revue as part of the 34th Annual Our Hospice of South Central Indiana concert. The show was livestreamed from the Coca-Cola Roxy in Atlanta ...

  12. Yacht Rock Revue Lyrics, Songs, and Albums

    Yacht Rock Revue originated as a one-time joke project by Atlanta indie-rock band Y-O-U for a theme night at their club residency: A show full of smooth 70s hits, performed in the ... Peter Olson ...

  13. Confessions of a Cover Band: Yacht Rock Revue croons the hits you love

    Yacht rock was mostly made in the late '70s and early '80s, but the genre wasn't named until 2005 when JD Ryznar, a writer and actor, created the Yacht Rock web series with a few friends ...

  14. Plugged In: Yacht Rock Revue's dream tour with Kenny Loggins swings

    GPB's Kristi York Wooten talks with members of Yacht Rock Revue, an Atlanta band known for playing hits of the 1970s, '80s and beyond. The band is currently on tour with one of its musical heroes, Kenny Loggins, and will perform May 13 at Ameris Bank Amphitheatre in Alpharetta. ... Peter Olson: 2007 was the first Yacht Rock show. ...

  15. Yacht Rock Revue not a fad but a phenomenon

    The rise of Yacht Rock Revue. In the summer of 2008, after a second yacht rock night packed 10 High, the venue's booker Curtis Clark offered the core musicians, including former Y-O-U members ...

  16. 'Yacht rock is a vibe:' Yacht Rock Revue brings chill tunes to

    Yacht Rock Revue, icons of the nostalgia-heavy soft-rock genre popular in the 1970s and '80s, are in Hyannis Thursday evening and at the Leader Bank Pavilion in Boston Friday. ... Niespodziani and Peter Olson, who also sings in the band, met growing up in Indiana. ... The band has since grown to 10 members who tour nationwide for much of the ...

  17. Yacht Rock Revue

    Yacht Rock Revue is an American band that specializes in performing and paying tribute to the soft rock and yacht rock music of the 1970s and 1980s. ... Founding members of the band include current frontmen Nicholas Niespodziani and Peter Olson, who both have backgrounds in various musical projects before coming together to create Yacht Rock ...

  18. Peter Olson (@thepeterolson) • Instagram photos and videos

    1,378 Followers, 90 Following, 192 Posts - Peter Olson (@thepeterolson) on Instagram: "I'm here for this" thepeterolson. Follow. 192 posts. 1,381 followers. 89 following. Peter Olson. I'm here for this. www.hoponacure.org. Posts. Reels. Tagged 5 stars - would ride if they let me. 2 goals, a few high fives, and an awkward pic with a green ...

  19. Flag of Elektrostal, Moscow Oblast, Russia : r/vexillology

    596K subscribers in the vexillology community. A subreddit for those who enjoy learning about flags, their place in society past and present, and…

  20. State Housing Inspectorate of the Moscow Region

    State Housing Inspectorate of the Moscow Region Elektrostal postal code 144009. See Google profile, Hours, Phone, Website and more for this business. 2.0 Cybo Score. Review on Cybo.

  21. Kapotnya District

    A residential and industrial region in the south-east of Mocsow. It was founded on the spot of two villages: Chagino (what is now the Moscow Oil Refinery) and Ryazantsevo (demolished in 1979). in 1960 the town was incorporated into the City of Moscow as a district. Population - 45,000 people (2002). The district is one of the most polluted residential areas in Moscow, due to the Moscow Oil ...

  22. Plugged In: Yacht Rock Revue'S Dream Tour With Kenny Loggins Swings

    GPB's Kristi York Wooten talks with members of Yacht Rock Revue, an Atlanta band known for playing hits of the 1970s, '80s and beyond. The band is currently on tour with one of its musical heroes, Kenny Loggins, and will perform May 13 at Ameris Bank Amphitheatre in Alpharetta. ... Nick Niespodziani and Peter Olson: Great. Thanks for having us ...

  23. Elektrostal, Moscow Oblast, Russia

    Elektrostal Geography. Geographic Information regarding City of Elektrostal. Elektrostal Geographical coordinates. Latitude: 55.8, Longitude: 38.45. 55° 48′ 0″ North, 38° 27′ 0″ East. Elektrostal Area. 4,951 hectares. 49.51 km² (19.12 sq mi) Elektrostal Altitude.